This is a list of movies that a lot of people have seen, but almost all critics and audiences agree that these movies are awful.

Winchester (2018) 7,11,1,100

IMDB: 5.4, RT Aud: 35%, RT Critics: 13%

Like a grand staircase within the famous mansion that inspired it, Winchester appears poised to get a rise out of audiences, but ultimately leads nowhere.



The Strangers: Prey at Night (2018) 4,14,10,100

IMDB: 5.2, RT Aud: 36%, RT Critics: 38%

The Strangers: Prey at Night may appeal to fans of the original who've been jonesing for a sequel, but its thin story and ironic embrace of genre tropes add up to a bloody step back.



Gotti (2018) 5,12,0,100

IMDB: 4.9, RT Aud: 50%, RT Critics: 0%

GOTTI follows infamous crime boss John Gotti's (John Travolta) rise to become the "Teflon Don" of the Gambino Crime Family in New York City.



Sherlock Gnomes (2018) 6,13,6,100

IMDB: 5.0, RT Aud: 35%, RT Critics: 27%

Sherlock Gnomes is sadly, utterly stumped by the mystery of the reason for its own existence.



Pacific Rim: Uprising (2018) 10,11,8,100

IMDB: 5.7, RT Aud: 41%, RT Critics: 43%

Pacific Rim Uprising won't win any points for subtlety or originality, but it delivers enough of the rock 'em-sock 'em robots-vs.-kaiju thrills that fans of the original will be looking for.



Fifty Shades Freed (2018) 0,4,0,100

IMDB: 4.4, RT Aud: 38%, RT Critics: 12%

Fifty Shades Freed brings its titillating trilogy to a clumsy conclusion, making for a film franchise that adds up to a distinctly dissatisfying ménage à trois.



The Titan (2018) 1,7,7,100

IMDB: 4.8, RT Aud: 15%, RT Critics: 16%

In the near future, a military family is chosen to participate in a ground-breaking experiment to accelerate man's genetic evolution in order to relocate humanity to another planet.



How It Ends (2018) 1,1,11,100

IMDB: 5.0, RT Aud: 17%, RT Critics: 21%

As a mysterious apocalypse causes the spread of misinformation and violence, a man and his estranged father-in-law race across a chaotic and fractured country to save his pregnant wife.



Slender Man (2018) 0,0,0,100

IMDB: 3.0, RT Aud: 20%, RT Critics: 6%

Slender Man might be thin, but he's positively robust compared to the flimsy assortment of scares generated by the would-be chiller that bears his name.



Show Dogs (2018) 1,8,0,100

IMDB: 3.5, RT Aud: 26%, RT Critics: 16%

Show Dogs may entertain very young viewers, but for anyone else, it threatens the cinematic equivalent of a rolled-up newspaper on the snout.



The Nun (2018) 11,14,2,100

IMDB: 5.7, RT Aud: 41%, RT Critics: 26%

The Nun boasts strong performances, spooky atmospherics, and a couple decent set-pieces, but its sins include inconsistent logic and narrative slackness.



Escape Plan 2: Hades (2018) 0,5,3,100

IMDB: 3.8, RT Aud: 15%, RT Critics: 9%

Years after Ray Breslin [Academy Award (R) nominee Sylvester Stallone (Best Supporting Actor - Motion Picture, Creed, 2016)] fought his way out of the escape-proof prison called "The Tomb," he's organized a new top-notch, for-hire security force.



I Feel Pretty (2018) 4,1,12,100

IMDB: 5.3, RT Aud: 34%, RT Critics: 33%

I Feel Pretty has a charming star and the outline of a worthwhile comedy -- but unlike its suddenly confident central character, it suffers from a fundamental lack of conviction.



The 15:17 to Paris (2018) 3,11,1,100

IMDB: 5.1, RT Aud: 39%, RT Critics: 23%

The 15:17 to Paris pays clumsily well-intentioned tribute to an act of heroism, but by casting the real-life individuals involved, director Clint Eastwood fatally derails his own efforts.



Suburbicon (2017) 10,0,8,100

IMDB: 5.6, RT Aud: 25%, RT Critics: 28%

A disappointing misfire for director George Clooney, Suburbicon attempts to juggle social satire, racial commentary, and murder mystery -- and ends up making a mess of all three.



Rings (2017) 0,0,0,100

IMDB: 4.5, RT Aud: 24%, RT Critics: 7%

Rings may offer ardent fans of the franchise a few threadbare thrills, but for everyone else, it may feel like an endless loop of muddled mythology and rehashed plot points.



Death Note (2017) 0,0,12,100

IMDB: 4.6, RT Aud: 24%, RT Critics: 40%

Death Note benefits from director Adam Wingard's distinctive eye and a talented cast, but they aren't enough to overcome a fatally overcrowded canvas.



xXx: Return of Xander Cage (2017) 2,7,9,100

IMDB: 5.2, RT Aud: 38%, RT Critics: 45%

xXx: Return of Xander Cage should satisfy fans of the first two installments, but its preponderance of set pieces can't quite make up for a tired storyline that fails to take the franchise -- or action fans -- anywhere new.



The Snowman (2017) 1,0,0,100

IMDB: 5.1, RT Aud: 18%, RT Critics: 7%

A mystery that feels as mashed together and perishable as its title, The Snowman squanders its bestselling source material as well as a top-notch ensemble cast.



Father Figures (2017) 9,3,1,100

IMDB: 5.4, RT Aud: 27%, RT Critics: 17%

Success has many fathers, but failure is Father Figures.



Geostorm (2017) 2,2,0,100

IMDB: 5.3, RT Aud: 37%, RT Critics: 13%

Lacking impressive visuals, well-written characters, or involving drama, Geostorm aims for epic disaster-movie spectacle but ends up simply being a disaster of a movie.



Flatliners (2017) 3,3,0,100

IMDB: 5.2, RT Aud: 34%, RT Critics: 4%

Flatliners falls flat as a horror movie and fails to improve upon its source material, rendering this reboot dead on arrival.



Sleepless (2017) 10,10,4,100

IMDB: 5.6, RT Aud: 38%, RT Critics: 22%

Sleepless wastes a talented cast -- and solid source material -- on a tired crime drama whose clichés rapidly outnumber its thrills.



Snatched (2017) 0,0,12,100

IMDB: 4.4, RT Aud: 30%, RT Critics: 36%

Snatched has a pair of terrifically talented stars, but their presence isn't enough to compensate for this rote comedy's threadbare plot and scattershot laughs.



The Mummy (2017) 4,2,1,100

IMDB: 5.5, RT Aud: 35%, RT Critics: 15%

Lacking the campy fun of the franchise's most recent entries and failing to deliver many monster-movie thrills, The Mummy suggests a speedy unraveling for the Dark Universe.



Leatherface (2017) 3,3,4,100

IMDB: 5.0, RT Aud: 24%, RT Critics: 28%

Ten years later, the Sawyer teen kidnaps a young nurse and escapes with three other inmates.



Transformers: The Last Knight (2017) 1,11,0,100

IMDB: 5.2, RT Aud: 44%, RT Critics: 15%

Cacophonous, thinly plotted, and boasting state-of-the-art special effects, The Last Knight is pretty much what you'd expect from the fifth installment of the Transformers franchise.



Fist Fight (2017) 9,14,0,100

IMDB: 5.6, RT Aud: 41%, RT Critics: 25%

Fist Fight boasts a surplus of comedic muscle but flails lazily, and far too few of its jokes land with enough force to register.



Unforgettable (2017) 4,8,1,100

IMDB: 5.0, RT Aud: 34%, RT Critics: 26%

Unforgettable's talented cast makes this domestic thriller consistently watchable, even if its failure to fully embrace its premise's campy possibilities prevents it from living up to its title.



The Bye Bye Man (2017) 0,0,0,100

IMDB: 4.3, RT Aud: 22%, RT Critics: 21%

The Bye Bye Man clumsily mashes together elements from better horror films, adding up to a derivative effort as short on originality as it is on narrative coherency or satisfying scares.



Fifty Shades Darker (2017) 0,12,0,100

IMDB: 4.6, RT Aud: 48%, RT Critics: 10%

Lacking enough chemistry, heat, or narrative friction to satisfy, the limp Fifty Shades Darker wants to be kinky but only serves as its own form of punishment.



The House (2017) 9,9,0,100

IMDB: 5.6, RT Aud: 35%, RT Critics: 17%

The House squanders a decent premise and a talented cast on thin characterizations and a shortage of comic momentum.



The Layover (2017) 2,4,2,100

IMDB: 4.7, RT Aud: 23%, RT Critics: 0%

When their plane is rerouted due to a hurricane warning, two single female best friends (Alexandra Daddario, Kate Upton) find themselves competing for the same guy (Matt Barr) during an extended layover in St. Louis.



Woodshock (2017) 14,10,9,100

IMDB: 4.3, RT Aud: 27%, RT Critics: 25%

Woodshock's engages visually, but its half-baked premise is as underwhelming as it is unsatisfying.



The Emoji Movie (2017) 0,0,0,100

IMDB: 3.2, RT Aud: 39%, RT Critics: 7%

James Corden, Anna Faris, Jennifer Coolidge, Patrick Stewart, and Maya Rudolph also lend their voices to this film from Sony Pictures Animation.



Wish Upon (2017) 4,4,0,100

IMDB: 5.1, RT Aud: 31%, RT Critics: 16%

Wish Upon is neither scary nor original, but its fundamental flaws as a horror movie may make it destination viewing for after-midnight camp genre enthusiasts.



Just Getting Started (2017) 3,2,2,100

IMDB: 4.3, RT Aud: 10%, RT Critics: 5%

A thoroughly unfunny misfire, Just Getting Started manages the incredible feat of wasting more than a century of combined acting experience from its three talented leads.



Diary of a Wimpy Kid: The Long Haul (2017) 2,2,2,100

IMDB: 4.4, RT Aud: 34%, RT Critics: 19%

With an all-new cast but the same juvenile humor, Diary of a Wimpy Kid: The Long Haul finds the franchise still stuck in arrested -- and largely unfunny -- development.



Boo 2! A Madea Halloween (2017) 1,6,4,100

IMDB: 3.7, RT Aud: 40%, RT Critics: 5%

Madea, Bam and Hattie venture to a haunted campground and the group must literally run for their lives when monsters, goblins and the bogeyman are unleashed.



Cell (2016) 0,0,3,100

IMDB: 4.3, RT Aud: 17%, RT Critics: 12%

Shoddily crafted and devoid of suspense, Cell squanders a capable cast and Stephen King's once-prescient source material on a bland rehash of zombie cliches.



Get a Job (2016) 5,1,8,100

IMDB: 5.3, RT Aud: 21%, RT Critics: 4%

Miles Teller, Anna Kendrick, and Bryan Cranston star in this wickedly funny comedy about making it in the real world.



Blair Witch (2016) 1,1,12,100

IMDB: 5.0, RT Aud: 31%, RT Critics: 35%

Blair Witch doles out a handful of effective scares, but aside from a few new twists, it mainly offers a belated rehash of the original -- and far more memorable -- first film.



Norm of the North (2016) 0,0,0,100

IMDB: 3.6, RT Aud: 22%, RT Critics: 9%

A pioneering feat in the field of twerking polar bear animation but blearily retrograde in every other respect, Norm of the North should only be screened in case of parental emergency.



Zoolander 2 (2016) 0,0,3,100

IMDB: 4.7, RT Aud: 20%, RT Critics: 22%

Zoolander No. 2 has more celebrity cameos than laughs -- and its meager handful of memorable gags outnumbers the few worthwhile ideas discernible in its scattershot rehash of a script.



Independence Day: Resurgence (2016) 1,0,1,100

IMDB: 5.2, RT Aud: 30%, RT Critics: 30%

It's undeniably visually impressive, but like its predecessor, Independence Day: Resurgence lacks enough emotional heft to support its end-of-the-world narrative stakes.



Bad Santa 2 (2016) 11,6,1,100

IMDB: 5.6, RT Aud: 34%, RT Critics: 23%

Loaded up with the same scatological and misanthropic humor as its predecessor but precious little of its heart or genuine wit, Bad Santa 2 presents a foulmouthed shadow of Christmas past.



The Darkness (2016) 0,0,0,100

IMDB: 4.4, RT Aud: 19%, RT Critics: 3%

The Darkness clumsily relies on an assortment of genre tropes, leaving only the decidedly non-frightening ghost of superior horror films in its wake.



The 5th Wave (2016) 1,6,1,100

IMDB: 5.2, RT Aud: 38%, RT Critics: 15%

With unimpressive effects and plot points seemingly pieced together from previous dystopian YA sci-fi films, The 5th Wave ends up feeling like more of a limp, derivative wriggle.



The Disappointments Room (2016) 0,0,5,100

IMDB: 3.9, RT Aud: 17%, RT Critics: 0%

The Disappointments Room lives down to its title with a thrill-free thriller that presumably left its stars filled with regret - and threatens to do the same for audiences.



Gods of Egypt (2016) 3,3,0,100

IMDB: 5.4, RT Aud: 37%, RT Critics: 15%

Look on Gods of Egypt, ye filmgoers, and despair! Nothing beside remains. Round the decay of this colossal wreck, boundless and bare. The lone and level sands stretch far away. (Apologies to Shelley.)



Masterminds (2016) 14,7,5,100

IMDB: 5.8, RT Aud: 35%, RT Critics: 33%

Masterminds' great cast and stranger-than-fiction true story are largely wasted on a scattershot comedy with a handful of funny moments and far too much wackiness.



Shut In (2016) 1,0,0,100

IMDB: 4.7, RT Aud: 22%, RT Critics: 9%

Fatally undermined by a clichéd, confused plot and a total absence of thrills, Shut In wastes its talented cast -- and viewers' time.



The Boss (2016) 5,12,2,100

IMDB: 5.4, RT Aud: 38%, RT Critics: 22%

Melissa McCarthy remains as fiercely talented as ever, but her efforts aren't enough to prop up the baggy mess of inconsistent gags and tissue-thin writing that brings down The Boss.



Incarnate (2016) 6,2,3,100

IMDB: 5.2, RT Aud: 24%, RT Critics: 16%

Incarnate can't be accused of lack of ideas -- if only any of them made sense or coalesced in any meaningful or scary way.



Friend Request (2016) 5,4,0,100

IMDB: 5.3, RT Aud: 29%, RT Critics: 16%

Friend Request's attempts to update old-school teen horror for the digital age do not, sadly, include memorable characters, fresh scares, or novel storytelling twists.



The Forest (2016) 0,0,1,100

IMDB: 4.8, RT Aud: 22%, RT Critics: 9%

The Forest offers Natalie Dormer a few chances to showcase her range in a dual role, but they aren't enough to offset the fact that the movie's simply not all that scary.



Ice Age: Collision Course (2016) 11,6,1,100

IMDB: 5.7, RT Aud: 39%, RT Critics: 17%

Unoriginal and unfunny, Ice Age: Collision Course offers further proof that not even the healthiest box office receipts can keep a franchise from slouching toward creative extinction.



Mechanic: Resurrection (2016) 10,12,7,100

IMDB: 5.7, RT Aud: 40%, RT Critics: 32%

With little to recommend beyond a handful of entertaining set pieces, Mechanic: Resurrection suggests this franchise should have remained in its tomb.



Misconduct (2016) 7,10,0,100

IMDB: 5.3, RT Aud: 23%, RT Critics: 7%

An ambitious lawyer finds himself caught in a power struggle between a corrupt pharmaceutical executive and his firm's senior partner.



The Other Side of the Door (2016) 6,8,14,100

IMDB: 5.3, RT Aud: 29%, RT Critics: 37%

Laden with flimsy jump scares and cheap stereotypes, The Other Side of the Door wastes solid work from Sarah Wayne Callies on thoroughly middling horror fare.



Cabin Fever (2016) 0,4,0,100

IMDB: 3.7, RT Aud: 12%, RT Critics: 0%

The story is familiar: fresh out of college, a group of five friends retreat to a remote cabin in the woods for one last week of partying-only to become snacks for a gruesome, flesh-eating virus.



Yoga Hosers (2016) 0,7,0,100

IMDB: 4.3, RT Aud: 34%, RT Critics: 21%

Undisciplined, unfunny, and bereft of evident purpose, Yoga Hosers represents a particularly grating low point in Kevin Smith's once-promising career.



Exposed (2016) 0,3,3,100

IMDB: 4.3, RT Aud: 15%, RT Critics: 8%

Exposed lays its flaws fittingly bare for all but the least discerning viewers to see, starting with a dull yet convoluted plot that utterly overpowers the efforts of an intriguing cast.



Dog Eat Dog (2016) 3,13,14,100

IMDB: 4.6, RT Aud: 19%, RT Critics: 48%

Dog Eat Dog's refreshing bundle of quirks and surfeit of visual style aren't quite enough to compensate for an aimlessly forgettable story.



Nine Lives (2016) 5,10,0,100

IMDB: 5.3, RT Aud: 41%, RT Critics: 14%

His eponymous company FireBrand is nearing completion on its greatest achievement to date - the tallest skyscraper in the northern hemisphere.



Rupture (2016) 6,11,12,100

IMDB: 4.8, RT Aud: 16%, RT Critics: 18%

Derivative and clumsily assembled, Rupture manages the tricky feat of making arachnophobia seem dull.



Precious Cargo (2016) 2,14,2,100

IMDB: 4.6, RT Aud: 22%, RT Critics: 0%

In order to win back Eddie's trust, Karen recruits her ex-lover and premier thief Jack (Mark-Paul Gosselaar) to steal a cargo of rare precious gems.



Fifty Shades of Black (2016) 0,0,0,100

IMDB: 3.5, RT Aud: 19%, RT Critics: 6%

Wildly erratic even for a spoof movie, Fifty Shades of Black bears the unfortunate distinction of offering fewer laughs than the unintentionally funny film it's trying to lampoon.



The Wild Life (2016) 13,4,3,100

IMDB: 5.3, RT Aud: 28%, RT Critics: 16%

The Wild Life uses its classic source material as a half-hearted springboard into a colorfully animated but essentially empty experience that only the youngest of viewers will find at all entertaining.



Poltergeist (2015) 0,0,7,100

IMDB: 4.9, RT Aud: 22%, RT Critics: 32%

Paying competent homage without adding anything of real value to the original Poltergeist, this remake proves just as ephemeral (but half as haunting) as its titular spirit.



Accidental Love (2015) 0,0,1,100

IMDB: 4.1, RT Aud: 14%, RT Critics: 8%

Alice's perfect life is turned upside down when a freak accident leaves a nail lodged in her head, causing erratic (and erotic) behavior.



Aloha (2015) 4,0,2,100

IMDB: 5.4, RT Aud: 27%, RT Critics: 20%

Meandering and insubstantial, Aloha finds writer-director Cameron Crowe at his most sentimental and least compelling.



Fantastic Four (2015) 0,0,0,100

IMDB: 4.3, RT Aud: 18%, RT Critics: 9%

Dull and downbeat, this Fantastic Four proves a woefully misguided attempt to translate a classic comic series without the humor, joy, or colorful thrills that made it great.



Jupiter Ascending (2015) 2,4,2,100

IMDB: 5.3, RT Aud: 38%, RT Critics: 26%

Pleasing to the eye but narratively befuddled, Jupiter Ascending delivers another visually thrilling misfire from the Wachowskis.



The Human Centipede III (Final Sequence) (2015) 0,0,0,100

IMDB: 2.8, RT Aud: 10%, RT Critics: 17%

Human Centipede fans may find enough extreme body horror in the third installment to satisfy, but filmgoers of every other persuasion are strongly advised to stay far, far away from Final Sequence.



Point Break (2015) 3,1,0,100

IMDB: 5.3, RT Aud: 29%, RT Critics: 9%

Loaded with dazzling action but bereft of purpose, the Point Break remake will be remembered as the first film to make audiences pine for the simultaneous presences of Keanu Reeves and Gary Busey.



Wild Card (2015) 8,7,13,100

IMDB: 5.6, RT Aud: 29%, RT Critics: 31%

Hardcore Jason Statham fans may enjoy parts of Wild Card, but all other action aficionados need not apply.



Love the Coopers (2015) 14,6,0,100

IMDB: 5.7, RT Aud: 36%, RT Critics: 18%

Love the Coopers has a talented cast and a uniquely bittersweet blend of holiday cheer in its better moments, but they're all let down by a script content to settle for cloying smarm.



The Gallows (2015) 0,0,0,100

IMDB: 4.2, RT Aud: 22%, RT Critics: 16%

Narratively contrived and visually a mess, The Gallows sends viewers on a shaky tumble to the bottom of the found-footage horror barrel.



Fifty Shades of Grey (2015) 0,4,1,100

IMDB: 4.1, RT Aud: 41%, RT Critics: 25%

While creatively better endowed than its print counterpart, Fifty Shades of Grey is a less than satisfying experience on the screen.



Mojave (2015) 14,12,9,100

IMDB: 5.2, RT Aud: 24%, RT Critics: 31%

Mojave has no shortage of talent on either side of the camera; unfortunately, it amounts to little more than a frustrating missed opportunity.



Unfinished Business (2015) 6,1,0,100

IMDB: 5.4, RT Aud: 26%, RT Critics: 10%

Unfocused and unfunny, Unfinished Business lives down to its title with a slipshod screenplay and poorly directed performances that would have been better left unreleased.



Paranormal Activity: The Ghost Dimension (2015) 0,0,0,100

IMDB: 4.6, RT Aud: 27%, RT Critics: 13%

Paranormal Activity: The Ghost Dimension ties up some of the franchise's lingering questions, but six films into the series, the thrills are mostly gone.



The Ridiculous 6 (2015) 0,4,0,100

IMDB: 4.8, RT Aud: 32%, RT Critics: 0%

Every bit as lazily offensive as its cast and concept would suggest, The Ridiculous Six is standard couch fare for Adam Sandler fanatics and must-avoid viewing for film enthusiasts of every other persuasion.



Hot Tub Time Machine 2 (2015) 2,0,0,100

IMDB: 5.1, RT Aud: 26%, RT Critics: 13%

A shallow dip overflowing with juvenile humor, Hot Tub Time Machine 2 is a lukewarm sequel that's healthiest to avoid.



Hitman: Agent 47 (2015) 10,11,0,100

IMDB: 5.7, RT Aud: 40%, RT Critics: 8%

Hitman: Agent 47 fails to clear the low bar set by its predecessor, forsaking thrilling action in favor of a sleekly hollow mélange of dull violence and product placement.



Blackhat (2015) 4,0,7,100

IMDB: 5.4, RT Aud: 24%, RT Critics: 33%

Thematically timely but dramatically inert, Blackhat strands Chris Hemsworth in a muddled misfire from director Michael Mann.



Sinister 2 (2015) 3,1,1,100

IMDB: 5.3, RT Aud: 31%, RT Critics: 12%

Sinister 2 has a few ingredients that will be familiar to fans of the original; unfortunately, in this slapdash second installment, none of them are scary anymore.



Home Sweet Hell (2015) 8,6,6,100

IMDB: 5.4, RT Aud: 26%, RT Critics: 5%

Home Sweet Hell mistakes misogyny for subversive wit, aiming for black comedy but ending up with a grueling test of viewer endurance that wastes game efforts from its likable leads.



The Lazarus Effect (2015) 2,0,0,100

IMDB: 5.2, RT Aud: 23%, RT Critics: 14%

The Lazarus Effect has a talented cast and the glimmer of an interesting idea, but wastes it all on insipid characters and dull, recycled plot points.



The Transporter Refueled (2015) 2,2,0,100

IMDB: 5.2, RT Aud: 30%, RT Critics: 15%

The Transporter Refueled has little to offer beyond a handful of decent action sequences, leaving this reboot's title feeling more like wishful thinking than a restatement of purpose.



Return to Sender (2015) 5,6,1,100

IMDB: 5.1, RT Aud: 24%, RT Critics: 12%

Miranda (Academy Award nominee Rosamund Pike, Gone Girl) is a dedicated nurse, an exquisite cake maker and an impeccable friend.



Hot Pursuit (2015) 1,3,0,100

IMDB: 5.1, RT Aud: 35%, RT Critics: 7%

Shrill and unfunny, Hot Pursuit bungles what should have been an easy opportunity to showcase Reese Witherspoon and Sofia Vergara's likable odd-couple chemistry.



Mortdecai (2015) 6,0,0,100

IMDB: 5.5, RT Aud: 29%, RT Critics: 12%

Aggressively strange and willfully unfunny, the misguided Mortdecai sounds a frightfully low note in Johnny Depp's post-Pirates filmography.



Rock the Kasbah (2015) 12,1,0,100

IMDB: 5.5, RT Aud: 28%, RT Critics: 8%

The Shareef don't like Rock the Kasbah, and neither will viewers hoping for a film that manages to make effective use of Bill Murray's knack for playing lovably anarchic losers.



The Boy Next Door (2015) 0,1,0,100

IMDB: 4.7, RT Aud: 33%, RT Critics: 10%

The Boy Next Door may get a few howls out of fans of stalker thrillers, but for most viewers, it won't even rise to "so bad it's good" status.



Survivor (2015) 10,9,1,100

IMDB: 5.6, RT Aud: 32%, RT Critics: 8%

SURVIVOR is directed by James McTeigue and also stars Dylan McDermott, Angela Bassett and Robert Forster.



Regression (2015) 12,1,5,100

IMDB: 5.7, RT Aud: 21%, RT Critics: 15%

Regression boasts a pair of eminently likable leads -- neither of whom are able to dislodge the movie from the mire of psychological thriller mediocrity.



Pan (2015) 13,10,4,100

IMDB: 5.8, RT Aud: 41%, RT Critics: 27%

Pan finds a few bursts of magic in its prequel treatment of classic characters, though not enough to offset the rushed plot and shrill, CGI-fueled action.



Paul Blart: Mall Cop 2 (2015) 0,1,0,100

IMDB: 4.4, RT Aud: 33%, RT Critics: 5%

Bathed in flop sweat and bereft of purpose, Paul Blart: Mall Cop 2 strings together fat-shaming humor and Segway sight gags with uniformly unfunny results.



Vice (2015) 0,1,0,100

IMDB: 4.2, RT Aud: 15%, RT Critics: 3%

Julian Michaels (Bruce Willis) has designed the ultimate resort: VICE, where anything goes and the customers can play out their wildest fantasies with artificial inhabitants who look, think and feel like humans.



Jem and the Holograms (2015) 1,9,0,100

IMDB: 4.2, RT Aud: 40%, RT Critics: 19%

Jem and the Holograms ignores its source material's goofy charm in favor of bland by-the-numbers drama.



The Runner (2015) 5,14,14,100

IMDB: 4.7, RT Aud: 22%, RT Critics: 25%

In spite of a promising premise and a roundly talented cast, The Runner is a disappointing outing to be viewed by only the staunchest of Nicolas Cage completists.



By the Sea (2015) 6,2,9,100

IMDB: 5.3, RT Aud: 29%, RT Critics: 34%

By the Sea may intrigue celebrity voyeurs or fans of a certain type of arthouse cinema, but for most viewers, its beauty won't be enough to offset its narrative inertia.



A Merry Friggin' Christmas (2014) 9,3,9,100

IMDB: 5.1, RT Aud: 21%, RT Critics: 15%

When he realizes that he left his son's gifts at home, Boyd and his father must hit the road in a blizzard to retrieve the gifts before sunrise to save Christmas.



The Legend of Hercules (2014) 0,0,0,100

IMDB: 4.2, RT Aud: 33%, RT Critics: 2%

Cheap-looking, poorly acted, and dull, The Legend of Hercules is neither fun enough to qualify as an action movie nor absorbing enough to work on a dramatic level.



Seventh Son (2014) 5,2,0,100

IMDB: 5.5, RT Aud: 34%, RT Critics: 12%

Seventh Son squanders an excellent cast and some strange storyline ingredients, leaving audiences with one disappointingly dull fantasy adventure.



Ouija (2014) 0,0,0,100

IMDB: 4.5, RT Aud: 24%, RT Critics: 6%

Slowly, steadily, although no one seems to be moving it in that direction, the Ouija planchette points to NO.



Serena (2014) 6,0,2,100

IMDB: 5.4, RT Aud: 23%, RT Critics: 16%

Serena unites an impressive array of talent on either side of the cameras -- then leaves viewers to wonder how it all went so wrong.



Dying of the Light (2014) 1,7,4,100

IMDB: 4.4, RT Aud: 15%, RT Critics: 8%

Dying of the Light envelops the spark of several intriguing talents, leaving audiences lost in a yawning void of uninspired filmmaking.



The Angriest Man in Brooklyn (2014) 14,7,3,100

IMDB: 5.7, RT Aud: 29%, RT Critics: 10%

Henry Altmann (Williams) has one every day.



Good People (2014) 10,4,10,100

IMDB: 5.5, RT Aud: 22%, RT Critics: 10%

Young American couple Tom and Anna Reed (James Franco and Kate Hudson) fall into severe debt while renovating Anna's family home in London.



I, Frankenstein (2014) 1,2,0,100

IMDB: 5.1, RT Aud: 38%, RT Critics: 5%

Loud, incoherent, and dramatically listless, I, Frankenstein is a remarkably dull fantasy adventure that fails to generate much excitement or interest in its characters.



Outcast (2014) 1,5,4,100

IMDB: 4.6, RT Aud: 21%, RT Critics: 4%

Unforgivably dull, Outcast fails to deliver virtually all of the goofy fun that should come from a movie starring Nicolas Cage and Hayden Christensen in ancient China.



Sabotage (2014) 10,7,2,100

IMDB: 5.7, RT Aud: 36%, RT Critics: 20%

Sabotage boasts one of Arnold Schwarzenegger's finer post-political performances, but it's wasted in a movie driven by grueling violence that punishes seemingly without purpose.



Pompeii (2014) 5,5,2,100

IMDB: 5.5, RT Aud: 34%, RT Critics: 27%

This big-budget sword-and-sandal adventure lacks the energy and storytelling heft to amount to more than a guilty pleasure.



Monsters: Dark Continent (2014) 0,0,5,100

IMDB: 4.3, RT Aud: 15%, RT Critics: 17%

Monsters: Dark Continent lacks the fresh approach and thought-provoking subtext of its predecessor, settling instead for tired war movie clichés.



Everly (2014) 3,8,2,100

IMDB: 5.1, RT Aud: 29%, RT Critics: 28%

Everly benefits from Joe Lynch's stylish direction and Salma Hayek's starring work, but it's too thinly written and sleazily violent to fully recommend.



Sex Tape (2014) 1,2,0,100

IMDB: 5.1, RT Aud: 33%, RT Critics: 16%

With neither the conviction to embrace its smutty premise nor enough laughs to function as a worthwhile rom-com, the flaccid Sex Tape suffers from cinematic impotence.



Kite (2014) 2,2,10,100

IMDB: 4.4, RT Aud: 18%, RT Critics: 0%

A young woman, Sawa, is orphaned following the murder of her parents and is later taken off the streets by a crooked, Svengali-like detective who employs homeless children to do his dirty work.



The Longest Week (2014) 10,2,12,100

IMDB: 5.4, RT Aud: 21%, RT Critics: 10%

Affluent and aimless, Conrad Valmont lives a life of leisure in his parent's prestigious Manhattan Hotel.



Dumb and Dumber To (2014) 7,2,2,100

IMDB: 5.6, RT Aud: 35%, RT Critics: 29%

Dumb and Dumber To does have its moments, but not enough of them -- and the Farrelly brothers' brand of humor is nowhere near as refreshingly transgressive as it once seemed.



Cabin Fever 3: Patient Zero (2014) 1,8,11,100

IMDB: 4.4, RT Aud: 13%, RT Critics: 23%

After an ill-fated swim in contaminated water, they stumble upon a seemingly abandoned research facility where a deadly, flesh-eating virus has been unleashed.



Tammy (2014) 0,5,1,100

IMDB: 4.9, RT Aud: 36%, RT Critics: 24%

Melissa McCarthy remains an engaging screen presence, but her efforts aren't enough to keep the jumbled Tammy on track.



Authors Anonymous (2014) 8,13,13,100

IMDB: 4.3, RT Aud: 15%, RT Critics: 7%

While her career takes off, her eccentric and envious colleagues (Chris Klein, Teri Polo, Dylan Walsh, Dennis Farina and Jonathan Bennett) struggle to find their own paths to publishing fame and fortune.



The Bag Man (2014) 6,8,1,100

IMDB: 5.3, RT Aud: 22%, RT Critics: 8%

THE BAG MAN is a taut crime thriller that follows the story of JACK (John Cusack), a tough guy with chronic bad luck but human touches.



The Quiet Ones (2014) 3,1,9,100

IMDB: 5.1, RT Aud: 25%, RT Critics: 35%

While it definitely sports a few palpable scares, The Quiet Ones finds Hammer Films trading too heavily on past glories.



Jessabelle (2014) 7,5,12,100

IMDB: 5.4, RT Aud: 31%, RT Critics: 27%

Jessabelle hints at a bright future for star Sarah Snook, but clouds her performance with a cliched -- and tasteless -- storyline.



Behaving Badly (2014) 1,3,12,100

IMDB: 4.4, RT Aud: 29%, RT Critics: 0%

In this fast-paced, outrageously funny, all-star romp, socially awkward high schooler Rick Stevens (Nat Wolff) is willing to do whatever it takes to win the heart of the girl of his dreams



The Woman in Black 2: Angel of Death (2014) 1,0,5,100

IMDB: 4.9, RT Aud: 24%, RT Critics: 21%

The Woman in Black 2: Angel of Death is atmospheric and visually sharp, but it's short on tension and scares.



Rage (2014) 2,5,0,100

IMDB: 5.0, RT Aud: 28%, RT Critics: 12%

Depressingly dull and all-around poorly made, Rage is the rare Nicolas Cage action thriller lacking enough energy to reach "so bad it's good" territory.



Left Behind (2014) 0,1,0,100

IMDB: 3.1, RT Aud: 39%, RT Critics: 1%

Yea verily, like unto a plague of locusts, Left Behind hath begat a further scourge of devastation upon Nicolas Cage's once-proud filmography.



Paranormal Activity: The Marked Ones (2014) 1,3,7,100

IMDB: 5.0, RT Aud: 34%, RT Critics: 39%

A change of setting breathes some new life into the franchise, but Paranormal Activity: The Marked Ones fails to provide enough consistent thrills to justify a fifth film in the series.



Devil's Due (2014) 0,0,2,100

IMDB: 4.1, RT Aud: 21%, RT Critics: 16%

Derivative and mostly uninspired, Devil's Due adds little to either the found-footage or horror genres that it's content to mimic.



The Pyramid (2014) 0,0,0,100

IMDB: 4.6, RT Aud: 22%, RT Critics: 12%

Poorly lit and thinly writ, The Pyramid houses little more than clunky dialogue, amateurish acting, and dusty found-footage scares.



Atlas Shrugged: Who Is John Galt? (2014) 6,11,11,100

IMDB: 4.4, RT Aud: 41%, RT Critics: 0%

Who is John Galt?



United Passions (2014) 0,11,1,100

IMDB: 2.1, RT Aud: 12%, RT Critics: 0%

Gerard Depardieu, Sam Neill and Tim Roth trace the history of the FIFA World Cup in United Passions.



A Haunted House 2 (2014) 0,11,0,100

IMDB: 4.7, RT Aud: 43%, RT Critics: 7%

Sloppy, vulgar, and manic, A Haunted House 2 might be worth a chuckle or two, but mostly it's a string of pop culture references and crude gags that fail to hit their intended targets.



American Heist (2014) 3,2,14,100

IMDB: 5.1, RT Aud: 18%, RT Critics: 13%

While Frankie served time, James worked to turn his life around, got a steady job and began courting his former girlfriend Emily.



Extraterrestrial (2014) 3,4,9,100

IMDB: 5.0, RT Aud: 26%, RT Critics: 29%

Extraterrestial does deliver a certain amount of gory genre thrills, but they're outweighed by the crushing clichés of its sagging script.



Cymbeline (2014) 1,2,14,100

IMDB: 3.8, RT Aud: 14%, RT Critics: 31%

When extortion, betrayal, and fiery passions threaten his criminal empire, a drug kingpin is driven to desperate measures in this explosive film based on Shakespeare's Cymbeline.



The Cobbler (2014) 14,11,0,100

IMDB: 5.8, RT Aud: 36%, RT Critics: 9%

The Cobbler represents a slight step up from Adam Sandler's recent comedies, but while its cloying sentiment proves a more palatable substitute for his usual crass humor, it still isn't terribly compelling.



Annabelle (2014) 3,5,3,100

IMDB: 5.4, RT Aud: 36%, RT Critics: 28%

Annabelle borrows unabashedly from better horror films, content to leave viewers with a string of cheap jolts that fail to build on the far more effective The Conjuring.



D' Mrs. Brown's Boys Movie (2014) 2,12,12,100

IMDB: 4.3, RT Aud: 43%, RT Critics: 6%

A company tries to shut down Mrs Brown's fruit and veg stall.



V/H/S Viral (2014) 0,0,8,100

IMDB: 4.2, RT Aud: 14%, RT Critics: 36%

A police chase after a deranged ice cream truck has captivated the attention of the greater Los Angeles area.



R.I.P.D. (2013) 7,9,0,100

IMDB: 5.6, RT Aud: 38%, RT Critics: 13%

It has its moments -- most of them courtesy of Jeff Bridges' rootin' tootin' performance as an undead Wild West sheriff -- but R.I.P.D. is ultimately too dim-witted and formulaic to satisfy.



Scary Movie 5 (2013) 0,4,0,100

IMDB: 3.5, RT Aud: 38%, RT Critics: 3%

Juvenile even by Scary Movie standards, this fifth installment offers stale pop culture gags that generate few laughs.



The Colony (2013) 3,2,6,100

IMDB: 5.3, RT Aud: 22%, RT Critics: 15%

A formulaic sci-fi thriller, The Colony features cliched dialogue, cheesy special effects, and underdeveloped characters.



The Lovers (2013) 7,11,12,100

IMDB: 4.6, RT Aud: 19%, RT Critics: 7%

Great Barrier Reef, 2010.



Movie 43 (2013) 0,0,0,100

IMDB: 4.3, RT Aud: 24%, RT Critics: 3%

A star-studded turkey, Movie 43 is loaded with gleefully offensive and often scatological gags, but it's largely bereft of laughs.



Paranoia (2013) 12,4,0,100

IMDB: 5.7, RT Aud: 35%, RT Critics: 6%

Clichéd and unoriginal, Paranoia is a middling techno-thriller with indifferent performances and a shortage of thrills.



Killing Season (2013) 5,5,7,100

IMDB: 5.4, RT Aud: 29%, RT Critics: 10%

Deep in the Appalachian Mountains, a reclusive American military veteran (Robert De Niro) and a European tourist (John Travolta) strike up an unlikely friendship.



Are You Here (2013) 6,1,1,100

IMDB: 5.3, RT Aud: 22%, RT Critics: 6%

Given the amount of talent assembled on both sides of the camera, Are You Here falls bewilderingly flat.



Texas Chainsaw 3D (2013) 0,4,0,100

IMDB: 4.8, RT Aud: 41%, RT Critics: 18%

As an ugly and cynical attempt to rebrand Leatherface as horror anti-hero, Texas Chainsaw 3D is a bold move for the franchise.



A Good Day to Die Hard (2013) 2,9,0,100

IMDB: 5.3, RT Aud: 40%, RT Critics: 14%

A Good Day to Die Hard is the weakest entry in a storied franchise, and not even Bruce Willis' smirking demeanor can enliven a cliched, uninspired script.



Tarzan (2013) 2,8,14,100

IMDB: 4.8, RT Aud: 33%, RT Critics: 17%

Nearly a decade later, Tarzan encounters beautiful Jane Porter, and begins to long for human contact.



The Last Days on Mars (2013) 7,2,11,100

IMDB: 5.5, RT Aud: 25%, RT Critics: 19%

Neither intelligent enough to work as thought-provoking sci-fi nor trashy enough to provide B-movie thrills, The Last Days on Mars proves as cinematically barren as the titular planet.



Diana (2013) 9,1,0,100

IMDB: 5.5, RT Aud: 25%, RT Critics: 7%

Naomi Watts tries hard in the title role, but Diana buries her efforts under a shoddy script and clumsy direction.



Walking with Dinosaurs 3D (2013) 6,12,4,100

IMDB: 5.2, RT Aud: 41%, RT Critics: 23%

Walking with Dinosaurs boasts painstaking visual brilliance, but it's unfortunately clouded by a clumsy script that's dominated by juvenile humor.



After Earth (2013) 0,2,0,100

IMDB: 4.8, RT Aud: 36%, RT Critics: 11%

After Earth is a dull, ploddingly paced exercise in sentimental sci-fi -- and the latest setback for director M. Night Shyamalan's once-promising career.



Vehicle 19 (2013) 2,4,14,100

IMDB: 4.9, RT Aud: 31%, RT Critics: 23%

It starts with an interesting premise and Paul Walker is as handsomely brooding as ever, but Vehicle 19's incoherently shot action sequences make it a poor substitute for his work in the Fast & Furious movies.



The Big Wedding (2013) 8,11,0,100

IMDB: 5.6, RT Aud: 41%, RT Critics: 7%

The Big Wedding's all-star cast is stranded in a contrived, strained plot that features broad stabs at humor but few laughs.



Machete Kills (2013) 7,6,4,100

IMDB: 5.6, RT Aud: 34%, RT Critics: 28%

While possessed with the same schlocky lunacy as its far superior predecessor, Machete Kills loses the first installment's spark in a less deftly assembled sequel.



The Last Exorcism Part II (2013) 0,0,0,100

IMDB: 4.0, RT Aud: 26%, RT Critics: 15%

The Last Exorcism Part II ditches the found footage format for relatively earnest but deadly tedious psychological terror that devolves into hokum anyways.



Getaway (2013) 0,1,0,100

IMDB: 4.4, RT Aud: 35%, RT Critics: 2%

Monotonously fast-paced to the point of exhaustion, Getaway offers a reminder of the dangers in attempting to speed past coherent editing, character development, sensible dialogue, and an interesting plot.



The Purge (2013) 9,4,13,100

IMDB: 5.7, RT Aud: 36%, RT Critics: 37%

Half social allegory, half home-invasion thriller, The Purge attempts to make an intelligent point, but ultimately devolves into numbing violence and tired clichés.



The Counselor (2013) 2,0,8,100

IMDB: 5.3, RT Aud: 23%, RT Critics: 34%

The Counselor raises expectations with its talented cast and creative crew -- then subverts them with a wordy and clumsy suspense thriller that's mercilessly short on suspense or thrills.



Hammer of the Gods (2013) 1,2,12,100

IMDB: 4.5, RT Aud: 26%, RT Critics: 28%

Steinar's epic journey across terrifyingly hostile territory gradually sees him emerge as the man his father wants him to be - the ruthless and unforgiving successor to his throne.



The Lifeguard (2013) 13,3,12,100

IMDB: 5.6, RT Aud: 26%, RT Critics: 13%

(c) Screen Media and Focus World



Stranded (2013) 0,1,10,100

IMDB: 3.5, RT Aud: 9%, RT Critics: 0%

Before long, the crew discovers the meteors harbored alien spores



The Canyons (2013) 0,0,1,100

IMDB: 3.8, RT Aud: 15%, RT Critics: 22%

Oppressively misanthropic and ineptly made, The Canyons serves as a sour footnote in Paul Schrader's career -- but it does feature some decent late-period work from Lindsay Lohan.



Hell Baby (2013) 4,4,10,100

IMDB: 4.9, RT Aud: 27%, RT Critics: 31%

Though its brand of immature comedy may appeal to some, Hell Baby misses the mark with much of its humor, rendering it a largely ineffective -- and often crass -- genre sendup.



Runner Runner (2013) 8,2,1,100

IMDB: 5.6, RT Aud: 33%, RT Critics: 7%

It has an impressive cast and an intriguing premise, but Runner Runner wastes them on a bland, haphazardly assembled thriller with very little payoff.



The Green Inferno (2013) 4,2,6,100

IMDB: 5.3, RT Aud: 30%, RT Critics: 35%

The Green Inferno may not win writer-director Eli Roth many new converts, but fans of his flair for gory spectacle should find it a suitably gruesome diversion.



The Starving Games (2013) 0,0,11,100

IMDB: 3.3, RT Aud: 21%, RT Critics: 0%

The comedy is directed by Jason Friedberg and Aaron Seltzer (Meet the Spartans, Vampires Suck) and is produced by Peter Safran (The Conjuring, Vampires Suck).



Gambit (2012) 13,3,5,100

IMDB: 5.7, RT Aud: 23%, RT Critics: 16%

Colin Firth and Cameron Diaz headline this remake of the 1966 crime caper directed by Michael Hoffman (The Last Station) and written by Joel and Ethan Coen.



The Babymakers (2012) 5,3,1,100

IMDB: 5.0, RT Aud: 22%, RT Critics: 8%

The Babymakers mistakes raunch for humor and, despite a few sporadic laughs, wastes its otherwise capable cast on gross-out gags and misfired one-liners.



Jack & Diane (2012) 7,1,9,100

IMDB: 4.5, RT Aud: 20%, RT Critics: 11%

Diane's charming innocence quickly begins to open Jack's tough skinned heart.



Silent Hill: Revelation (2012) 1,1,0,100

IMDB: 5.0, RT Aud: 35%, RT Critics: 6%

Mediocre effort even by the standards of video game adaptations, Silent Hill: Revelation 3D features weak characters and an incomprehensible plot with a shortage of scares.



Lay the Favorite (2012) 2,4,2,100

IMDB: 4.8, RT Aud: 19%, RT Critics: 18%

Beth Raymer leaves her dancing job at a Florida strip club to become a Las Vegas cocktail waitress.



The Watch (2012) 9,9,0,100

IMDB: 5.7, RT Aud: 39%, RT Critics: 17%

The Watch uneasily mixes sci-fi elements with gross-out gags and strands its talented cast with a script that favors vulgarity over wit at nearly every turn.



Bullet to the Head (2012) 11,12,13,100

IMDB: 5.7, RT Aud: 39%, RT Critics: 46%

Bullet to the Head's unapologetically trashy thrills evoke memories of its star and director's proud cinematic pasts -- but sadly, those memories are just about all it has to offer.



The Cold Light of Day (2012) 1,1,0,100

IMDB: 4.9, RT Aud: 29%, RT Critics: 4%

Will Shaw (Henry Cavill) goes to Spain for a weeklong sailing vacation with his family but his whole world turns upside down when the family is kidnapped by intelligence agents hell-bent on recovering a mysterious briefcase and Will suddenly finds himself on the run.



The Apparition (2012) 0,0,0,100

IMDB: 4.1, RT Aud: 24%, RT Critics: 3%

The Apparition fails to offer anything original, isn't particularly scary, and offers so little in the way of dramatic momentum that it's more likely to put you to sleep than thrill you.



Bait (2012) 5,10,14,100

IMDB: 5.2, RT Aud: 28%, RT Critics: 46%

Bait isn't entirely lacking in the shark action department, but a silly story and thinly sketched characters may leave audiences bored between bloody attacks.



Bel Ami (2012) 7,4,8,100

IMDB: 5.4, RT Aud: 29%, RT Critics: 27%

Bel Ami contains some soapy pleasures but it overall rushes through the narrative and suffers from a vague central performance by Robert Pattinson.



Nature Calls (2012) 4,2,9,100

IMDB: 3.9, RT Aud: 17%, RT Critics: 4%

Drinking, nudity, mishandled fireworks and tremendously inappropriate behavior around minors ensues, in the grand tradition of comedy classics like The Bad News Bears and Meatballs.



Dark Tide (2012) 1,3,3,100

IMDB: 4.3, RT Aud: 15%, RT Critics: 0%

Shallow and brackish, Dark Tide fails to rise.



Playing for Keeps (2012) 12,13,0,100

IMDB: 5.7, RT Aud: 41%, RT Critics: 3%

Witless, unfocused, and arguably misogynistic, Playing for Keeps is a dispiriting, lowest-common-denominator Hollywood rom-com.



The Devil Inside (2012) 0,0,0,100

IMDB: 4.2, RT Aud: 22%, RT Critics: 6%

The Devil Inside is a cheap, choppy unscary mess, featuring one of the worst endings in recent memory.



House at the End of the Street (2012) 7,10,1,100

IMDB: 5.6, RT Aud: 41%, RT Critics: 11%

Poorly conceived, clumsily executed, and almost completely bereft of scares, House at the End of the Street strands its talented star in a film as bland as its title.



One for the Money (2012) 3,11,0,100

IMDB: 5.3, RT Aud: 42%, RT Critics: 1%

Dull and unfunny, One For the Money wastes Katherine Heigl's talents on a stunningly generic comic thriller.



ATM (2012) 0,0,10,100

IMDB: 4.7, RT Aud: 23%, RT Critics: 8%

After leaving their company Christmas Party together, David Hargrove and Emily Brandt's impromptu first date takes an unexpected turn when their coworker, Corey, asks them to make a late-night stop at an ATM.



Stolen (2012) 6,6,14,100

IMDB: 5.5, RT Aud: 34%, RT Critics: 15%

To get his hands on it, his old partner Vincent kidnaps Allison and demands the entire $ 10 Million as ransom.



Piranha 3DD (2012) 0,0,0,100

IMDB: 3.7, RT Aud: 22%, RT Critics: 13%

It strains to up the gore and self-awareness of it predecessor, and -- despite some game celebrity cameos -- the result is a dispiriting echo of 2010's horror-comedy.



Generation Um... (2012) 2,12,12,100

IMDB: 4.1, RT Aud: 22%, RT Critics: 0%

After partying in New York City last night, John and his beautiful girlfriends Mia and Violet form an intimate bond as their deepest secrets from their past are revealed.



Darling Companion (2012) 13,3,3,100

IMDB: 5.1, RT Aud: 29%, RT Critics: 20%

Struggling with her distracted, self-involved husband Joseph (Kevin Kline) and an empty nest at home, Beth forms a special bond with the rescued animal.



Aftershock (2012) 2,1,9,100

IMDB: 4.8, RT Aud: 24%, RT Critics: 37%

Aftershock hints at an inventive twist on horror tropes, but ultimately settles for another round of mind-numbing depravity that may alternately bore and revolt all but the most ardent gore enthusiasts.



Assassin's Bullet (2012) 1,11,6,100

IMDB: 3.6, RT Aud: 12%, RT Critics: 6%

When an unknown vigilante begins killing high-priority terrorists from America's Most Wanted list in Europe, a former FBI field agent (Christian Slater) is brought in by the US Ambassador (Donald Sutherland) to discover the identity of the assassin.



Dracula 3D (2012) 0,2,2,100

IMDB: 3.6, RT Aud: 14%, RT Critics: 13%

Schlocky and gross but far from bad enough to be good, Argento's Dracula 3D bites and sucks in all the wrong ways.



The ABCs of Death (2012) 1,0,10,100

IMDB: 4.7, RT Aud: 23%, RT Critics: 36%

As is often the case with anthology films, The ABCs of Death is wildly uneven, with several legitimately scary entries and a bunch more that miss the mark.



About Cherry (2012) 2,1,14,100

IMDB: 4.8, RT Aud: 15%, RT Critics: 14%

One morning her boyfriend (Jonny Weston) suggests she take naked pictures for money.



Chernobyl Diaries (2012) 1,0,1,100

IMDB: 5.0, RT Aud: 28%, RT Critics: 17%

Despite an interesting premise and spooky atmospherics, Chernobyl Diaries is mostly short on suspense and originality.



Smiley (2012) 0,1,7,100

IMDB: 3.5, RT Aud: 30%, RT Critics: 18%

After learning of an urban legend in which a demented serial killer named "Smiley" can be summoned through the Internet, mentally fragile Ashley (Caitland Gerard) must decide whether she is losing her mind or becoming Smiley's next victim.



A Glimpse Inside the Mind of Charles Swan III (2012) 6,3,0,100

IMDB: 4.8, RT Aud: 26%, RT Critics: 14%

Charles (Charlie Sheen) is a successful graphic designer whose fame, money and charm have provided him with a seemingly perfect life.



Paranormal Activity 4 (2012) 0,2,2,100

IMDB: 4.6, RT Aud: 34%, RT Critics: 24%

While it does manage to wring a few more screams out of the franchise's surprisingly durable premise, Paranormal Activity 4 provides fans of the series with dismayingly diminishing returns.



The Color of Time (2012) 14,6,7,100

IMDB: 4.4, RT Aud: 20%, RT Critics: 4%

James Franco, Mila Kunis, Jessica Chastain, and Zach Braff star in this dramatic and inventive look at the life and work of ionic Pulitzer Prize-winning poet C.K.



Keith Lemon: The Film (2012) 0,0,7,100

IMDB: 2.6, RT Aud: 19%, RT Critics: 0%

A comedy about Keith following his dreams of becoming a successful entrepreneur, just like his hero Richard Branson.



Season of the Witch (2011) 3,0,0,100

IMDB: 5.4, RT Aud: 30%, RT Critics: 9%

Slow, cheap-looking, and dull, Season of the Witch fails even as unintentional comedy.



Jack and Jill (2011) 0,0,0,100

IMDB: 3.3, RT Aud: 36%, RT Critics: 2%

Although it features an inexplicably committed performance from Al Pacino, Jack and Jill is impossible to recommend on any level whatsoever.



Conan the Barbarian (2011) 1,1,1,100

IMDB: 5.2, RT Aud: 30%, RT Critics: 23%

While its relentless, gory violence is more faithful to the Robert E. Howard books, Conan the Barbarian forsakes three-dimensional characters, dialogue, and acting in favor of unnecessary 3D effects.



Hoodwinked Too! Hood vs. Evil (2011) 2,3,0,100

IMDB: 4.8, RT Aud: 35%, RT Critics: 10%

It may add 3D to the original, but Hoodwinked Too! is missing the first installment's wit and refreshingly low-budget charm.



Ghost Rider: Spirit of Vengeance (2011) 0,0,0,100

IMDB: 4.3, RT Aud: 32%, RT Critics: 17%

With a weak script, uneven CG work, and a Nic Cage performance so predictably loony it's no longer amusing, Ghost Rider: Spirit of Vengeance aims to be trashy fun but ends up as plain trash.



The Darkest Hour (2011) 0,0,0,100

IMDB: 4.9, RT Aud: 25%, RT Critics: 11%

The 3D thriller highlights the classic beauty of Moscow alongside mind-blowing special effects.



Hick (2011) 14,13,3,100

IMDB: 5.7, RT Aud: 36%, RT Critics: 4%

Small town teenager Luli (Chloe Grace Moretz) escapes to Las Vegas, leaving behind her alcoholic and abusive parents.



Zookeeper (2011) 2,10,0,100

IMDB: 5.2, RT Aud: 41%, RT Critics: 13%

Zookeeper smothers Kevin James's with a sodden script and a surfeit of jokes inappropriate for the young viewers who would be intrigued by its juvenile storyline.



Your Highness (2011) 5,1,1,100

IMDB: 5.5, RT Aud: 34%, RT Critics: 27%

Big budgets and costumes in service of scatalogical jokes may seem funny on paper, but in execution this is a highly monotonous romp that registers only occasional laughs.



Salvation Boulevard (2011) 14,14,9,100

IMDB: 5.3, RT Aud: 23%, RT Critics: 20%

But Carl's new belief system is turned upside down when he witnesses a sinful act that Pastor Dan's doughy henchman (Jim Gaffigan) aims to cover up.



The Roommate (2011) 1,0,0,100

IMDB: 4.9, RT Aud: 27%, RT Critics: 3%

Devoid of chills, thrills, or even cheap titillation, The Roommate isn't even bad enough to be good.



Mars Needs Moms (2011) 7,12,11,100

IMDB: 5.4, RT Aud: 40%, RT Critics: 36%

The cast is solid and it's visually well-crafted, but Mars Needs Moms suffers from a lack of imagination and heart.



The Resident (2011) 4,4,13,100

IMDB: 5.3, RT Aud: 27%, RT Critics: 36%

Every year, several million single women in America move into an apartment.



The Sitter (2011) 10,11,2,100

IMDB: 5.7, RT Aud: 39%, RT Critics: 22%

With its recycled plot, misguided gags, and formula performance from Jonah Hill, The Sitter adds up to another disappointing entry from director David Gordon Green.



The Moth Diaries (2011) 5,2,6,100

IMDB: 4.9, RT Aud: 23%, RT Critics: 13%

Before long, Rebecca's friendship with the popular Lucy (Sarah Gadon) is shattered by the arrival of a dark and mysterious new student named Ernessa (Lily Cole).



Bucky Larson: Born to Be a Star (2011) 0,0,0,100

IMDB: 3.3, RT Aud: 24%, RT Critics: 0%

A severely misguided and inept comedy incapable of even telling its single joke properly.



Love, Wedding, Marriage (2011) 4,14,1,100

IMDB: 5.0, RT Aud: 28%, RT Critics: 0%

Romantic Comedy veteran Dermot Mulroney directs.



Red Riding Hood (2011) 5,5,0,100

IMDB: 5.5, RT Aud: 39%, RT Critics: 10%

Amanda Seyfried is magnetic in Red Riding Hood's starring role, but she's let down by her uninspired leading men and a painfully cliched script.



Swinging with the Finkels (2011) 7,10,7,100

IMDB: 4.6, RT Aud: 20%, RT Critics: 0%

Having met at University, American born Ellie (Mandy Moore) and her husband Alvin (Martin Freeman) are several years into their marriage.



The Three Musketeers (2011) 12,5,1,100

IMDB: 5.8, RT Aud: 39%, RT Critics: 24%

It plays admirably fast and loose with Alexandre Dumas' classic tale, but in every other respect, The Three Musketeers offers nothing to recommend -- or to set it apart from the many other film adaptations.



Spy Kids 4: All the Time in the World (2011) 0,3,1,100

IMDB: 3.5, RT Aud: 37%, RT Critics: 22%

Burdened by a rote plot and unfunny scatological humor, All the Time in the World suggests that the Spy Kids franchise has run its course.



The Human Centipede II (Full Sequence) (2011) 0,0,0,100

IMDB: 3.8, RT Aud: 22%, RT Critics: 29%

The Human Centipede II (Full Sequence) attempts to weave in social commentary but as the movie wears on, it loses its ability to repulse and shock and ends up obnoxious and annoying.



The Son of No One (2011) 3,2,3,100

IMDB: 5.1, RT Aud: 22%, RT Critics: 16%

Needless stylistic flourishes and wholly illogical storytelling make The Son of No One a grisly, repugnant journey.



Judy Moody and the Not Bummer Summer (2011) 4,9,3,100

IMDB: 4.2, RT Aud: 41%, RT Critics: 19%

Entertaining for some very young viewers, but for those with normal attention spans, Judy Moody is loud hyperactive overload.



The Dilemma (2011) 3,2,2,100

IMDB: 5.3, RT Aud: 29%, RT Critics: 24%

It boasts a likable cast and an interesting premise, but The Dilemma can't decide what to do with them; the result is an uneven blend of cheesy slapstick and surprisingly dark comedy.



Abduction (2011) 1,10,0,100

IMDB: 5.1, RT Aud: 42%, RT Critics: 3%

A soulless and incompetent action/thriller not even a veteran lead actor could save, let alone Taylor Lautner.



Shark Night 3D (2011) 0,0,0,100

IMDB: 4.0, RT Aud: 22%, RT Critics: 17%

A joyless excursion into the water that doesn't even produce good gore or nudity thanks to the neutered PG-13 rating.



Intruders (2011) 7,3,10,100

IMDB: 5.4, RT Aud: 23%, RT Critics: 30%

Intruders has a fantastic first act but then settles into a bland plot and scare tactics that aren't all too scary.



Trespass (2011) 3,1,0,100

IMDB: 5.3, RT Aud: 22%, RT Critics: 9%

Another claustrophobic thriller that Joel Schumacher can churn out in his sleep, Trespass is nasty and aggressive, more unpleasant than entertaining.



Horrid Henry: The Movie (2011) 3,9,8,100

IMDB: 3.7, RT Aud: 39%, RT Critics: 9%

He forms an unlikely alliance with Moody Margaret, the infuriating girl next door, outwits corrupt School Inspectors, topples an evil Headmaster, wins a talent contest, and stands up to his ultimate nemesis.



Creature (2011) 1,1,1,100

IMDB: 3.7, RT Aud: 16%, RT Critics: 10%

An ex-Navy seal (Mehcad Brooks), his girlfriend (Serinda Swan) and their friends head out on a road trip to New Orleans.



I Don't Know How She Does It (2011) 1,4,1,100

IMDB: 4.9, RT Aud: 32%, RT Critics: 16%

A limp comedy with a hopelessly outdated viewpoint on gender, featuring Sarah Jessica Parker in rote Carrie-mode.



Apollo 18 (2011) 2,0,1,100

IMDB: 5.2, RT Aud: 23%, RT Critics: 23%

A boring, suspense-free Paranormal Activity rip-off that feels long even at just 90 minutes.



Beneath the Darkness (2011) 2,5,5,100

IMDB: 4.5, RT Aud: 15%, RT Critics: 4%

The sadistic mortician next door will now stop at nothing to literally bury his past.



Furry Vengeance (2010) 0,0,0,100

IMDB: 3.8, RT Aud: 31%, RT Critics: 7%

A thin premise stretched far beyond serviceable length, Furry Vengeance subjects Brendan Fraser -- and the audience -- to 92 minutes of abuse.



The Wolfman (2010) 12,4,6,100

IMDB: 5.8, RT Aud: 33%, RT Critics: 34%

Suitably grand and special effects-laden, The Wolfman suffers from a suspense-deficient script and a surprising lack of genuine chills.



Clash of the Titans (2010) 11,8,1,100

IMDB: 5.8, RT Aud: 39%, RT Critics: 27%

An obviously affectionate remake of the 1981 original, Louis Leterrier's Clash of the Titans doesn't offer enough visual thrills to offset the deficiencies of its script.



My Soul to Take (2010) 1,0,0,100

IMDB: 4.8, RT Aud: 26%, RT Critics: 8%

Dull, joyless, and formulaic, My Soul to Take suggests writer/director Wes Craven ended his five-year filmmaking hiatus too soon.



The Last Airbender (2010) 0,0,0,100

IMDB: 4.1, RT Aud: 30%, RT Critics: 5%

The Last Airbender squanders its popular source material with incomprehensible plotting, horrible acting, and detached joyless direction.



Little Fockers (2010) 5,4,0,100

IMDB: 5.5, RT Aud: 34%, RT Critics: 9%

As star-studded as it is heartbreakingly lazy, Little Fockers takes the top-grossing trilogy to embarrassing new lows.



Dylan Dog: Dead of Night (2010) 4,2,1,100

IMDB: 5.1, RT Aud: 29%, RT Critics: 7%

An uninspired, feebly-acted horror/comedy that produces little scares and laughs.



Legion (2010) 1,3,0,100

IMDB: 5.2, RT Aud: 31%, RT Critics: 19%

Despite a solid cast and intermittent thrills, Legion suffers from a curiously languid pace, confused plot, and an excess of dialogue.



Jonah Hex (2010) 0,0,0,100

IMDB: 4.7, RT Aud: 20%, RT Critics: 12%

Josh Brolin gives it his best shot, but he can't keep the short, unfocused Jonah Hex from collapsing on the screen.



A Nightmare on Elm Street (2010) 1,8,0,100

IMDB: 5.2, RT Aud: 43%, RT Critics: 14%

Visually faithful but lacking the depth and subversive twists that made the original so memorable, the Nightmare on Elm Street remake lives up to its title in the worst possible way.



When in Rome (2010) 8,8,0,100

IMDB: 5.6, RT Aud: 41%, RT Critics: 16%

A pair of young, attractive leads can't overcome When in Rome's reliance on unfunny gags and threadbare rom-com clichés.



Alpha and Omega (2010) 7,11,3,100

IMDB: 5.3, RT Aud: 41%, RT Critics: 16%

With bland visuals and a dull, predictable plot, Alpha and Omega is a runt in 2010's animated litter.



Hatchet II (2010) 11,14,9,100

IMDB: 5.5, RT Aud: 35%, RT Critics: 38%

Funnier and more gleefully gory than most slasher sequels, Hatchet II aims for so-bad-it's-good territory, but can't quite hack it.



The Tempest (2010) 12,1,7,100

IMDB: 5.4, RT Aud: 28%, RT Critics: 30%

Director Julie Taymor's gender-swapping of roles and some frenzied special effects can't quite disguise an otherwise stagey, uninspired take on Shakespeare's classic.



Cats & Dogs: The Revenge of Kitty Galore (2010) 0,5,0,100

IMDB: 4.3, RT Aud: 38%, RT Critics: 13%

Dull and unfunny, this inexplicable sequel offers little more than the spectacle of digitally rendered talking animals with celebrity voices.



Yogi Bear (2010) 0,2,0,100

IMDB: 4.6, RT Aud: 34%, RT Critics: 12%

Yogi Bear's 3D effects and all-star voice cast are cold comfort for its aggressively mediocre screenplay.



Standing Ovation (2010) 14,2,7,100

IMDB: 3.4, RT Aud: 47%, RT Critics: 5%

Five junior high school friends form a singing group called "The 5 Ovations" to compete in a national music video contest for a cash prize of one million dollars.



Birdemic: Shock and Terror (2010) 0,0,7,100

IMDB: 1.8, RT Aud: 26%, RT Critics: 18%

This low-budget thriller follows a sexy lingerie model and her computer engineer boyfriend as they take a pleasant trip to Northern California, only to discover that legions of malicious birds are descending on human kind.



Gulliver's Travels (2010) 0,1,0,100

IMDB: 4.9, RT Aud: 27%, RT Critics: 20%

Though Jack Black is back doing what he does best, Gulliver's Travels largely fails to do any justice to its source material, relying instead on juvenile humor and special effects.



How Do You Know (2010) 5,0,9,100

IMDB: 5.4, RT Aud: 25%, RT Critics: 31%

How Do You Know boasts a quartet of likeable leads -- and they deserve better than this glib, overlong misfire from writer/director James L. Brooks.



The Ward (2010) 9,3,4,100

IMDB: 5.6, RT Aud: 26%, RT Critics: 32%

A thriller centered on an institutionalized young woman (Amber Heard) who becomes terrorized by a ghost.



Cop Out (2010) 7,7,0,100

IMDB: 5.6, RT Aud: 39%, RT Critics: 18%

Cop Out is a cliched buddy action/comedy that suffers from stale gags and slack pacing.



Marmaduke (2010) 0,9,0,100

IMDB: 4.2, RT Aud: 41%, RT Critics: 8%

Dull and unfunny, Marmaduke offers family filmgoers little more than another round of talking animals and scatological humor.



Passion Play (2010) 3,0,0,100

IMDB: 4.8, RT Aud: 17%, RT Critics: 3%

Passion Play has a terrific cast, but don't be fooled - the only real question at the heart of this misbegotten mystery is what its stars were thinking.



The Romantics (2010) 4,0,7,100

IMDB: 5.1, RT Aud: 21%, RT Critics: 14%

The two have long rivaled over the groom, Tom (Josh Duhamel).



MacGruber (2010) 6,0,13,100

IMDB: 5.5, RT Aud: 34%, RT Critics: 47%

It too often mistakes shock value for real humor, but MacGruber is better than many SNL films -- and better than it probably should be.



Skyline (2010) 0,0,0,100

IMDB: 4.4, RT Aud: 18%, RT Critics: 15%

A middling sci-fi entry, Skyline offers proof that solid special effects alone cannot overcome a flat storyline filled with uninspired dialogue.



Vampires Suck (2010) 0,0,0,100

IMDB: 3.4, RT Aud: 29%, RT Critics: 4%

Witlessly broad and utterly devoid of laughs, Vampires Suck represents a slight step forward for the Friedberg-Seltzer team.



The Virginity Hit (2010) 5,1,4,100

IMDB: 4.6, RT Aud: 31%, RT Critics: 28%

It's four guys, one camera, and their hilarious experience chronicling the exhilarating and terrifying rite of passage: losing your virginity.



The Box (2009) 7,0,13,100

IMDB: 5.6, RT Aud: 23%, RT Critics: 44%

Imaginative but often preposterous, The Box features some thrills but largely feels too piecemeal.



Whiteout (2009) 7,0,0,100

IMDB: 5.5, RT Aud: 21%, RT Critics: 7%

Kate Beckinsale is as lovely as ever, and does her best with the material, but moribund pacing and an uninspired plot leave Whiteout in the cold.



G-Force (2009) 1,0,3,100

IMDB: 5.1, RT Aud: 39%, RT Critics: 22%

G-Force features manic action, but fails to come up with interesting characters or an inspired plot.



Land of the Lost (2009) 4,0,1,100

IMDB: 5.4, RT Aud: 32%, RT Critics: 25%

Only loosely based on the original TV series, Land of the Lost is decidedly less kid-friendly and feels more like a series of inconsistent sketches than a cohesive adventure comedy.



I Hate Valentine's Day (2009) 2,1,2,100

IMDB: 4.7, RT Aud: 28%, RT Critics: 18%

This boilerplate comedy lacks ingenuity or humor and features mediocre dialogue that sounds less like conversation and more like stand-up shtick.



Aliens in the Attic (2009) 7,0,5,100

IMDB: 5.4, RT Aud: 43%, RT Critics: 30%

Inoffensive and kid-friendly this mundane family comedy is light on imagination.



Imagine That (2009) 13,0,7,100

IMDB: 5.6, RT Aud: 40%, RT Critics: 40%

Despite a promising turn by newcomer Yara Shahidi, Imagine That is another pedestrian family comedy that squanders Eddie Murphy's comedic talents.



Blood: The Last Vampire (2009) 6,4,1,100

IMDB: 5.3, RT Aud: 33%, RT Critics: 25%

Based on a classic anime series, Blood: The Last Vampire is a tedious, shoddily acted, amateurish picture that loses all charm in the transition to live-action.



The Stepfather (2009) 10,0,0,100

IMDB: 5.6, RT Aud: 34%, RT Critics: 11%

This tepid remake of the 1987 cult classic lacks the tension and satirical undercurrents of the original.



Nine (2009) 14,4,12,100

IMDB: 5.8, RT Aud: 37%, RT Critics: 38%

It has a game, great-looking cast, led by the always worthwhile Daniel Day-Lewis, but Rob Marshall's Nine is chaotic and curiously distant.



All About Steve (2009) 0,1,0,100

IMDB: 4.8, RT Aud: 30%, RT Critics: 6%

All About Steve is an oddly creepy, sour film, featuring a heroine so desperate and peculiar that audiences may be more likely to pity than root for her.



Street Fighter: The Legend of Chun-Li (2009) 0,0,0,100

IMDB: 3.7, RT Aud: 17%, RT Critics: 5%

The combination of a shallow plot and miscast performers renders Street Fighter: The Legend of Chun Li a perfectly forgettable video game adaptation.



Love Happens (2009) 10,8,0,100

IMDB: 5.6, RT Aud: 37%, RT Critics: 15%

Love Happens is a dull, chemistry-free affair that under-utilizes its appealing leads.



Armored (2009) 12,0,10,100

IMDB: 5.7, RT Aud: 31%, RT Critics: 40%

This B-grade thriller has a good cast and director but is undone by plot holes and messy conclusion.



Transylmania (2009) 3,2,1,100

IMDB: 3.9, RT Aud: 20%, RT Critics: 0%

A group of college students embarks on a wild, sexy and outrageous semester abroad at Razvan University.



Fame (2009) 2,8,3,100

IMDB: 5.0, RT Aud: 36%, RT Critics: 24%

Fame is ultimately undone by its choppy editing, its incomplete characterizations, and its apparent desire to appeal to the High School Musical generation.



Vampire Killers (2009) 3,5,10,100

IMDB: 5.1, RT Aud: 32%, RT Critics: 25%

One instance where the title says it all, Lesbian Vampire Killers finds screenwriters Stewart Williams and Paul Hupfield and director Phil Claydon plunging headfirst into guilty pleasure territory with an unrestrained, sex-laden horror comedy.



I Love You, Beth Cooper (2009) 4,0,0,100

IMDB: 5.3, RT Aud: 32%, RT Critics: 13%

Heavily reliant on stereotypes and shallow teen comedy clichés, I Love You Beth Cooper is a humorless affair that fails to capture the charm of its source novel.



Gamer (2009) 12,8,2,100

IMDB: 5.8, RT Aud: 39%, RT Critics: 28%

With all of the hyperkinetic action and none of the flair of Mark Neveldine and Brian Taylor's earlier work, Gamer has little replay value.



Year One (2009) 0,0,0,100

IMDB: 4.9, RT Aud: 23%, RT Critics: 14%

Year One is a poorly executed, slapdash comedy in which the talent both in front of and behind the camera never seem to be on the same page.



Fighting (2009) 9,0,9,100

IMDB: 5.6, RT Aud: 36%, RT Critics: 39%

Though Fighting has a likable lead performer, and the fight scenes are impressive, the paper-thin plot ultimately unravels.



New in Town (2009) 11,8,2,100

IMDB: 5.6, RT Aud: 37%, RT Critics: 28%

Cliched and short on charm, New In Town is a pat genre exercise that fails to bring the necessary heat to its Minnesota setting.



Dragonball: Evolution (2009) 0,0,0,100

IMDB: 2.6, RT Aud: 19%, RT Critics: 14%

Executed with little panache or invention, Dragonball Evolution lacks the magic that made the books upon which it was based a cult sensation.



Paul Blart: Mall Cop (2009) 1,14,5,100

IMDB: 5.2, RT Aud: 43%, RT Critics: 32%

Paul Blart: Mall Cop has some laughs, but its plot is flimsy and lacking in any sustained comic momentum.



Jennifer's Body (2009) 1,3,13,100

IMDB: 5.2, RT Aud: 34%, RT Critics: 43%

Jennifer's Body features occasionally clever dialogue but the horror/comic premise fails to be either funny or scary enough to satisfy.



Serious Moonlight (2009) 12,9,4,100

IMDB: 5.4, RT Aud: 25%, RT Critics: 22%

Serious Moonlight jumbles a comic tone with tragic circumstances and the result is confused performances from its stars.



Survival of the Dead (2009) 1,0,8,100

IMDB: 4.9, RT Aud: 19%, RT Critics: 29%

Survival of the Dead offers glimmers of Romero's savage wit, but not nearly enough to make up for his unusually uninspired directing and a lack of new ideas



The Unborn (2009) 0,0,0,100

IMDB: 4.8, RT Aud: 30%, RT Critics: 10%

David Goyer's Unborn is a tame genre effort with cheap thrills and scares that border on silliness.



Post Grad (2009) 7,0,0,100

IMDB: 5.3, RT Aud: 27%, RT Critics: 8%

A lightweight, unambitious comedy, Post Grad features fine actors that can do little with its middling, uninspiring script.



The Final Destination (2009) 1,14,2,100

IMDB: 5.2, RT Aud: 35%, RT Critics: 28%

With little of the ingenuity of previous installments, The Final Destination is predictable, disposable horror fare.



Chain Letter (2009) 1,14,6,100

IMDB: 4.2, RT Aud: 46%, RT Critics: 28%

When high school senior Jessie Campbell (Nikki Reed) and her tight-knit group of friends begin to receive a series of foreboding email chain letters, they have no idea the terror that awaits them.



Miss March (2009) 2,0,0,100

IMDB: 5.0, RT Aud: 29%, RT Critics: 5%

Even by the modest standards of the teen sex comedy genre, the crass, poorly-madeMiss March misses the mark.



Dance Flick (2009) 0,0,0,100

IMDB: 3.5, RT Aud: 30%, RT Critics: 17%

Dance Flick scores a few laughs thanks to the Wayans brothers' exuberance, but it's ultimately a scattershot collection of gags without much direction.



Stan Helsing (2009) 0,0,5,100

IMDB: 3.6, RT Aud: 18%, RT Critics: 16%

The closest that video-store clerk Stan Helsing (Steve Howey) ever came to fending off monsters was dealing with disgruntled customers irked at the lack of new releases -- but with Halloween fast approaching, that's all about to change.



Motherhood (2009) 4,1,2,100

IMDB: 4.6, RT Aud: 17%, RT Critics: 19%

Despite Uma Thurman's comic skills, Motherhood's contrived set-ups and cliched jokes keep this comedy from delivering laughs -- or insights into modern parenting.



I Hope They Serve Beer in Hell (2009) 9,14,1,100

IMDB: 5.3, RT Aud: 42%, RT Critics: 20%

I Hope They Serve Beer in Hell fails in its attempts at raunchy humor, and Tucker Max comes across so unlikable and outrageous that the film's inevitable story arc feels forced.



Sorority Row (2009) 2,0,1,100

IMDB: 5.1, RT Aud: 31%, RT Critics: 23%

Though it's slick and stylish, Sorority Row offers nothing new to the slasher genre and misses the mark both in its attempts at humor and thrills.



Halloween II (2009) 0,14,0,100

IMDB: 4.9, RT Aud: 45%, RT Critics: 19%

Zombie shows flashes of vision in the follow-up to his Halloween reboot, but they're smothered by mountains of gore and hackneyed, brutal violence.



Did You Hear About the Morgans? (2009) 0,0,0,100

IMDB: 4.8, RT Aud: 27%, RT Critics: 11%

It gets a certain amount of mileage out of the inherent likability of its stars, but with an unfunny script and a lack of onscreen chemistry, Did You Hear About the Morgans? falls flat.



Delgo (2008) 6,8,1,100

IMDB: 4.4, RT Aud: 26%, RT Critics: 11%

Delgo features a blend of plot elements from earlier (and superior) fantasy films, with weaker animation and dull characters.



Babylon A.D. (2008) 7,1,0,100

IMDB: 5.6, RT Aud: 26%, RT Critics: 5%

A poorly constructed, derivative sci-fi stinker with a weak script and poor action sequences.



The Eye (2008) 4,8,3,100

IMDB: 5.4, RT Aud: 43%, RT Critics: 21%

Featuring wooden performances and minimal scares, The Eye is another tedious remake of an Asian horror film.



Hell Ride (2008) 3,3,0,100

IMDB: 5.1, RT Aud: 30%, RT Critics: 10%

Hell Ride misses out on the rusting zeitgeist of the biker genre, sucking the glee from a saucy premise.



Superhero Movie (2008) 0,1,1,100

IMDB: 4.5, RT Aud: 32%, RT Critics: 17%

Superhero Movie is not the worst of the spoof genre, but relies on tired gags and lame pop culture references all the same.



The Women (2008) 1,10,0,100

IMDB: 4.9, RT Aud: 37%, RT Critics: 12%

The Women is a toothless remake of the 1939 classic, lacking the charm, wit and compelling protagonists of the original.



10,000 BC (2008) 1,3,0,100

IMDB: 5.1, RT Aud: 37%, RT Critics: 8%

With attention strictly paid to style instead of substance, or historical accuracy, 10,000 B.C. is a visually impressive but narratively flimsy epic.



Max Payne (2008) 3,1,0,100

IMDB: 5.4, RT Aud: 29%, RT Critics: 15%

While it boasts some stylish action, Max Payne suffers severely from an illogical plot and overdirection.



One Missed Call (2008) 0,1,0,100

IMDB: 4.0, RT Aud: 29%, RT Critics: 0%

One of the weakest entries in the J-horror remake sweepstakes, One Missed Call is undone by bland performances and shopworn shocks.



Shutter (2008) 3,4,0,100

IMDB: 5.2, RT Aud: 33%, RT Critics: 6%

Being a remake of a Thai horror film instead of Japanese doesn't prevent Shutter from being another lame Asian horror remake.



Space Chimps (2008) 1,2,5,100

IMDB: 4.5, RT Aud: 32%, RT Critics: 33%

Space Chimps' cheap animation and overabundance of monkey puns feels especially dated in a post-Wall-E world.



Strange Wilderness (2008) 5,0,0,100

IMDB: 5.3, RT Aud: 34%, RT Critics: 2%

Strange Wilderness is a laugh-free comedy that's both aimless and overly crass.



Mutant Chronicles (2008) 3,0,2,100

IMDB: 5.2, RT Aud: 24%, RT Critics: 17%

Bad acting, poor CGI and clunky script mean this sci-fi thriller is lacking in all departments including the thrills.



Meet Dave (2008) 1,8,1,100

IMDB: 5.0, RT Aud: 35%, RT Critics: 19%

Easy gags and slack direction drag this occasionally clever alien-out-of-planet comedy down to unimaginative lows.



The Hottie & the Nottie (2008) 0,1,0,100

IMDB: 1.9, RT Aud: 30%, RT Critics: 4%

The Hottie and the Nottie is a crass, predictable, and ineptly staged gross-out comedy that serves little purpose beyond existing as another monument to Paris Hilton's vanity.



The Accidental Husband (2008) 11,4,8,100

IMDB: 5.6, RT Aud: 36%, RT Critics: 5%

Uma Thurman, Colin Firth, Sam Shepard, and Isabella Rossellini star in a romantic comedy directed by Griffin Dunne.



The Love Guru (2008) 0,0,0,100

IMDB: 3.8, RT Aud: 33%, RT Critics: 13%

The Love Guru features far too many gross-out gags, and too few earned laughs, ranking as one of Mike Myers' poorest outings.



Bangkok Dangerous (2008) 4,1,0,100

IMDB: 5.4, RT Aud: 26%, RT Critics: 8%

With murky cinematography, a meandering pace, a dull storyline, and rather wooden performances, The Pang Brothers' Hollywood remake of Bangkok Dangerous is unsuccessful.



The Spirit (2008) 0,0,0,100

IMDB: 4.8, RT Aud: 25%, RT Critics: 14%

Though its visuals are unique, The Spirit's plot is almost incomprehensible, the dialogue is ludicrously mannered, and the characters are unmemorable.



House (2008) 4,2,14,100

IMDB: 4.7, RT Aud: 27%, RT Critics: 0%

The exhausted couple stands in front of an inviting house, complete with gated stone wall, ancient oak trees, and a note welcoming weary travelers.



Semi-Pro (2008) 13,3,3,100

IMDB: 5.8, RT Aud: 38%, RT Critics: 22%

Semi-Pro is an intermittently funny, half-hearted attempt at sports satire, and one of Will Ferrell's weaker cinematic efforts.



College (2008) 1,2,0,100

IMDB: 4.6, RT Aud: 27%, RT Critics: 4%

A pale imitation of the raunchy frat comedies of old, College aims low and misses.



The Mummy: Tomb of the Dragon Emperor (2008) 1,3,0,100

IMDB: 5.2, RT Aud: 30%, RT Critics: 12%

With middling CG effects and a distinct lack of fun, The Mummy: Tomb of the Dragon Emperor finds the series past its prime.



The Informers (2008) 2,0,0,100

IMDB: 5.0, RT Aud: 17%, RT Critics: 12%

As miserable and insipid as its protagonists, The Informers fails to provide anything to think about after the sheen of fake blond is gone.



War, Inc. (2008) 13,4,6,100

IMDB: 5.7, RT Aud: 38%, RT Critics: 30%

War, Inc. attempts to satirize the military industrial complex, but more often than not it misses its target.



Prom Night (2008) 0,3,0,100

IMDB: 3.9, RT Aud: 38%, RT Critics: 7%

A dim and predictable remake of an already dull slasher film, this Prom Night fails to be memorable.



The Happening (2008) 0,0,0,100

IMDB: 5.0, RT Aud: 24%, RT Critics: 18%

The Happening begins with promise, but unfortunately descends into an incoherent and unconvincing trifle.



You Don't Mess with the Zohan (2008) 4,14,5,100

IMDB: 5.5, RT Aud: 45%, RT Critics: 37%

You Don't Mess With the Zohan features intermittent laughs, and will please Sandler diehards, but after awhile the leaky premise wears thin.



Zombie Strippers (2008) 0,2,7,100

IMDB: 4.1, RT Aud: 30%, RT Critics: 39%

Though intentionally campy, Zombie Strippers suffers from poor execution, and never rises above its silly premise.



The Day the Earth Stood Still (2008) 4,1,1,100

IMDB: 5.5, RT Aud: 27%, RT Critics: 20%

Heavy on special effects, but without a coherent story at its base, The Day the Earth Stood Still is subpar re-imagining of the 1951 science-fiction classic.



The Other Man (2008) 12,3,5,100

IMDB: 5.5, RT Aud: 18%, RT Critics: 15%

Despite the best efforts of a talented cast, The Other Man is talky, witless, and tension-free.



Surfer, Dude (2008) 2,0,5,100

IMDB: 4.7, RT Aud: 25%, RT Critics: 0%

Hands on a Hard Body director S.R.



The Haunting of Molly Hartley (2008) 0,0,0,100

IMDB: 3.9, RT Aud: 18%, RT Critics: 2%

The Haunting of Molly Hartley is a rather lifeless horror endeavor, with a pedestrian plot and few scares.



Meet the Spartans (2008) 0,0,0,100

IMDB: 2.7, RT Aud: 25%, RT Critics: 2%

A tired, unfunny, offensive waste of time, Meet the Spartans scrapes the bottom of the cinematic barrel.



An American Carol (2008) 0,8,0,100

IMDB: 4.3, RT Aud: 45%, RT Critics: 10%

An American Carol suffers not so much from its perceived political bias, but from the fact that it simply is not very funny.



Disaster Movie (2008) 0,0,0,100

IMDB: 1.9, RT Aud: 19%, RT Critics: 1%

Returning to their seemingly bottomless well of flatulence humor, racial stereotypes, and stale pop culture gags, Jason Friedberg and Aaron Seltzer have produced what is arguably their worst Movie yet.



Ghost Rider (2007) 1,14,1,100

IMDB: 5.2, RT Aud: 47%, RT Critics: 26%

Ghost Rider is a sour mix of morose, glum histrionics amidst jokey puns and hammy dialogue.



Captivity (2007) 0,1,0,100

IMDB: 4.7, RT Aud: 23%, RT Critics: 9%

Lacking scares or psychological insight, Captivity is a distasteful entry in the 'torture porn' subgenre.



The Heartbreak Kid (2007) 13,3,4,100

IMDB: 5.8, RT Aud: 37%, RT Critics: 28%

Despite some amiable performances, The Heartbreak Kid is neither as daring nor as funny as the Farrelly Brothers' earlier films.



Mr. Woodcock (2007) 3,1,1,100

IMDB: 5.2, RT Aud: 32%, RT Critics: 12%

Underutilizing a talented cast, Mr. Woodcock lacks the comic energy and timing to make the most of its intriguing premise.



Balls of Fury (2007) 3,0,1,100

IMDB: 5.3, RT Aud: 32%, RT Critics: 22%

Tasteless, yet harmless, Balls of Fury nevertheless fails to generate enough laughs despite its lowbrow intentions.



The Messengers (2007) 5,14,0,100

IMDB: 5.4, RT Aud: 44%, RT Critics: 11%

The Messengers is an atmospheric but derivative rip-off of countless other horror movies.



Pathfinder (2007) 5,4,0,100

IMDB: 5.4, RT Aud: 36%, RT Critics: 10%

A few rousing action sequences can't make up for Pathfinder's non-existent plot and silly dialogue.



The Hitcher (2007) 9,14,0,100

IMDB: 5.6, RT Aud: 52%, RT Critics: 20%

Sean Bean tries giving motive and emotion to The Hitcher, but director Dave Meyers is more interested in cheap shocks, and gratuitous gore and torture.



In the Name of the King: A Dungeon Siege Tale (2007) 0,0,0,100

IMDB: 3.8, RT Aud: 22%, RT Critics: 4%

Featuring mostly wooden performances, laughable dialogue, and shoddy production values, In the Name of the King fulfills all expectations of an Uwe Boll film.



Code Name: The Cleaner (2007) 1,3,0,100

IMDB: 4.5, RT Aud: 37%, RT Critics: 3%

Code Name: The Cleaner is a limp action/comedy flick that alternates between lame, worn-out jokes and cheesy martial arts.



Daddy Day Camp (2007) 0,1,0,100

IMDB: 3.0, RT Aud: 37%, RT Critics: 1%

A mirthless, fairly desperate family film, Daddy Day Camp relies too heavily on bodily functions for comedic effect, resulting in plenty of cheap gags but no laughs.



The Last Legion (2007) 5,4,3,100

IMDB: 5.4, RT Aud: 34%, RT Critics: 16%

With miscast leads and unoriginal, uninspired dialogue, The Last Legion pales in comparison to the recent cinematic epics it invokes.



Underdog (2007) 1,8,1,100

IMDB: 4.8, RT Aud: 42%, RT Critics: 14%

Underdog is a mostly forgettable adaptation that relies far too heavily on recycled material and sloppy production.



Norbit (2007) 0,7,0,100

IMDB: 4.0, RT Aud: 53%, RT Critics: 8%

Coming off his Oscar-nominated performance in Dreamgirls, the talented-but-inconsistent Eddie Murphy plays three roles in Norbit, a cruel, crass, stereotype-filled comedy that's more depressing than funny.



The Seeker: The Dark Is Rising (2007) 1,4,1,100

IMDB: 4.8, RT Aud: 33%, RT Critics: 14%

The magic of the book is lost in translation with The Seeker, due to its clumsy plot and lack of heart.



Fantastic 4: Rise of the Silver Surfer (2007) 6,14,7,100

IMDB: 5.6, RT Aud: 51%, RT Critics: 36%

While an improvement on its predecessor, Fantastic Four: Rise of the Silver Surfer is nevertheless a juvenile, simplistic picture that has little benefit beyond its special effects.



Fred Claus (2007) 9,7,1,100

IMDB: 5.6, RT Aud: 45%, RT Critics: 20%

A slew of talent is wasted in this contrived and overly sentimental Christmas film, which can't quite get the balance between slapstick humor and schmaltzy uplift.



Postal (2007) 0,0,0,100

IMDB: 4.5, RT Aud: 33%, RT Critics: 7%

An attempt at political satire that lacks any wit or relevance, Postal is nonetheless one of Uwe Boll's more successful films -- for what it's worth.



Hostel: Part II (2007) 5,7,14,100

IMDB: 5.5, RT Aud: 39%, RT Critics: 44%

Offering up more of the familiar sadism and gore, Hostel: Part II will surely thrill horror fans.



Slipstream (2007) 10,2,6,100

IMDB: 5.1, RT Aud: 28%, RT Critics: 25%

Slipstream is a failed experiment; confusing instead of coherent.



Feel the Noise (2007) 0,9,5,100

IMDB: 2.8, RT Aud: 42%, RT Critics: 11%

Despite the different musical genre, Feel the Noise is as generic as any music-themed film that has come before it.



Aliens vs. Predator: Requiem (2007) 0,0,0,100

IMDB: 4.7, RT Aud: 30%, RT Critics: 11%

The increased gore and violence over the first Alien vs. Predator can't excuse Requiem's disorientating editing, excessively murky lighting, and lack of new ideas.



License to Wed (2007) 3,14,0,100

IMDB: 5.3, RT Aud: 53%, RT Critics: 7%

Featuring one of Robin Williams' most shtick-heavy performances, the broad and formulaic License to Wed wrings little out of its slightly creepy, unappealing premise.



I Think I Love My Wife (2007) 9,8,5,100

IMDB: 5.5, RT Aud: 41%, RT Critics: 19%

Chris Rock's comedic instincts are muted and the female characters are unsatisfactorily drawn in this uneven sex farce/domestic drama mashup.



Kickin' It Old Skool (2007) 2,4,0,100

IMDB: 4.6, RT Aud: 42%, RT Critics: 2%

Kickin' It Old Skool is one big unfunny pop culture reference that doesn't feature many laughs.



Primeval (2007) 2,1,0,100

IMDB: 4.8, RT Aud: 31%, RT Critics: 18%

Primeval is a low-quality horror film, which due to the inane political messages does not even qualify as campy fun.



The Brothers Solomon (2007) 8,0,0,100

IMDB: 5.3, RT Aud: 31%, RT Critics: 15%

Squandering its impressive cast with poorly-directed gags, The Brothers Solomon is a one-joke film stretched well beyond its limits.



The Comebacks (2007) 0,0,0,100

IMDB: 4.2, RT Aud: 33%, RT Critics: 8%

Full of groin-centric humor and tired sports clichés, The Comebacks is poor even by parody movie standards.



Epic Movie (2007) 0,0,0,100

IMDB: 2.3, RT Aud: 29%, RT Critics: 1%

A crude comedy with nothing new or insightful to say about the subjects it satirizes.



Delta Farce (2007) 0,1,0,100

IMDB: 3.5, RT Aud: 37%, RT Critics: 4%

Too afraid to be a real satire of the Iraq War, Delta Farce instead devolves into a reprehensible, unfunny mix of slapstick, gay panic, and flatulence jokes.



The Perfect Holiday (2007) 6,8,1,100

IMDB: 4.4, RT Aud: 52%, RT Critics: 15%

The Perfect Holiday is the perfect example of Christmas movie clichés run amok.



Scar (2007) 4,7,5,100

IMDB: 4.1, RT Aud: 11%, RT Critics: 0%

A nasty, witless and unoriginal entry into the torture porn canon with hopeless acting and a waste of modern 3D technology.



I Know Who Killed Me (2007) 0,0,0,100

IMDB: 3.6, RT Aud: 25%, RT Critics: 6%

Distasteful and ludicrously plotted, I Know Who Killed Me is a career nadir for all involved -- particularly Lindsay Lohan in a dual role.



Happily N'Ever After (2006) 1,3,0,100

IMDB: 4.5, RT Aud: 34%, RT Critics: 3%

Happily N'Ever After has none of the moxy, edge, or postmodern wit of the other fairy-tales-gone-haywire CG movie it so blatantly rips off.



Freedomland (2006) 3,0,4,100

IMDB: 5.1, RT Aud: 25%, RT Critics: 23%

Poorly directed and overacted, Freedomland attempts to address sensitive race and class issues but its overzealousness misses the mark.



Scary Movie 4 (2006) 1,14,4,100

IMDB: 5.1, RT Aud: 51%, RT Critics: 36%

Sure to inspire a few chuckles, but not enough to compensate for the recycled material from its predecessors.



Ultraviolet (2006) 0,0,0,100

IMDB: 4.4, RT Aud: 30%, RT Critics: 8%

An incomprehensible and forgettable sci-fi thriller, Ultraviolet is inept in every regard.



Zoom (2006) 0,10,0,100

IMDB: 4.3, RT Aud: 32%, RT Critics: 3%

Lacking the punch and good cheer of The Incredibles and Sky High, Zoom is a dull and laugh-free affair.



The Pink Panther (2006) 7,7,1,100

IMDB: 5.6, RT Aud: 51%, RT Critics: 21%

Though Steve Martin is game, the particulars of the Inspector Clouseau character elude him in this middling update.



The Black Dahlia (2006) 7,0,6,100

IMDB: 5.6, RT Aud: 27%, RT Critics: 32%

Though this ambitious noir crime-drama captures the atmosphere of its era, it suffers from subpar performances, a convoluted story, and the inevitable comparisons to other, more successful films of its genre.



The Shaggy Dog (2006) 0,4,3,100

IMDB: 4.4, RT Aud: 39%, RT Critics: 26%

This Disney retread has neither inspiration nor originality, but may please moviegoers under the age of ten.



Just My Luck (2006) 4,8,0,100

IMDB: 5.4, RT Aud: 48%, RT Critics: 13%

Just My Luck is a screwball rom-com that fails to take advantage of Lindsay Lohan's considerable charm. The film (along with Robert Altman's A Prairie Home Companion) marks the end of Lohan's teen queen phase as she begins playing characters that are older, but not necessarily wiser. Lohan's character is supposedly cursed with bad luck, though the movie confuses misfortune with plain stupidity, leading Lohan into a long series of silly and senseless physical gags.



The Celestine Prophecy (2006) 9,8,1,100

IMDB: 4.9, RT Aud: 53%, RT Critics: 4%

Adapted from the bestselling self-help tome, The Celestine Prophesy is indifferently directed and acted, and its plotting is virtually tension-free.



DOA: Dead or Alive (2006) 0,0,8,100

IMDB: 4.8, RT Aud: 36%, RT Critics: 33%

With a ridiculous plot and comical acting, checking one's brain at the door is required before watching DOA: Dead or Alive.



Southland Tales (2006) 7,3,5,100

IMDB: 5.5, RT Aud: 41%, RT Critics: 37%

Southland Tales, while offering an intriguing vision of the future, remains frustratingly incoherent and unpolished.



The Wild (2006) 5,8,4,100

IMDB: 5.3, RT Aud: 36%, RT Critics: 19%

With a rehashed plot and unimpressive animation, there's nothing wild about The Wild.



Firewall (2006) 13,8,3,100

IMDB: 5.8, RT Aud: 37%, RT Critics: 18%

Harrison Ford's rote performance brings little to this uninspired techno-heist film whose formulaic plot is befuddled with tedious and improbable twists.



Poseidon (2006) 7,3,8,100

IMDB: 5.6, RT Aud: 43%, RT Critics: 32%

This remake of The Poseidon Adventure delivers dazzling special effects. Unfortunately, it doesn't seem that any of the budget was left over to devote to the script.



Employee of the Month (2006) 6,14,1,100

IMDB: 5.5, RT Aud: 53%, RT Critics: 19%

Employee of the Month features mediocre performances, few laughs, and a lack of satiric bite.



Failure to Launch (2006) 7,14,4,100

IMDB: 5.6, RT Aud: 52%, RT Critics: 24%

The few comic gags sprinkled throughout the movie fail to spice up this formulaic rom-com.



Basic Instinct 2 (2006) 0,0,0,100

IMDB: 4.3, RT Aud: 26%, RT Critics: 6%

Unable to match the suspense and titilation of its predecessor, Basic Instinct 2 boasts a plot so ludicrous and predictable it borders on "so-bad-it's-good."



The Grudge 2 (2006) 1,1,0,100

IMDB: 5.0, RT Aud: 40%, RT Critics: 12%

A diminished sequel that makes even less sense than The Grudge 1.



Material Girls (2006) 0,8,0,100

IMDB: 3.9, RT Aud: 44%, RT Critics: 3%

Plagued by paper-thin characterizations and a hackneyed script, Material Girls fails to live up to even the minimum standards of its genre.



The Return (2006) 2,4,2,100

IMDB: 4.8, RT Aud: 32%, RT Critics: 16%

Unoriginality may be an acceptable risk in the Horror genre, but boredom is never okay.



Eragon (2006) 1,7,1,100

IMDB: 5.1, RT Aud: 46%, RT Critics: 16%

Written by a teenager (and it shows), Eragon presents nothing new to the "hero's journey" story archetype. In movie terms, this movie looks and sounds like Lord of the Rings and plays out like a bad Star Wars rip-off. The movie spins the tale of a peasant boy who is suddenly entrusted with a dragon and must, with the help of a mentor, train, grow strong, and defeat an evil emperor. The way the critics picture it, the makers of Eragon should soon be expecting an annoyed phone call from George Lucas.



RV (2006) 6,8,1,100

IMDB: 5.5, RT Aud: 45%, RT Critics: 23%

An unoriginal and only occasionally funny family road-trip movie, RV is a mediocre effort that not even the charisma of Robin Williams can save.



The Wicker Man (2006) 0,0,0,100

IMDB: 3.7, RT Aud: 17%, RT Critics: 14%

Puzzlingly misguided, Neil LaBute's update The Wicker Man struggles against unintentional comedy and fails.



The Break-Up (2006) 12,14,10,100

IMDB: 5.8, RT Aud: 46%, RT Critics: 33%

This anti-romantic comedy lacks both laughs and insight, resulting in an odd and unsatisfying experience.



Lady in the Water (2006) 7,3,1,100

IMDB: 5.6, RT Aud: 49%, RT Critics: 24%

A far-fetched story with little suspense and unconvincing scenarios, Lady In The Water feels contrived, pretentious, and rather silly.



Black Christmas (2006) 0,4,0,100

IMDB: 4.6, RT Aud: 37%, RT Critics: 15%

A gratuitous remake of the 1974 slasher, Black Christmas pumps out the gore and blood with zero creativity, humor, or visual flair.



Pulse (2006) 0,0,0,100

IMDB: 4.7, RT Aud: 27%, RT Critics: 11%

Another stale American remake of a successful Japanese horror film, Pulse bypasses the emotional substance of the original and overcompensates with pumped-up visuals and every known horror cliche.



When a Stranger Calls (2006) 1,7,0,100

IMDB: 5.1, RT Aud: 43%, RT Critics: 8%

When a Stranger Calls ranks among the more misguided remakes in horror history, offering little more than a rote, largely fright-free update to the original.



Nacho Libre (2006) 10,3,13,100

IMDB: 5.7, RT Aud: 54%, RT Critics: 40%

At times hilarious, but other times offensive, Director Jared Hess is unable to recapture the collective charisma of his Napoleon characters, instead relying on a one-joke concept that runs out of steam. Sure to entertain the adolescents, however.



The Ex (2006) 9,1,3,100

IMDB: 5.5, RT Aud: 32%, RT Critics: 19%

The Ex suffers from inept direction and characters that are either unsympathetic or plain unpleasant to watch.



Skinwalkers (2006) 1,0,2,100

IMDB: 4.6, RT Aud: 25%, RT Critics: 13%

Skinwalkers is an atrociously-acted project whose unoriginal and ineptly-staged action sequences remind viewers of far better werewolf and action movies.



Larry the Cable Guy: Health Inspector (2006) 0,10,0,100

IMDB: 3.2, RT Aud: 51%, RT Critics: 5%

An aggressively lowbrow vehicle for its titular star, this gross-out comedy fails to "git-r-done."



You, Me and Dupree (2006) 7,14,2,100

IMDB: 5.6, RT Aud: 50%, RT Critics: 20%

A rather generic entry into the arrested development subgenre, with themes borrowed from other more successful and funnier films. Dupree wears out its welcome.



My Super Ex-Girlfriend (2006) 1,0,13,100

IMDB: 5.1, RT Aud: 31%, RT Critics: 40%

My Super Ex=Girlfriend is an only sporadically amusing spoof on the superhero genre that misses the mark with a nerd-turned-superwoman who embodies sexist clichés.



Date Movie (2006) 0,1,0,100

IMDB: 2.8, RT Aud: 34%, RT Critics: 7%

In an attempt to parody rom-com cliches, Date Movie ultimately makes a mockery of itself, with juvenile toilet humor and empty pop culture references.



The Omen (2006) 6,8,4,100

IMDB: 5.5, RT Aud: 40%, RT Critics: 26%

Even with the force of a "classic" behind it, remake fever can't hold up the hollowness of this style-drenched Omen.



Van Wilder 2: The Rise of Taj (2006) 1,4,0,100

IMDB: 4.8, RT Aud: 38%, RT Critics: 6%

A low-brow comedy, minus the comedy.



Doogal (2006) 0,0,0,100

IMDB: 2.8, RT Aud: 20%, RT Critics: 8%

Overloaded with pop culture references, but lacking in compelling characters and plot, Doogal is too simpleminded even for the kiddies.



Deck the Halls (2006) 1,2,0,100

IMDB: 4.9, RT Aud: 29%, RT Critics: 6%

Relying on flat humor and a preposterous plot, Deck the Halls is an unnecessarily mean-spirited holiday movie that does little to put viewers in a holiday mood.



Fantastic Four (2005) 8,14,3,100

IMDB: 5.7, RT Aud: 45%, RT Critics: 26%

Marred by goofy attempts at wit, subpar acting, and bland storytelling, Fantastic Four is a mediocre attempt to bring Marvel's oldest hero team to the big screen.



Cursed (2005) 1,1,0,100

IMDB: 5.0, RT Aud: 30%, RT Critics: 16%

A predictable plot and cheesy special effects make Cursed a less-than-scary experience.



A Sound of Thunder (2005) 0,0,0,100

IMDB: 4.2, RT Aud: 18%, RT Critics: 6%

Choppy logic and uneven performances are overshadowed by not-so-special effects that makes the suspension of disbelief a nearly impossible task.



xXx: State of the Union (2005) 0,2,0,100

IMDB: 4.4, RT Aud: 32%, RT Critics: 16%

Even more absurd and implausible than the first XXX movie, State of the Union is less inspired and technically competent than its predecessor.



Man of the House (2005) 6,10,0,100

IMDB: 5.4, RT Aud: 46%, RT Critics: 9%

A high-concept movie that plays out like a mediocre TV sitcom.



Elektra (2005) 0,0,0,100

IMDB: 4.7, RT Aud: 29%, RT Critics: 10%

Jennifer Garner inhabits her role with earnest gusto, but Elektra's tone deaf script is too self-serious and bereft of intelligent dialogue to provide engaging thrills.



Boogeyman (2005) 0,0,0,100

IMDB: 4.2, RT Aud: 21%, RT Critics: 13%

The plot is been-there done-that generic, and none of the shock effects can do anything to build up suspense.



Valiant (2005) 11,3,11,100

IMDB: 5.6, RT Aud: 29%, RT Critics: 31%

Valiant has a good collection of voice talents, but the story is strictly by-the-numbers.



Son of the Mask (2005) 0,0,0,100

IMDB: 2.2, RT Aud: 15%, RT Critics: 5%

Overly frantic, painfully unfunny, and sorely missing the presence of Jim Carrey.



Deuce Bigalow: European Gigolo (2005) 0,0,0,100

IMDB: 4.6, RT Aud: 33%, RT Critics: 9%

A witless follow-up to the surprise 1999 hit, Deuce Bigalow: European Gigolo is raunchy, politically incorrect, and not particularly funny.



Are We There Yet? (2005) 0,14,0,100

IMDB: 4.6, RT Aud: 45%, RT Critics: 11%

This supposed family comedy staring the usually blameless Ice Cube and Nia Long has provoked most critics to write, "Is it over yet?"



Alone in the Dark (2005) 0,0,0,100

IMDB: 2.3, RT Aud: 10%, RT Critics: 0%

Inept on almost every level, Alone in the Dark may not work as a thriller, but it's good for some head-slapping, incredulous laughter.



Underclassman (2005) 1,1,0,100

IMDB: 4.1, RT Aud: 34%, RT Critics: 6%

Despite the appealing presence of Nick Cannon, Underclassman is a shopworn Beverly Hills Cop/ 21 Jump Street knockoff.



The Honeymooners (2005) 0,6,0,100

IMDB: 3.1, RT Aud: 29%, RT Critics: 12%

This pointless remake of the classic TV series only offers generic characters and gags.



Bewitched (2005) 0,0,4,100

IMDB: 4.8, RT Aud: 28%, RT Critics: 24%

Bewitched is haunted by scattered laughs and a lack of direction.



White Noise (2005) 6,0,0,100

IMDB: 5.5, RT Aud: 31%, RT Critics: 8%

While there are some built-in scares, the movie is muddled and unsatisfying.



Racing Stripes (2005) 5,10,10,100

IMDB: 5.2, RT Aud: 42%, RT Critics: 35%

Racing Stripes might be good for a few laps with younger viewers, but it's too blandly predictable to truly recommend for an all-ages audience.



Rebound (2005) 6,5,0,100

IMDB: 5.2, RT Aud: 37%, RT Critics: 14%

Rebound ought to entertain its target audience, but there's nothing here for those who've seen The Bad News Bears or its countless derivatives.



The Ring Two (2005) 4,1,2,100

IMDB: 5.4, RT Aud: 33%, RT Critics: 19%

Ring Two serves up horror cliches, and not even Hideo Nakata, the director of the movies from which this one is based, can save the movie from a dull screenplay full of absurdities.



Be Cool (2005) 10,1,4,100

IMDB: 5.7, RT Aud: 42%, RT Critics: 29%

Be Cool is tepid, square, and lukewarm; as a parody of the music business, it has two left feet.



The Dukes of Hazzard (2005) 1,3,0,100

IMDB: 5.1, RT Aud: 46%, RT Critics: 13%

A dumb, goofy, and vacuous adaptation of a TV show where plot is simply an excuse to string together the car chases.



Stealth (2005) 1,5,0,100

IMDB: 5.0, RT Aud: 39%, RT Critics: 12%

Loud, preposterous, and predictable, Stealth borrows heavily and unsucessfully from Top Gun and 2001.



BloodRayne (2005) 0,0,0,100

IMDB: 2.9, RT Aud: 16%, RT Critics: 3%

BloodRayne is an absurd sword-and-sorcery vid-game adaptation from schlock-maestro Uwe Boll, featuring a distinguished (and slumming) cast.



Kicking & Screaming (2005) 9,9,13,100

IMDB: 5.6, RT Aud: 43%, RT Critics: 41%

The script is mediocre and fails to give Ferrell a proper comedic showcase.



Miss Congeniality 2: Armed & Fabulous (2005) 1,7,0,100

IMDB: 5.1, RT Aud: 42%, RT Critics: 15%

Sandra Bullock is still as appealing as ever; too bad the movie is not pageant material.



King's Ransom (2005) 3,3,0,100

IMDB: 4.2, RT Aud: 31%, RT Critics: 2%

Filled with crass dialogue, unlikable characters, and overdone slapstick gags, King's Ransom is an utterly inept would-be comedy.



House of Wax (2005) 2,0,2,100

IMDB: 5.3, RT Aud: 41%, RT Critics: 25%

Bearing little resemblance to the 1953 original, House of Wax is a formulaic but better-than-average teen slasher flick.



Rumor Has It... (2005) 6,7,3,100

IMDB: 5.5, RT Aud: 41%, RT Critics: 19%

This riff on The Graduate has a solid cast, but is too lightweight to fully register.



Tamara (2005) 7,0,11,100

IMDB: 5.2, RT Aud: 37%, RT Critics: 32%

As their disdain for their mousy classmate reaches a fever pitch, Tamara's sadistic classmates carry out a vicious practical joke that inadvertently results in the young outcast meeting her doom.



Æon Flux (2005) 5,3,0,100

IMDB: 5.5, RT Aud: 39%, RT Critics: 9%

Aeon Flux lacks the gravity-defying pace of its animated predecessor, and, despite some flash, is largely a dull affair.



The Cave (2005) 2,2,0,100

IMDB: 5.1, RT Aud: 28%, RT Critics: 10%

Despite its stylized and impressive sets, this horror-monster movie mish-mash suffers from endless cliches and wildly implausible plotlines.



Supercross (2005) 1,10,0,100

IMDB: 4.1, RT Aud: 61%, RT Critics: 5%

While it showcases some cool stunts, Supercross feels like an infomercial for its titular sport, with undeveloped characters and a shopworn plot.



Doom (2005) 1,0,0,100

IMDB: 5.2, RT Aud: 34%, RT Critics: 18%

The FPS sections are sure to please fans of the video game, but lacking in plot and originality to please other moviegoers.



The Adventures of Sharkboy and Lavagirl 3-D (2005) 0,0,2,100

IMDB: 3.5, RT Aud: 31%, RT Critics: 19%

The decision to turn this kiddie fantasy into a 3-D film was a miscalculation.



In the Mix (2005) 0,4,1,100

IMDB: 2.7, RT Aud: 50%, RT Critics: 13%

Fans may get a kick out of seeing Usher showcasing his charm on screen, but the movie itself is tone deaf and inconsequential, even by rom-com standards.



Venom (2005) 2,1,0,100

IMDB: 4.7, RT Aud: 21%, RT Critics: 11%

A voodoo horror flick without the mojo, Venom is chock full of gory impalings of interchangeable teenage girls and hunky guys by an unstoppable zombie whose unimaginative rampage quickly lulls us to sleep.



An American Haunting (2005) 1,4,0,100

IMDB: 5.0, RT Aud: 35%, RT Critics: 11%

Well, it looks good. But wasn't it supposed to be scary?



The Fog (2005) 0,0,0,100

IMDB: 3.6, RT Aud: 18%, RT Critics: 4%

The Fog is a so-so remake of a so-so movie, lacking scares, suspense or originality.



Dominion: Prequel to the Exorcist (2005) 8,2,11,100

IMDB: 5.3, RT Aud: 25%, RT Critics: 30%

While director Schrader's attempt at a literate, internal exposition on evil temptations and human sin is admirable, this prequel suffers from hit-and-miss psychological tension, poor visual effects, and weak writing -- an overambitious failure of a horror movie.



Thunderbirds (2004) 0,1,1,100

IMDB: 4.2, RT Aud: 36%, RT Critics: 19%

While his father, billionaire and former astronaut Jeff Tracy and his four elder brothers are busy saving the world, Alan's biggest challenge is saving his grade point average at boarding school.



Exorcist: The Beginning (2004) 2,2,0,100

IMDB: 5.1, RT Aud: 27%, RT Critics: 10%

A mediocre, gory horror film, nowhere near the quality of the 1973 original.



Surviving Christmas (2004) 7,0,0,100

IMDB: 5.4, RT Aud: 28%, RT Critics: 7%

Surviving Christmas is unpleasant characters attacking each other for 90 minutes before delivering a typical, hollow anti-consumerist message



Superbabies: Baby Geniuses 2 (2004) 0,0,0,100

IMDB: 2.0, RT Aud: 20%, RT Critics: 0%

A startling lack of taste pervades Superbabies, a sequel offering further proof that bad jokes still aren't funny when coming from the mouths of babes.



Against the Ropes (2004) 11,6,1,100

IMDB: 5.3, RT Aud: 28%, RT Critics: 11%

A bland, dumbed-down package of sports cliches.



The Perfect Score (2004) 13,5,0,100

IMDB: 5.7, RT Aud: 43%, RT Critics: 16%

Neither funny nor suspenseful, this heist / teen flick also fails to explore its potentially socially relevant premise.



Twisted (2004) 4,4,0,100

IMDB: 5.2, RT Aud: 30%, RT Critics: 1%

An implausible, overheated potboiler that squanders a stellar cast, Twisted is a clichéd, risible whodunit.



The Big Bounce (2004) 1,0,1,100

IMDB: 4.9, RT Aud: 23%, RT Critics: 15%

Lazily crafted and light on substance, The Big Bounce takes few chances and strands its promising cast in a subpar adaptation that fails to do its source material justice.



Taxi (2004) 0,1,0,100

IMDB: 4.5, RT Aud: 43%, RT Critics: 10%

Silly and unfunny remake of a French movie of the same name.



Envy (2004) 0,0,0,100

IMDB: 4.8, RT Aud: 26%, RT Critics: 7%

Jack Black and Ben Stiller fail to wring laughs from a script that's essentially one extended poop joke.



The Stepford Wives (2004) 3,0,5,100

IMDB: 5.3, RT Aud: 29%, RT Critics: 25%

In exchanging the chilling satire of the original into mindless camp, this remake has itself become Stepford-ized.



The Whole Ten Yards (2004) 6,9,0,100

IMDB: 5.5, RT Aud: 40%, RT Critics: 4%

A strained, laugh-free sequel, The Whole Ten Yards recycles its predecessor's cast and plot but not its wit or reason for being.



Around the World in 80 Days (2004) 13,0,7,100

IMDB: 5.8, RT Aud: 34%, RT Critics: 31%

Hit-and-miss family fare that bares only the slightest resemblance to Verne's novel.



Catwoman (2004) 0,0,0,100

IMDB: 3.3, RT Aud: 18%, RT Critics: 8%

Halle Berry is the lone bright spot, but even she can't save this laughable action thriller.



Torque (2004) 0,5,1,100

IMDB: 4.0, RT Aud: 40%, RT Critics: 22%

Silly and noisy, Torque is stylish fun for the MTV crowd.



Scooby-Doo 2: Monsters Unleashed (2004) 1,0,2,100

IMDB: 5.0, RT Aud: 39%, RT Critics: 22%

Only the very young will get the most out of this silly trifle.



Club Dread (2004) 12,1,3,100

IMDB: 5.7, RT Aud: 43%, RT Critics: 28%

Comedy is too hit-or-miss is this slasher spoof.



Godsend (2004) 0,0,0,100

IMDB: 4.8, RT Aud: 20%, RT Critics: 4%

A murky thriller with few chills, Godsend features ludicrous dialogue, by-the-numbers plotting, and an excess of cheap shocks.



Catch That Kid (2004) 7,12,0,100

IMDB: 5.2, RT Aud: 47%, RT Critics: 11%

An unimaginative heist movie aimed strictly at the preteen set.



Alexander (2004) 6,0,0,100

IMDB: 5.6, RT Aud: 34%, RT Critics: 16%

Even at nearly three hours long, this ponderous, talky, and emotionally distant biopic fails to illuminate Alexander's life.



Anatomy of Hell (2004) 2,8,2,100

IMDB: 4.4, RT Aud: 37%, RT Critics: 25%

Ponderous, pretentious, and -- considering the subject matter -- dull.



Riding the Bullet (2004) 7,7,14,100

IMDB: 5.2, RT Aud: 34%, RT Critics: 27%

Stephen King adaptation veteran director Mick Garris has lofty storytelling goals which ultimately flail and undercut the story's terror.



The Bridge of San Luis Rey (2004) 13,13,2,100

IMDB: 5.1, RT Aud: 34%, RT Critics: 4%

Despite an all-star cast and some impressive visuals, The Bridge of San Luis Rey is a lifeless, slow-going adaptation of Thornton Wilder's classic novel.



The Forgotten (2004) 13,4,10,100

IMDB: 5.8, RT Aud: 36%, RT Critics: 31%

The premise grows too ridiculous to take seriously.



Agent Cody Banks 2: Destination London (2004) 0,0,0,100

IMDB: 4.5, RT Aud: 30%, RT Critics: 12%

Young kids may find this London adventure fun, but older kids may find it too simplistic.



Johnson Family Vacation (2004) 1,6,0,100

IMDB: 4.4, RT Aud: 43%, RT Critics: 5%

The poorly crafted Johnson Family Vacation squanders its talented cast in a bland family road comedy that draws unfavorable comparisons to Chevy Chase's Vacation movies.



Confessions of a Teenage Drama Queen (2004) 0,0,1,100

IMDB: 4.6, RT Aud: 35%, RT Critics: 13%

Confessions of a Teenage Drama Queen's superficial tendencies are unlikely to appeal to older viewers -- though its colorful candor is decidedly not intended for them in the first place.



First Daughter (2004) 2,2,0,100

IMDB: 5.0, RT Aud: 42%, RT Critics: 8%

First Daughter is a bland and charmless fairy tale that fails to rise above the formula.



Little Black Book (2004) 6,2,3,100

IMDB: 5.3, RT Aud: 37%, RT Critics: 20%

An obnoxious, awkward mix of romantic comedy and reality show satire.



Welcome to Mooseport (2004) 6,0,1,100

IMDB: 5.2, RT Aud: 19%, RT Critics: 13%

A bland comedy that squanders a talented cast.



New York Minute (2004) 1,9,0,100

IMDB: 4.9, RT Aud: 47%, RT Critics: 11%

Feels more like a calculated product designed to expand the Olsens' brand than an actual movie. Also, it contains ethnic stereotyping and sexual innuendo.



Anacondas: The Hunt for the Blood Orchid (2004) 0,0,1,100

IMDB: 4.6, RT Aud: 27%, RT Critics: 25%

Anacondas: The Hunt for the Blood Orchid features Peter Curtis, Johnny Messner, Morris Chestnut, and Eugene Byrd.



Soul Plane (2004) 0,2,0,100

IMDB: 4.4, RT Aud: 51%, RT Critics: 17%

A raunchy sendup of Airplane! that never really takes off.



D.E.B.S. (2004) 6,7,9,100

IMDB: 5.3, RT Aud: 55%, RT Critics: 38%

Lacking enough material for a full-length movie, D.E.B.S. is short on both plot and laughs.



AVP: Alien vs. Predator (2004) 6,7,1,100

IMDB: 5.6, RT Aud: 39%, RT Critics: 20%

Gore without scares and cardboard cut-out characters make this clash of the monsters a dull sit.



A Day Without a Mexican (2004) 8,7,14,100

IMDB: 4.7, RT Aud: 37%, RT Critics: 27%

The film stars Yareli Arizmendi, John Getz, Maureen Flannigan, and Muse Watson.



The Cookout (2004) 1,12,0,100

IMDB: 3.6, RT Aud: 37%, RT Critics: 4%

Good-natured but prepared with an absence of craft, The Cookout is an unappetizing collection of warmed-over jokes.



Seed of Chucky (2004) 1,0,4,100

IMDB: 4.9, RT Aud: 39%, RT Critics: 32%

Cult film director John Waters also makes an appearance, as does hip-hop artist Redman.



Christmas with the Kranks (2004) 4,2,0,100

IMDB: 5.3, RT Aud: 37%, RT Critics: 5%

A mirthless movie as fresh as last year's fruit cake, Christmas with the Kranks is a coarse, garish comedy that promotes conformity.



When Will I Be Loved (2004) 5,6,6,100

IMDB: 4.5, RT Aud: 31%, RT Critics: 31%

Neve Campbell bares all in this seemingly misogynistic trifle.



Fat Albert (2004) 0,1,3,100

IMDB: 4.3, RT Aud: 43%, RT Critics: 24%

A bland but good-natured adaptation of the cartoon show.



9 Songs (2004) 1,3,3,100

IMDB: 4.8, RT Aud: 32%, RT Critics: 23%

The unerotic sex scenes quickly become tedious to watch, and the lovers lack the personality necessary to make viewers care about them.



In the Cut (2003) 5,3,7,100

IMDB: 5.3, RT Aud: 34%, RT Critics: 34%

Ryan is very good playing against type, but Campion's good-looking thriller is far from thrilling.



Bulletproof Monk (2003) 6,4,2,100

IMDB: 5.5, RT Aud: 38%, RT Critics: 23%

Venerable action star Chow Yun-Fat is the only saving grace in this silly action flick that more often than not resembles a commercial in style.



Kangaroo Jack (2003) 0,0,0,100

IMDB: 4.4, RT Aud: 27%, RT Critics: 7%

The humor is gratingly dumb, and Kangaroo Jack contains too much violence and sexual innuendo for a family movie.



View from the Top (2003) 3,0,0,100

IMDB: 5.2, RT Aud: 33%, RT Critics: 13%

Uneven in tone and badly edited, A View From the Top wastes the talents of its cast and condescends to its characters.



Marci X (2003) 0,0,0,100

IMDB: 2.8, RT Aud: 27%, RT Critics: 8%

The material is too thin for feature-length and the jokes are socially outdated and clueless.



My Boss's Daughter (2003) 0,0,0,100

IMDB: 4.7, RT Aud: 23%, RT Critics: 8%

Offensive, incoherent, and ineptly acted and directed.



National Security (2003) 8,9,0,100

IMDB: 5.6, RT Aud: 45%, RT Critics: 11%

The action in National Security is mindless, while the humor says nothing insightful about racial issues.



It's All About Love (2003) 14,14,5,100

IMDB: 5.5, RT Aud: 27%, RT Critics: 16%

In a near-future world, environmental damage causes flash ice ages and gravity loss, and people who experience devastating grief and loneliness are susceptible to a fatal disease that suddenly freezes the heart--transforming them into human carnage that collects on street corners and airport escalators.



Darkness Falls (2003) 1,2,0,100

IMDB: 5.0, RT Aud: 34%, RT Critics: 9%

A derivative movie where the scares are few and things don't make much sense.



The Jungle Book 2 (2003) 8,7,3,100

IMDB: 5.4, RT Aud: 29%, RT Critics: 18%

This inferior rehash of The Jungle Book should have gone straight to video.



Dreamcatcher (2003) 5,1,5,100

IMDB: 5.5, RT Aud: 35%, RT Critics: 29%

An incoherent and overly long creature feature.



The Medallion (2003) 2,1,0,100

IMDB: 5.2, RT Aud: 27%, RT Critics: 17%

The use of special effects diminishes some of Chan's appeal in this disposable picture.



A Guy Thing (2003) 12,2,1,100

IMDB: 5.6, RT Aud: 35%, RT Critics: 23%

Wasting the talent of its leads, this predictable romantic comedy relies on cheap laughs.



Gigli (2003) 0,0,0,100

IMDB: 2.4, RT Aud: 12%, RT Critics: 6%

Bizarre and clumsily plotted, Gigli is a mess. As for its stars, Affleck and Lopez lack chemistry.



Timeline (2003) 8,5,0,100

IMDB: 5.6, RT Aud: 45%, RT Critics: 11%

This incoherently plotted addition to the time-travel genre looks and sounds cheesy.



The Order (2003) 4,4,0,100

IMDB: 5.2, RT Aud: 38%, RT Critics: 8%

A religious thriller that's more lethargic and silly than thrilling.



Charlie's Angels: Full Throttle (2003) 0,7,10,100

IMDB: 4.9, RT Aud: 40%, RT Critics: 42%

Eye candy for those who don't require a movie to have a plot or for it to make sense.



Bringing Down the House (2003) 9,14,5,100

IMDB: 5.6, RT Aud: 49%, RT Critics: 33%

Though the cast shines, they can't save this comedy, which is overly contrived and filled with outdated and offensive racial jokes.



Just Married (2003) 5,7,1,100

IMDB: 5.5, RT Aud: 47%, RT Critics: 20%

Just Married's plot is predictable, and the overdone pratfalls get tiresome.



Scary Movie 3 (2003) 5,3,7,100

IMDB: 5.5, RT Aud: 54%, RT Critics: 36%

Though an improvement over the second Scary Movie, the laughs are still inconsistent.



The League of Extraordinary Gentlemen (2003) 12,7,0,100

IMDB: 5.8, RT Aud: 44%, RT Critics: 17%

Just ordinary. LXG is a great premise ruined by poor execution.



The Cat in the Hat (2003) 0,0,0,100

IMDB: 3.8, RT Aud: 30%, RT Critics: 10%

Filled with double entendres and potty humor, this Cat falls flat.



House of the Dead (2003) 0,0,0,100

IMDB: 2.0, RT Aud: 9%, RT Critics: 3%

A grungy, disjointed, mostly brainless mess of a film, House of the Dead is nonetheless loaded with unintentional laughs.



Alex & Emma (2003) 13,2,0,100

IMDB: 5.6, RT Aud: 41%, RT Critics: 10%

A dull and unfunny comedy where the leads fail to generate any sparks.



Chasing Papi (2003) 7,8,1,100

IMDB: 4.8, RT Aud: 39%, RT Critics: 14%

Tomas Fuentes (Eduardo Verastegui) is a successful advertising man living in Los Angeles who has a way with the ladies.



Dickie Roberts: Former Child Star (2003) 13,2,4,100

IMDB: 5.6, RT Aud: 46%, RT Critics: 22%

A so-so David Spade comedy with a few laughs.



Head of State (2003) 7,2,7,100

IMDB: 5.4, RT Aud: 46%, RT Critics: 30%

Head of State squanders its potentially ripe premise with watered-down satire and formulaic gags.



Lara Croft Tomb Raider: The Cradle of Life (2003) 5,7,3,100

IMDB: 5.5, RT Aud: 44%, RT Critics: 24%

Though the sequel is an improvement over the first movie, it's still lacking in thrills.



Biker Boyz (2003) 1,9,2,100

IMDB: 4.6, RT Aud: 53%, RT Critics: 22%

Waste of a good cast. For a movie about bike racing, it never gets up to speed.



Malibu's Most Wanted (2003) 3,1,5,100

IMDB: 5.1, RT Aud: 53%, RT Critics: 31%

There are some laughs, but not enough to sustain the running time.



Dumb and Dumberer: When Harry Met Lloyd (2003) 0,0,0,100

IMDB: 3.4, RT Aud: 23%, RT Critics: 10%

This lame prequel induces more groans than laughs. Rent the original instead.



Freddy vs. Jason (2003) 12,3,7,100

IMDB: 5.8, RT Aud: 50%, RT Critics: 40%

Fans of the two horror franchises will enjoy this showdown. But for everyone else, it's the same old slice and dice.



Hollywood Homicide (2003) 4,0,5,100

IMDB: 5.3, RT Aud: 27%, RT Critics: 29%

Hollywood Homicide suffers from too many subplots and not enough laughs.



Cold Creek Manor (2003) 1,0,0,100

IMDB: 4.9, RT Aud: 22%, RT Critics: 11%

The plot of Cold Creek Manor is too predictable and contrived to generate suspense.



Legally Blonde 2: Red, White & Blonde (2003) 0,3,7,100

IMDB: 4.7, RT Aud: 43%, RT Critics: 37%

This blonde joke is less funny the second time around.



Love Don't Cost a Thing (2003) 8,10,0,100

IMDB: 5.2, RT Aud: 65%, RT Critics: 12%

A stale, unnecessary remake of Can't Buy Me Love.



The Haunted Mansion (2003) 1,0,1,100

IMDB: 5.0, RT Aud: 30%, RT Critics: 13%

Neither scary nor funny, The Haunted Mansion is as lifeless as the ghosts in the movie.



From Justin to Kelly (2003) 0,0,0,100

IMDB: 2.1, RT Aud: 37%, RT Critics: 9%

A notorious stinker, From Justin To Kelly features banal songs, a witless plot, and non-existent chemistry between its American Idol-sanctioned leads.



Undead (2003) 11,8,4,100

IMDB: 5.5, RT Aud: 44%, RT Critics: 31%

This low-budget homage to the zombie genre borrows heavily from superior predecessors and revels in a pile of its own campiness -- neither original nor watchable enough to entertain.



Gothika (2003) 12,7,1,100

IMDB: 5.8, RT Aud: 45%, RT Critics: 14%

Berry's acting talents can't save Gothika from its preposterous plot and bad dialogue.



Cheaper by the Dozen (2003) 13,14,4,100

IMDB: 5.8, RT Aud: 56%, RT Critics: 23%

In this family of twelve children, much chaos ensues, but little hilarity.



The Real Cancun (2003) 0,0,2,100

IMDB: 2.7, RT Aud: 28%, RT Critics: 35%

The footage is predictable and rather tame, and most of the people are uninteresting.



The Room (2003) 0,4,1,100

IMDB: 3.6, RT Aud: 46%, RT Critics: 25%

A bona fide classic of midnight cinema, Tommy Wiseau's misguided masterpiece subverts the rules of filmmaking with a boundless enthusiasm that renders such mundanities as acting, screenwriting, and cinematography utterly irrelevant. You will never see a football the same way again.



National Lampoon's Gold Diggers (2003) 0,1,0,100

IMDB: 2.9, RT Aud: 19%, RT Critics: 0%

It aspires to Farrelly-level offensiveness, but the PG-13 rating and a dearth of decent gags renders Gold Diggers tame, toothless, and dull.



Clockstoppers (2002) 5,0,9,100

IMDB: 5.2, RT Aud: 30%, RT Critics: 29%

A pleasant diversion for the young teens, but a waste of time for anyone older.



Eye See You (2002) 5,6,6,100

IMDB: 5.3, RT Aud: 28%, RT Critics: 15%

FBI agent Jake Malloy (Stallone) has been traumatized by an especially vicious murder.



The Adventures of Pluto Nash (2002) 0,0,0,100

IMDB: 3.8, RT Aud: 18%, RT Critics: 4%

The Adventures of Pluto Nash is neither adventurous nor funny, and Eddie Murphy is on autopilot in this notorious box office bomb.



Halloween: Resurrection (2002) 0,2,0,100

IMDB: 4.1, RT Aud: 26%, RT Critics: 11%

The only thing this tired slasher flick may resurrect is nostalgia for when the genre was still fresh and scary.



Collateral Damage (2002) 5,2,0,100

IMDB: 5.5, RT Aud: 27%, RT Critics: 19%

Despite its timely subject matter, Collateral Damage is an unexceptional and formulaic action thriller.



Slackers (2002) 6,3,0,100

IMDB: 5.3, RT Aud: 50%, RT Critics: 10%

Another teen comedy with little on its mind but moving to the next gross-out gag, Slackers strains for laughs and features grating characters.



40 Days and 40 Nights (2002) 7,7,7,100

IMDB: 5.6, RT Aud: 43%, RT Critics: 38%

As romantic comedies go, 40 Days and 40 Nights is smutty, sexist, and puerile.



Rollerball (2002) 0,0,0,100

IMDB: 3.0, RT Aud: 14%, RT Critics: 3%

Removing the social critique of the original, this updated version of Rollerball is violent, confusing, and choppy. Klein makes for a bland hero.



Juwanna Mann (2002) 3,2,0,100

IMDB: 4.6, RT Aud: 38%, RT Critics: 9%

With its tired premise, Juwanna Mann's jokes fall flat.



Killing Me Softly (2002) 9,11,6,100

IMDB: 5.5, RT Aud: 39%, RT Critics: 0%

Respected director Chen Kaige's first English-language film is a spectacularly misguided erotic thriller, with ludicrous plot twists and cringe-worthy dialogue.



Long Time Dead (2002) 6,10,14,100

IMDB: 4.9, RT Aud: 37%, RT Critics: 18%

For his debut feature film, writer/director Marcus Adams helmed this independent occult horror flick set in the U.K. Long Time Dead tells the story of a group of college students who find themselves playing with a homemade Ouija board late one night.



Maid in Manhattan (2002) 1,3,13,100

IMDB: 5.1, RT Aud: 43%, RT Critics: 38%

Too blandly generic, Maid in Manhattan also suffers from a lack of chemistry between Lopez and Fiennes.



The Sweetest Thing (2002) 1,8,1,100

IMDB: 5.1, RT Aud: 65%, RT Critics: 25%

A collection of hit-or-miss gags tied together by a thin plot.



Pinocchio (2002) 1,2,0,100

IMDB: 4.3, RT Aud: 30%, RT Critics: 0%

Roberto Benigni misfires wildly with this adaptation of Pinocchio, and the result is an unfunny, poorly-made, creepy vanity project.



Serving Sara (2002) 6,0,0,100

IMDB: 5.3, RT Aud: 26%, RT Critics: 4%

A romantic comedy that's neither funny nor particularly romantic, Serving Sara is a forgettable time waster.



Big Fat Liar (2002) 5,3,10,100

IMDB: 5.4, RT Aud: 44%, RT Critics: 42%

Though there's nothing that offensive about Big Fat Liar, it is filled with Hollywood cliches and cartoonish slapstick, making it strictly for kids.



Stealing Harvard (2002) 4,2,0,100

IMDB: 5.1, RT Aud: 39%, RT Critics: 8%

There are laughs Stealing Harvard, but they are few and far between. Tom Green's antics grow old fast.



Abandon (2002) 3,3,2,100

IMDB: 4.9, RT Aud: 31%, RT Critics: 16%

The plotline for Abandon is too disjointed and muddled to offer much in the way of thrills.



Scooby-Doo (2002) 0,0,2,100

IMDB: 5.0, RT Aud: 38%, RT Critics: 30%

Though Lillard is uncannily spot-on as Shaggy, Scooby Doo is a tired live-action update, filled with lame jokes.



The Truth About Charlie (2002) 2,2,7,100

IMDB: 4.8, RT Aud: 27%, RT Critics: 33%

Newton has star quality, but this exercise in style can't hold a candle to the original.



Darkness (2002) 7,0,0,100

IMDB: 5.4, RT Aud: 30%, RT Critics: 3%

Yet another predictable variation on the hoary old haunted-house movie, Darkness is an illogical, portentous mess.



Crossroads (2002) 0,0,1,100

IMDB: 3.4, RT Aud: 39%, RT Critics: 14%

A cliched and silly pop star vanity project, Crossroads is strictly for Britney fans only.



The Country Bears (2002) 1,3,3,100

IMDB: 4.0, RT Aud: 31%, RT Critics: 29%

Despite all the celebrities on hand, this spin-off from a theme park attraction still feels tired and hokey.



The Scorpion King (2002) 5,1,9,100

IMDB: 5.5, RT Aud: 37%, RT Critics: 40%

Action adventure doesn't get much cheesier than The Scorpion King.



Sorority Boys (2002) 8,2,0,100

IMDB: 5.4, RT Aud: 54%, RT Critics: 12%

A sloppy fratboy movie, Sorority Boys offers up a parade of gross-out gags and sex jokes, while insulting and ogling women.



Bad Company (2002) 8,2,0,100

IMDB: 5.6, RT Aud: 35%, RT Critics: 10%

Chris Rock and Anthony Hopkins fail to generate the sparks necessary to save the movie from a generic and utterly predictable script.



Snow Dogs (2002) 2,1,1,100

IMDB: 5.1, RT Aud: 39%, RT Critics: 24%

A mediocre live-action children's movie, Snow Dogs is filled with cliched dialogue, tiresome pratfalls, and stale fish-out-of-water jokes.



Swimfan (2002) 2,0,1,100

IMDB: 5.0, RT Aud: 32%, RT Critics: 14%

A Fatal Attraction rip-off, Swimfan is a predictable, mediocre thriller.



Extreme Ops (2002) 2,2,0,100

IMDB: 4.5, RT Aud: 27%, RT Critics: 7%

The various stunts in Extreme Ops don't compensate for the inane storyline and bad dialogue.



They (2002) 2,1,3,100

IMDB: 4.8, RT Aud: 23%, RT Critics: 37%

They fails to sustain the level of creepiness necessary to rise above other movies in the horror genre.



Showtime (2002) 6,0,6,100

IMDB: 5.5, RT Aud: 25%, RT Critics: 25%

Showtime starts out as a promising satire of the buddy cop genre. Unfortunately, it ends up becoming the type of movies it is satirizing.



Boat Trip (2002) 1,1,0,100

IMDB: 4.9, RT Aud: 35%, RT Critics: 6%

Boat Trip is a lame, juvenile farce that's heavy on stereotypes and desperate antics but short on brains and laughs.



Ghost Ship (2002) 5,1,0,100

IMDB: 5.5, RT Aud: 37%, RT Critics: 14%

With a plot as creaky as the boat, Ghost Ship fails to deliver the scares.



The Tuxedo (2002) 4,0,2,100

IMDB: 5.4, RT Aud: 29%, RT Critics: 21%

Chan is as charming as ever, but his talents are squandered by special effects and bad writing.



Swept Away (2002) 0,0,0,100

IMDB: 3.6, RT Aud: 27%, RT Critics: 5%

Muddled and lacking the political context of the original, Swept Away offers further proof that Madonna can't act.



Feardotcom (2002) 0,0,0,100

IMDB: 3.3, RT Aud: 17%, RT Critics: 3%

As frustrating as a 404 error, Fear Dot Com is a stylish, incoherent, and often nasty mess with few scares.



The Master of Disguise (2002) 0,0,0,100

IMDB: 3.3, RT Aud: 32%, RT Critics: 1%

An ill-concieved attempt to utilize Dana Carvey's talent for mimicry, The Master of Disguise is an irritating, witless farce weighted down by sophomoric gags.



Half Past Dead (2002) 0,8,0,100

IMDB: 4.6, RT Aud: 37%, RT Critics: 3%

Seagal is now too bulky to make a convincing action hero, and Half Past Dead is too silly and incoherent to deliver any visceral kicks.



I Spy (2002) 4,0,1,100

IMDB: 5.4, RT Aud: 33%, RT Critics: 15%

Insipid and mirthless, I-Spy bares little resemblance to the TV series that inspired it.



The Hot Chick (2002) 5,14,0,100

IMDB: 5.5, RT Aud: 59%, RT Critics: 21%

The Hot Chick's one-note concept gets stretched thin, and a lot of the jokes fall flat.



Ballistic: Ecks vs. Sever (2002) 0,0,0,100

IMDB: 3.6, RT Aud: 17%, RT Critics: 0%

A startlingly inept film, Ballistic: Ecks vs. Sever offers overblown, wall-to-wall action without a hint of wit, coherence, style, or originality.



Glitter (2001) 0,0,0,100

IMDB: 2.2, RT Aud: 45%, RT Critics: 6%

Glitter is a hodgepodge of movie cliches and bad acting that's sure to generate unintentional laughs. Unfortunately, the movie is not bad enough to be good.



Driven (2001) 0,0,0,100

IMDB: 4.6, RT Aud: 33%, RT Critics: 13%

Underdeveloped characters, silly plot dynamics, and obvious CG effects.



Town & Country (2001) 3,3,0,100

IMDB: 4.4, RT Aud: 14%, RT Critics: 12%

Afflicted with extensive re-editing and re-writing, this sex comedy feels confusingly choppy. Also, the main characters are so wealthy and privileged that it's difficult to feel sympathy for their problems.



Lara Croft: Tomb Raider (2001) 12,14,0,100

IMDB: 5.8, RT Aud: 47%, RT Critics: 19%

Angelina Jolie is perfect for the role of Lara Croft, but even she can't save the movie from a senseless plot and action sequences with no emotional impact.



What's the Worst That Could Happen? (2001) 10,2,0,100

IMDB: 5.5, RT Aud: 35%, RT Critics: 10%

Talented cast is squandered by an uninvolving script filled with unfunny gags.



Bones (2001) 0,2,1,100

IMDB: 4.1, RT Aud: 39%, RT Critics: 21%

Slow to start, the sleek looking Bones is more silly than scary.



Monkeybone (2001) 1,0,0,100

IMDB: 4.7, RT Aud: 27%, RT Critics: 19%

Though original and full of bizarre visuals, Monkeybone is too shapeless a movie, with unengaging characters and random situations that fail to build up laughs.



Sugar & Spice (2001) 13,1,5,100

IMDB: 5.6, RT Aud: 42%, RT Critics: 28%

Though this cheerleader comedy has an intriguing premise, it's too empty-headed and saddled with too many lame jokes to live up to it. Also, some critics say the movie is irresponsible in its depiction of teens and guns.



Head Over Heels (2001) 8,5,0,100

IMDB: 5.4, RT Aud: 56%, RT Critics: 10%

Head Over Heels is being blasted by critics as a huge mess. The plot and jokes are idiotic, while the toilet humor is gratuitous and more gross than funny.



Texas Rangers (2001) 10,8,0,100

IMDB: 5.2, RT Aud: 29%, RT Critics: 2%

As far as westerns go, Texas Rangers is strictly mediocre stuff.



The Wedding Planner (2001) 3,14,0,100

IMDB: 5.3, RT Aud: 59%, RT Critics: 16%

Instead of being light and charming, this romantic comedy is heavy-handed and contrived in its execution. Also, it's too unoriginal.



Jason X (2001) 0,0,0,100

IMDB: 4.4, RT Aud: 24%, RT Critics: 19%

Jason goes to the future, but the story is still stuck in the past.



Soul Survivors (2001) 0,1,0,100

IMDB: 3.9, RT Aud: 26%, RT Critics: 4%

Soul Survivors' stock characters and utter lack of suspense gives viewers little reason to attempt deciphering the confusing plot.



Angel Eyes (2001) 11,5,7,100

IMDB: 5.6, RT Aud: 45%, RT Critics: 32%

Though the earlier part of the movie suggested something more, the movie turns out to be nothing more than a schmaltzy romance.



Crocodile Dundee in Los Angeles (2001) 1,0,0,100

IMDB: 4.8, RT Aud: 25%, RT Critics: 11%

A family movie without toilet jokes, but there's nothing that haven't seen before.



Down to Earth (2001) 6,2,0,100

IMDB: 5.4, RT Aud: 40%, RT Critics: 19%

A toned down Chris Rock fails to bring a limp script to life as the movie moves from one gag to the next.



Summer Catch (2001) 3,0,0,100

IMDB: 5.0, RT Aud: 40%, RT Critics: 7%

A cliched and predictable sports comedy that's mostly devoid of excitement or laughs, Summer Catch is strictly bush-league.



Double Take (2001) 11,5,0,100

IMDB: 5.4, RT Aud: 49%, RT Critics: 11%

Despite a good performance by Orlando Jones, the movie is ruined by a ridiculous, messy plot and fails to generate laughs.



Say It Isn't So (2001) 2,1,0,100

IMDB: 4.9, RT Aud: 31%, RT Critics: 8%

Those that haven't tired from Farrelly brothers' brand of comedy may still find some laughs here. Otherwise, the slow pacing and unimaginative shock gags will start to wear on the viewer.



Dr. Dolittle 2 (2001) 0,1,12,100

IMDB: 4.7, RT Aud: 26%, RT Critics: 41%

Although there are laughs to be had in Dr. Dolittle 2, its preoccupation with toilet humor and Murphy's restrained performance makes this a missed opportunity.



Freddy Got Fingered (2001) 0,0,0,100

IMDB: 4.5, RT Aud: 55%, RT Critics: 10%

Unfavorably comparing it with such infamously bad titles as Battlefield Earth, a significant number of critics are calling Tom Green's extreme gross-out comedy the worst movie they have ever seen.



Exit Wounds (2001) 7,5,5,100

IMDB: 5.5, RT Aud: 45%, RT Critics: 32%

It probably goes without saying that Exit Wounds is loaded with plotholes and bad dialogue. Critics also note that Seagal has aged rather badly.



Harvard Man (2001) 8,2,12,100

IMDB: 4.9, RT Aud: 32%, RT Critics: 33%

Harvard Man is a pretentious, incoherent mess.



Valentine (2001) 1,0,0,100

IMDB: 4.8, RT Aud: 33%, RT Critics: 9%

Valentine is basically a formulaic throwback to conventional pre-Scream slasher flicks. Critics say it doesn't offer enough suspense or scares to justify its addition to the genre.



The Forsaken (2001) 9,10,0,100

IMDB: 5.3, RT Aud: 40%, RT Critics: 7%

It's all been done before, and done better.



The Musketeer (2001) 1,4,0,100

IMDB: 4.7, RT Aud: 33%, RT Critics: 11%

Hong Kong inspired action sequences take center stage in this latest Three Musketeers adaptation. Unfortunately, the oversimplification of the story and an uncharismatic lead character leave the movie flat.



Tomcats (2001) 6,0,0,100

IMDB: 5.3, RT Aud: 42%, RT Critics: 14%

Why even bother? You already know if you're going to see it or not.



Domestic Disturbance (2001) 8,5,1,100

IMDB: 5.5, RT Aud: 37%, RT Critics: 24%

Well-made but extremely predictable, Domestic Disturbance is an average thriller that may work better on TV.



Corky Romano (2001) 1,0,0,100

IMDB: 4.7, RT Aud: 38%, RT Critics: 6%

Corky Romano continues the trend of bad movies featuring SNL members. The jokes are tired and unfunny, and the slapstick feels forced.



See Spot Run (2001) 11,3,0,100

IMDB: 5.4, RT Aud: 44%, RT Critics: 23%

See Spot Run has all the elements chidren enjoy in a movie: a lovable dog, bad things happening to stupid adults, and lots of dog poop. For adults, it's either hit-or-miss.



The Animal (2001) 0,0,3,100

IMDB: 4.8, RT Aud: 28%, RT Critics: 30%

While less offensive and more charming than recent gross-humored comedies, The Animal is still rather mediocre.



Scary Movie 2 (2001) 2,3,0,100

IMDB: 5.3, RT Aud: 52%, RT Critics: 14%

Instead of being funny, this gross-out sequel plays like a sloppy, rushed-out product.



Pootie Tang (2001) 5,3,2,100

IMDB: 5.2, RT Aud: 63%, RT Critics: 28%

Based as it is on a short skit, Pootie Tang overstays its welcome.



Bubble Boy (2001) 10,1,0,100

IMDB: 5.6, RT Aud: 48%, RT Critics: 30%

Bubble Boy bounces along with lame, offensive jokes that are more tasteless than funny.



America's Sweethearts (2001) 10,1,5,100

IMDB: 5.7, RT Aud: 40%, RT Critics: 31%

Despite its famous cast, the movie lacks sympathetic characters and is only funny in spurts.



Black Knight (2001) 0,0,0,100

IMDB: 4.8, RT Aud: 33%, RT Critics: 13%

Black Knight feels like a lazily constructed movie, filled with lame gags and constant mugging from Lawrence.



Max Keeble's Big Move (2001) 12,2,4,100

IMDB: 5.4, RT Aud: 38%, RT Critics: 28%

Max Keeble may be fun for kids, but bland and unoriginal for adults.



Not Another Teen Movie (2001) 9,7,1,100

IMDB: 5.7, RT Aud: 55%, RT Critics: 29%

NATM has some funny moments, but the movie requires the audience to have familiarity with the movies being spoofed and a tolerance for toilet and sexual humor to be truly effective.



On the Line (2001) 2,7,0,100

IMDB: 4.1, RT Aud: 47%, RT Critics: 18%

An inept attempt at a romantic comedy aimed at 'Nsync fans.



Joe Somebody (2001) 12,0,1,100

IMDB: 5.5, RT Aud: 27%, RT Critics: 20%

Amiable, but extremely lightweight and predictable.



The Adventures of Rocky & Bullwinkle (2000) 0,0,8,100

IMDB: 4.2, RT Aud: 20%, RT Critics: 43%

Though the film stays true to the nature of the original cartoon, the script is disappointing and not funny.



Supernova (2000) 1,0,0,100

IMDB: 4.8, RT Aud: 16%, RT Critics: 9%

This is an insult to the Sci-fi genre with no excitement and bad FX.



Nutty Professor II: The Klumps (2000) 0,0,3,100

IMDB: 4.4, RT Aud: 32%, RT Critics: 26%

While Eddie Murphy is still hilarious as the entire Klump family, the movie falls apart because of uneven pacing, a poor script, and skits that rely on being gross rather than funny.



Highlander: Endgame (2000) 0,2,0,100

IMDB: 4.6, RT Aud: 38%, RT Critics: 11%

The fourth and supposedly last Highlander movie is a confusing mess, complete with bad acting and dialogue.



The Next Best Thing (2000) 1,1,0,100

IMDB: 4.7, RT Aud: 35%, RT Critics: 19%

Story elements clash and acting falls short.



The Flintstones in Viva Rock Vegas (2000) 0,0,1,100

IMDB: 3.6, RT Aud: 20%, RT Critics: 25%

The prequel to the first full-length feature set in Bedrock, Viva Rock Vegas is a surprising improvement over The Flintstones. Aimed towards an audience of adults and children alike, critics feel Viva will appeal to a broad range of viewers.



The Art of War (2000) 12,7,1,100

IMDB: 5.7, RT Aud: 36%, RT Critics: 16%

Excessively noisy and overly reliant on genre clichés, The Art of War wastes its star's charisma on a ridiculous, convoluted plot and poorly edited action sequences.



Lost Souls (2000) 2,2,0,100

IMDB: 4.8, RT Aud: 21%, RT Critics: 6%

Though Kaminski's film is visually stylish, Lost Souls is just another derivative entry in the Apocalypse genre, with lackluster direction, unengaging characters, and no scares.



Hanging Up (2000) 2,2,0,100

IMDB: 4.8, RT Aud: 34%, RT Critics: 11%

Though the screenplay and the novel it's based on were both written by the same person, critics say Hanging Up is an unsuccessful adaptation. The acting is praised as solid, but is ultimately unable to save the film.



The In Crowd (2000) 5,3,0,100

IMDB: 4.6, RT Aud: 37%, RT Critics: 1%

A dull, soapy potboiler that lacks the energy to qualify as a guilty pleasure, The In Crowd is undone by slow pacing, poor acting, and a stunning lack of originality.



Bless the Child (2000) 4,3,0,100

IMDB: 5.1, RT Aud: 42%, RT Critics: 2%

Bless the Child squanders its talented cast on a plot that's more likely to inspire unintentional laughs than shivers.



Hollow Man (2000) 9,0,3,100

IMDB: 5.7, RT Aud: 27%, RT Critics: 27%

Despite awesome special effects, Hollow Man falls short of other films directed by Paul Verhoeven. This flick over time degenerates into a typical horror film.



Whipped (2000) 3,1,0,100

IMDB: 4.4, RT Aud: 32%, RT Critics: 13%

The sex jokes in Whipped are tiresomely vulgar and unfunny. Critics also condemn the movie as cynical and mean-spirited, with no likable characters.



Autumn in New York (2000) 10,6,2,100

IMDB: 5.6, RT Aud: 54%, RT Critics: 19%

Although the film isn't as bad as feared (it wasn't pre-screened for reviews), it's not that good, either. Most noticable flaws are the sappy romantic cliches and lack of chemistry between Gere and Ryder.



Mission to Mars (2000) 7,0,1,100

IMDB: 5.6, RT Aud: 30%, RT Critics: 24%

Beauty only goes skin deep in this shallow but visually stunning film.



Reindeer Games (2000) 12,0,2,100

IMDB: 5.7, RT Aud: 27%, RT Critics: 25%

Despite a decent cast, subpar acting and a contrived plot disappointed reviewers.



Snow Day (2000) 4,0,3,100

IMDB: 5.0, RT Aud: 26%, RT Critics: 27%

Weak assembly of characters and story lines made this movie forgettable and silly.



Battlefield Earth (2000) 0,0,0,100

IMDB: 2.4, RT Aud: 11%, RT Critics: 2%

Ugly, campy, and poorly acted, Battlefield Earth is a stunningly misguided, aggressively bad sci-fi folly.



Little Nicky (2000) 2,7,0,100

IMDB: 5.3, RT Aud: 55%, RT Critics: 21%

Despite the presence of a large, talented cast, the jokes in Little Nicky are dumb, tasteless, and not that funny, and Adam Sandler's character is grating to watch.



Drowning Mona (2000) 13,2,4,100

IMDB: 5.6, RT Aud: 46%, RT Critics: 28%

Despite Danny De Vito's top billing, Drowning Mona drowns itself in humor that never rises about sitcom level. Contributing to the Mona's problems is that the characters are never really interesting, and there is a noticeable lack of energy in the character roles



Down to You (2000) 2,1,0,100

IMDB: 4.9, RT Aud: 49%, RT Critics: 3%

Down to You is ruined by a bland, by-the-numbers plot and an awful script.



Dungeons & Dragons (2000) 0,0,0,100

IMDB: 3.7, RT Aud: 19%, RT Critics: 9%

Critics say this movie has a cheap look and is badly directed. Despite the presence of talented actors, the performances are really bad, and additionally, some people are offended at Marlon Wayans' character, calling it a racist throwback to black stereotypes.



The Skulls (2000) 9,2,0,100

IMDB: 5.6, RT Aud: 43%, RT Critics: 9%

The Skulls is full of nonsense and empty of good script and plot.



Urban Legends: Final Cut (2000) 0,0,0,100

IMDB: 4.2, RT Aud: 19%, RT Critics: 8%

This teen horror movie brings nothing new to an already exhausted genre. And it's bad. Really bad.



Red Planet (2000) 10,0,0,100

IMDB: 5.7, RT Aud: 28%, RT Critics: 13%

While the special effects are impressive, the movie suffers from a lack of energy and interesting characters.



Whatever It Takes (2000) 13,5,0,100

IMDB: 5.5, RT Aud: 45%, RT Critics: 16%

Whatever It Takes is another run-of-the-mill teeny-bopper romance flick. Cliche jokes and a tired plot capture few laughs.



Boys and Girls (2000) 8,6,1,100

IMDB: 5.4, RT Aud: 50%, RT Critics: 11%

Boys and Girls feels like a cheap rip-off of When Harry Met Sally. The predictable and stale story fails to engage.



The Watcher (2000) 4,2,0,100

IMDB: 5.3, RT Aud: 28%, RT Critics: 10%

The Watcher has Keanu Reeves cast against type, but the movie is short on thrills, suspense, and believability.



Get Carter (2000) 2,0,0,100

IMDB: 5.1, RT Aud: 27%, RT Critics: 11%

Michael Caine shows up to collect a paycheck, and so does everyone else in this rote, middling remake.



102 Dalmatians (2000) 1,3,3,100

IMDB: 4.9, RT Aud: 32%, RT Critics: 31%

This sequel to the live-action 101 Dalmatians is simply more of the same. Critics say it also drags in parts, potentially boring children, and that it's too violent for a G-rated movie.



The Ladies Man (2000) 6,1,0,100

IMDB: 5.2, RT Aud: 42%, RT Critics: 11%

The Ladies Man joins the growing list of mediocre movies based on SNL skits. It just doesn't have enough material to last the length of the movie.



Loser (2000) 4,0,2,100

IMDB: 5.3, RT Aud: 35%, RT Critics: 24%

In the grand tradition of teen flicks, Loser comes across as another predictable and underwritten movie with nothing new to offer.



Ready to Rumble (2000) 7,1,1,100

IMDB: 5.3, RT Aud: 52%, RT Critics: 23%

Humor at its lowest that isn't funny for kids and is insulting to adults.



Dracula 2000 (2000) 1,2,0,100

IMDB: 4.9, RT Aud: 39%, RT Critics: 16%

This retelling trys to offer a different spin on the origin of Dracula. Unfortunately, there's nothing here audiences haven't seen before.



Lucky Numbers (2000) 4,1,1,100

IMDB: 5.0, RT Aud: 19%, RT Critics: 21%

Nora Ephron's attempt at dark comedy is an uneven product, both in terms of the direction and the acting. The characters are unlikable to the point where you don't care what happens to them, and Ephron condescends to the material.



Book of Shadows: Blair Witch 2 (2000) 0,0,0,100

IMDB: 4.0, RT Aud: 17%, RT Critics: 14%

This sequel to Blair Witch Project is all formula and no creativity, mechanically borrowing elements from the original and other horror movies.



Dude, Where's My Car? (2000) 5,1,0,100

IMDB: 5.5, RT Aud: 47%, RT Critics: 17%

The movie isn't funny, the plot is too thin, and the production values feel more like a TV sitcom than a movie.



Baby Geniuses (1999) 0,0,0,100

IMDB: 2.6, RT Aud: 23%, RT Critics: 2%

Flat direction and actors who look embarrassed to be onscreen make Baby Geniuses worse than the premise suggests.



Virus (1999) 1,0,0,100

IMDB: 4.9, RT Aud: 21%, RT Critics: 10%

Despite its great special effects, this movie's predictability greatly undermines its intensity.



The Bachelor (1999) 2,0,0,100

IMDB: 5.0, RT Aud: 28%, RT Critics: 9%

Predictable and unfunny, it's a poor homage to Buster Keaton.



Breakfast of Champions (1999) 2,2,5,100

IMDB: 4.6, RT Aud: 31%, RT Critics: 25%

The movie is overwhelmed by its chaotic visual effects and disjointed storyline.



Eye of the Beholder (1999) 2,2,0,100

IMDB: 4.9, RT Aud: 32%, RT Critics: 9%

Part high-tech spy thriller and part psychological study, Eye of the Beholder was Ewan McGregor's first feature film following his mainstream breakthrough performance in Star Wars Episode I: The Phantom Menace.



Gloria (1999) 9,7,8,100

IMDB: 5.1, RT Aud: 31%, RT Critics: 17%

In this film, Gloria is a street-toughened woman sliding into middle age.



In Dreams (1999) 11,11,10,100

IMDB: 5.5, RT Aud: 40%, RT Critics: 25%

Some interesting visuals, but the movie is as confusing as a dream.



The Mod Squad (1999) 0,0,0,100

IMDB: 4.2, RT Aud: 17%, RT Critics: 3%

A sodden, overly stylized mess that's even less compelling than a TV episode.



My Favorite Martian (1999) 3,0,1,100

IMDB: 5.0, RT Aud: 30%, RT Critics: 11%

Loud, effects-ridden comedy with no real humor.



Wild Wild West (1999) 0,0,1,100

IMDB: 4.9, RT Aud: 28%, RT Critics: 16%

Bombastic, manic, and largely laugh-free, Wild Wild West is a bizarre misfire in which greater care was lavished upon the special effects than on the script.



Wing Commander (1999) 0,0,0,100

IMDB: 4.2, RT Aud: 25%, RT Critics: 10%

The low budget may explain Wing Commander's cheesy special effects, but can't excuse the lame dialogue or the movie's obsessive reliance on sci-fi cliches.



Teaching Mrs. Tingle (1999) 4,0,1,100

IMDB: 5.2, RT Aud: 31%, RT Critics: 18%

As a dark comedy-thriller, this movie lacks humor and thrill.



The Astronaut's Wife (1999) 3,2,4,100

IMDB: 5.3, RT Aud: 33%, RT Critics: 15%

Despite the best efforts of its talented leads, The Astronaut's Wife moves at a snail's pace and fails to generate enough intrigue to keep viewers engaged.



Lake Placid (1999) 11,0,13,100

IMDB: 5.7, RT Aud: 36%, RT Critics: 41%

Faux horror schtick fails to elicit any laughs or scares.



Inspector Gadget (1999) 0,0,2,100

IMDB: 4.1, RT Aud: 18%, RT Critics: 21%

Despite an abundance of eyecandy, the film doesn't amount to much.



The Rage: Carrie 2 (1999) 0,0,5,100

IMDB: 4.6, RT Aud: 33%, RT Critics: 21%

Little do her fellow students know that Rachel is telekinetic.



Simply Irresistible (1999) 7,5,6,100

IMDB: 5.3, RT Aud: 54%, RT Critics: 13%

Mark Tarlov makes his directorial debut after producing such films as Copycat and The Man Who Knew Too Little.



End of Days (1999) 9,0,0,100

IMDB: 5.7, RT Aud: 32%, RT Critics: 10%

An overblown thriller with formulaic action scenes and poor acting.



Jawbreaker (1999) 8,2,0,100

IMDB: 5.5, RT Aud: 54%, RT Critics: 6%

This throwaway comedy falls victim to its hip sensibilities.



Random Hearts (1999) 3,2,1,100

IMDB: 5.1, RT Aud: 24%, RT Critics: 14%

Even Harrison Ford could not save the dull plot and the slow pacing of the movie.



Dudley Do-Right (1999) 0,0,2,100

IMDB: 3.9, RT Aud: 23%, RT Critics: 15%

When a prospector (Eric Idle) happens upon them, word gets out that Semi-Happy Valley is gold country.



She's All That (1999) 13,7,13,100

IMDB: 5.8, RT Aud: 55%, RT Critics: 39%

Despite its charming young leads, She's All That can't overcome its predictable, inconsistently funny script.



Chill Factor (1999) 7,3,0,100

IMDB: 5.2, RT Aud: 30%, RT Critics: 10%

Claiming it fails on every level, critics had almost nothing good to say about this movie.



Superstar (1999) 3,5,4,100

IMDB: 5.1, RT Aud: 59%, RT Critics: 32%

Dumb script and flat jokes made this another SNL misfire.



Simon Sez (1999) 0,1,1,100

IMDB: 2.5, RT Aud: 16%, RT Critics: 0%

Simon Sez was Rodman's first solo starring vehicle, following his dramatic debut alongside Jean-Claude Van Damme in Double Team.



The Haunting (1999) 0,0,0,100

IMDB: 4.9, RT Aud: 28%, RT Critics: 16%

Sophisticated visual effects fail to offset awkward performances and an uneven script.



Body Shots (1999) 7,4,8,100

IMDB: 5.0, RT Aud: 27%, RT Critics: 10%

After making his directorial debut with the acclaimed made-for-cable movie Gia, writer Michael Cristofer helmed his first big-screen offering with this drama.



Simpatico (1999) 5,10,7,100

IMDB: 4.5, RT Aud: 14%, RT Critics: 24%

Critics say Simpatico's lengthy plot is too unfocused; the movie becomes confusing and tedious to watch.



Universal Soldier: The Return (1999) 0,0,0,100

IMDB: 4.1, RT Aud: 23%, RT Critics: 5%

Universal Soldier - The Return fails on almost every level, from its generic story to its second rate action and subpar performances.



House on Haunted Hill (1999) 8,4,6,100

IMDB: 5.6, RT Aud: 42%, RT Critics: 29%

Unsophisticated and unoriginal film fails to produce scares.



Doug's 1st Movie (1999) 13,12,13,100

IMDB: 5.0, RT Aud: 29%, RT Critics: 26%

Surprisingly enough, it turns out Skeeter is right -- pollutants dumped in the lake by cranky factory owner Bill Bluff (voiced by Doug Preis) have spawned a large but thankfully friendly beast Doug and Skeeter name Herman Melville.



Play It to the Bone (1999) 9,3,1,100

IMDB: 5.4, RT Aud: 25%, RT Critics: 11%

Flat characters and uninspired comedy yield forgettable results.



Bats (1999) 0,0,1,100

IMDB: 3.7, RT Aud: 14%, RT Critics: 16%

When the small Texas town of Gallup experiences a series of inexplicable bat attacks on local residence, the government calls upon eminent wildlife Zoologist Dr. Sheila Casper to investigate.



The Omega Code (1999) 0,5,2,100

IMDB: 3.5, RT Aud: 30%, RT Critics: 8%

Mysticism, overacting, and overall gimcrackery eventually weigh down the story.



Deuce Bigalow: Male Gigolo (1999) 10,3,1,100

IMDB: 5.7, RT Aud: 42%, RT Critics: 22%

According to critics, Deuce Bigalow is just too dumb and filled with old, tired gags.



The Avengers (1998) 0,0,0,100

IMDB: 3.7, RT Aud: 15%, RT Critics: 4%

A TV spinoff that lacks enough energy to spin, The Avengers is an ineptly written, woefully miscast disaster.



Hush (1998) 9,11,1,100

IMDB: 5.3, RT Aud: 35%, RT Critics: 12%

A ridiculous but wholly predictable potboiler with performances ranging from comatose to hysterical.



Phantoms (1998) 7,3,4,100

IMDB: 5.4, RT Aud: 27%, RT Critics: 12%

A doctor (Joanna Going) finds that Evil Incarnate is behind the tragedy.



Barney's Great Adventure (1998) 0,9,13,100

IMDB: 2.9, RT Aud: 39%, RT Critics: 26%

Dances devised by Cirque du Soleil choreographer Debra Brown.



Black Dog (1998) 11,13,5,100

IMDB: 5.4, RT Aud: 60%, RT Critics: 10%

Now, the stakes are high as gun runners, government agents and a fleet of monstrous 18-wheelers pursue Jack in an intense highway duel.



Meet the Deedles (1998) 3,2,0,100

IMDB: 4.0, RT Aud: 37%, RT Critics: 3%

Mistaken for new recruits by Yellowstone Park ranger Capt.



Firestorm (1998) 7,2,4,100

IMDB: 4.7, RT Aud: 27%, RT Critics: 11%

Firestorm failed to ignite ex-pro footballer Howie Long's career...or anything else for that matter.



Godzilla (1998) 2,0,1,100

IMDB: 5.3, RT Aud: 28%, RT Critics: 16%

Without compelling characters or heart, Godzilla stomps on everything that made the original (or any monster movie worth its salt) a classic.



Holy Man (1998) 1,0,1,100

IMDB: 4.9, RT Aud: 24%, RT Critics: 12%

Only Eddie could so completely become this over-the-top marketing genius who takes a home shopping broadcasting company -- and the country -- by storm.



Knock Off (1998) 1,2,0,100

IMDB: 4.8, RT Aud: 24%, RT Critics: 7%

KNOCK OFF is the story of Marcus Ray (Van Damme), who lives the good life in Hong Kong working as a sales representative for "V SIX" jeans.



Krippendorf's Tribe (1998) 6,0,2,100

IMDB: 4.9, RT Aud: 23%, RT Critics: 16%

Anthropologist Veronica Micelli (Jenna Elfman) contacts cable-TV producer Henry Spivey (David Ogden Stiers), forcing James to continue creating fraudulent footage as the rival Ruth Allen (Lily Tomlin) gets suspicious.



Lost in Space (1998) 1,0,7,100

IMDB: 5.1, RT Aud: 24%, RT Critics: 27%

Clumsily directed and missing most of the TV series' campy charm, Lost in Space sadly lives down to its title.



Mafia! (1998) 10,3,4,100

IMDB: 5.5, RT Aud: 47%, RT Critics: 14%

In Vegas, Tony gets involved with showgirl Pepper (Pamela Gidley).



Major League: Back to the Minors (1998) 2,2,6,100

IMDB: 4.6, RT Aud: 24%, RT Critics: 21%

This third installment of the "Major League" series follows retiring minor league South Carolina Buzz player Gus into managing the underdog team.



Species II (1998) 0,0,1,100

IMDB: 4.3, RT Aud: 18%, RT Critics: 9%

In the science-fiction thriller Species (1995), Natasha Hentsridge appeared as the beautiful but deadly Sil, a human-alien DNA combo.



Tarzan and the Lost City (1998) 5,3,3,100

IMDB: 4.0, RT Aud: 22%, RT Critics: 5%

Edgar Rice Burroughs' famed jungle lord, Tarzan (Casper Van Dien) is introduced to the civilized world, but he returns to Africa with Jane (Jane March) to save his homeland from evil mercenaries.



I Still Know What You Did Last Summer (1998) 0,0,0,100

IMDB: 4.6, RT Aud: 29%, RT Critics: 7%

Boring, predictable, and bereft of thrills or chills, I Still Know What You Did Last Summer is exactly the kind of rehash that gives horror sequels a bad name.



Disturbing Behavior (1998) 11,1,13,100

IMDB: 5.6, RT Aud: 39%, RT Critics: 34%

In this fantasy thriller, when teen-ager Steve Clark moves to Cradle Bay, Steve is immediately cautioned by Gavin Strick about the separating factions at the high school, where a club of robotic perfect students rule.



Air Bud: Golden Receiver (1998) 3,0,11,100

IMDB: 4.5, RT Aud: 38%, RT Critics: 20%

In this family canine comedy, a sequel to Air Bud (1997), Josh Framm finds it a problem when his widowed mother Jackie starts seeing the community's new veterinarian, Patrick Sullivan.



Jack Frost (1998) 4,1,12,100

IMDB: 5.3, RT Aud: 29%, RT Critics: 7%

In this low-budget horror outing, a psychopathic killer loses the last of his warm feelings for humanity after he is involved in a freak accident.



Urban Legend (1998) 6,0,5,100

IMDB: 5.5, RT Aud: 37%, RT Critics: 19%

Elements of Scream reappear in a vastly inferior vehicle.



I'll Be Home for Christmas (1998) 11,0,4,100

IMDB: 5.4, RT Aud: 41%, RT Critics: 23%

Neither parent nor child will find any merriment in this mess.



Ringmaster (1998) 0,0,4,100

IMDB: 3.2, RT Aud: 18%, RT Critics: 25%

A crude, idiotic mess of a film.



'Til There Was You (1997) 11,3,4,100

IMDB: 4.8, RT Aud: 34%, RT Critics: 5%

Utterly bereft of romance or humor, 'Til There Was You is a singularly misguided attempt at romantic comedy.



8 Heads in a Duffel Bag (1997) 9,1,9,100

IMDB: 5.3, RT Aud: 34%, RT Critics: 11%

In this macabre farce, a baggage switch at a busy airport results in headaches for the med student who inadvertently takes a gangster's carry-on bag and discovers that it is filled with the heads of eight prominent L.A. gangsters.



An Alan Smithee Film: Burn Hollywood Burn (1997) 0,2,0,100

IMDB: 3.5, RT Aud: 13%, RT Critics: 7%

A witless Hollywood satire whose hammy, obvious jokes are neither funny nor insightful of the movie business.



An American Werewolf in Paris (1997) 2,2,5,100

IMDB: 5.1, RT Aud: 30%, RT Critics: 7%

Filmed in Paris (Louvre, Metro, Seine, and an Eiffel Tower bungee jump) and Luxembourg.



Anaconda (1997) 0,0,10,100

IMDB: 4.7, RT Aud: 24%, RT Critics: 40%

A documentary film crew journeys to the depths of the Amazon in search of the mysterious Shirishama Indians, and ends up fighting a gargantuan, insatiable snake that squeezes its prey to death, eats it whole, regurgitates it and then eats it again.



Batman & Robin (1997) 0,0,0,100

IMDB: 3.7, RT Aud: 16%, RT Critics: 10%

Joel Schumacher's tongue-in-cheek attitude hits an unbearable limit in Batman & Robin resulting in a frantic and mindless movie that's too jokey to care much for.



Beverly Hills Ninja (1997) 7,1,2,100

IMDB: 5.5, RT Aud: 53%, RT Critics: 14%

Haru's minders see trouble brewing, so they secretly send along a fellow ninja, Gobei (Robin Shou), to watch his back, although this hardly prevents Haru from posing a deadly menace to inanimate objects everywhere.



Double Team (1997) 0,0,12,100

IMDB: 4.7, RT Aud: 24%, RT Critics: 10%

Like John Woo and Ringo Lam before him, noted Hong Kong action director Tsui Hark made his American filmmaking debut with a thriller starring Jean-Claude Van Damme.



Excess Baggage (1997) 7,0,11,100

IMDB: 5.3, RT Aud: 40%, RT Critics: 32%

Romantic comedy and action ensue.



Fathers' Day (1997) 4,0,3,100

IMDB: 5.1, RT Aud: 25%, RT Critics: 25%

The stage is set for comedy when two middle-aged men (Billy Crystal and Robin Williams) struggle to overcome their considerable differences to find the runaway son of the ex-lover who has just informed them that one of them is the boy's father.



Fire Down Below (1997) 2,0,3,100

IMDB: 5.0, RT Aud: 35%, RT Critics: 11%

The murder of an environmental protection agency investigator leads officials to assign Jack Taggart (Steven Segal) to go undercover as a handyman working through a relief mission.



Flubber (1997) 2,1,4,100

IMDB: 5.2, RT Aud: 32%, RT Critics: 23%

Remake of OThe Absent-Minded ProfessorO finds Robin Williams concocting a physics-defying substance that may save his failing college.



Gone Fishin' (1997) 2,1,0,100

IMDB: 4.7, RT Aud: 36%, RT Critics: 3%

Sloppy, formulaic, and unfunny, Gone Fishin' marks a painful low point in the careers of its two talented leads.



Good Burger (1997) 13,2,6,100

IMDB: 5.7, RT Aud: 63%, RT Critics: 31%

Good Burger might please hardcore fans of the 1990s Nickelodeon TV series that launched leads Kenan and Kel to stardom, but for all others, it will likely prove a comedy that is neither satisfyingly rare nor well done.



Jungle 2 Jungle (1997) 3,0,4,100

IMDB: 5.1, RT Aud: 33%, RT Critics: 19%

The bulk of the comedy centers on the son's struggle to adjust to the puzzling ways of city folk.



Kull the Conqueror (1997) 3,2,10,100

IMDB: 4.8, RT Aud: 24%, RT Critics: 26%

A wandering warrior and former slave, Kull (beef-cake Kevin Sorbo, the star of the popular syndicated TV series Hercules in his feature film debut) arrives in the kingdom of Valusia and through a series of fateful twists becomes its new king.



Leave It to Beaver (1997) 13,2,8,100

IMDB: 5.2, RT Aud: 31%, RT Critics: 21%

Meanwhile perfect brother Wally has girl trouble when pal Eddie Haskell falls in love.



Masterminds (1997) 14,10,12,100

IMDB: 5.2, RT Aud: 49%, RT Critics: 18%

A taut and clever thriller aimed at teen audiences, Masterminds follows a battle of wits between a villainous security systems expert who takes the students of an exclusive school hostage in exchange for half billion dollars, and an adolescent computer hacker who is hiding in the basement.



McHale's Navy (1997) 1,2,0,100

IMDB: 4.4, RT Aud: 37%, RT Critics: 3%

Based on a 1960s sitcom, this action comedy follows rascally retired naval Lieutenant Quentin McHale as he rejoins the Navy, regathers his former cohorts and sets sail aboard PT 73 to save the world from his old nemesis Vladikov while contending with obstacles presented by his favorite foil Captain Binghampton.



Metro (1997) 8,1,5,100

IMDB: 5.5, RT Aud: 26%, RT Critics: 14%

The training goes well until Roper's closest friend and former partner is killed by crazed but crafty jewel thief Michael Korda (Michael Wincott).



Mortal Kombat: Annihilation (1997) 0,0,0,100

IMDB: 3.7, RT Aud: 25%, RT Critics: 2%

With its shallow characters, low budget special effects, and mindless fight scenes, Mortal Kombat - Annihilation offers minimal plot development and manages to underachieve the low bar set by its predecessor.



Mr. Magoo (1997) 0,0,0,100

IMDB: 3.9, RT Aud: 24%, RT Critics: 6%

This live-action comedy adaptation of UPA's bumbling near-sighted animated character stars Leslie Nielsen.



The Pest (1997) 5,3,1,100

IMDB: 5.0, RT Aud: 66%, RT Critics: 8%

John Leguizamo co-wrote The Pest's original story, loosely based on the classic adventure tale The Most Dangerous Game.



The Relic (1997) 13,1,13,100

IMDB: 5.7, RT Aud: 33%, RT Critics: 32%

A gigantic man-eating mutant creature is lurking underneath the city.



Shadow Conspiracy (1997) 8,7,2,100

IMDB: 4.9, RT Aud: 17%, RT Critics: 0%

Presidential advisor Bobby Bishop (Charlie Sheen) is hunted by an unknown assailant in this political thriller.



Spawn (1997) 2,0,3,100

IMDB: 5.2, RT Aud: 36%, RT Critics: 17%

Spawn is an overbearing, over-violent film that adds little to the comic book adaptation genre.



Speed 2: Cruise Control (1997) 0,0,0,100

IMDB: 3.8, RT Aud: 16%, RT Critics: 2%

Speed 2 falls far short of its predecessor, thanks to laughable dialogue, thin characterization, unsurprisingly familiar plot devices, and action sequences that fail to generate any excitement.



Spice World (1997) 0,0,7,100

IMDB: 3.4, RT Aud: 44%, RT Critics: 35%

As if serious film critics could do anything about it, here they are: Melanie Brown, Emma Bunton, Melanie Chisholm, Geri Halliwell and Victoria Adams.



Steel (1997) 0,0,2,100

IMDB: 2.8, RT Aud: 15%, RT Critics: 11%

Steel is a badly-acted movie that indulges not only in superhero cliches, but also the sappy TV-movie-of-the-week ones.



Turbo: A Power Rangers Movie (1997) 0,6,12,100

IMDB: 3.5, RT Aud: 39%, RT Critics: 15%

Based on the hit children's television series The Mighty Morphin Power Rangers, this film has the teenage superheroes doing battle with the other-worldly villainess Divatox (Hilary Shepard Turner).



Turbulence (1997) 2,5,8,100

IMDB: 4.8, RT Aud: 18%, RT Critics: 16%

Die Hard in an airplane as convicted killer Liotta takes over plane and only flight attendant Holly can land it now while fighting of Liotta.



Barb Wire (1996) 0,0,3,100

IMDB: 3.2, RT Aud: 14%, RT Critics: 27%

Barb Wire could've been fun camp, but Pamela Anderson can't deliver her lines with any dramatic or comedic impact.



Bio-Dome (1996) 0,0,0,100

IMDB: 4.4, RT Aud: 50%, RT Critics: 4%

Two stupid college students stop to use the bathroom and end up trapped in a bio-dome, or simulated earth.



Boys (1996) 8,7,7,100

IMDB: 4.8, RT Aud: 26%, RT Critics: 14%

In this melodramatic mystery, teenager John Baker stumbles across the unconscious form of a woman in a field near the boys' school he attends.



Carpool (1996) 8,4,2,100

IMDB: 4.9, RT Aud: 39%, RT Critics: 13%

Franklin Lazlo (Tom Arnold) is desperate.



Celtic Pride (1996) 7,2,4,100

IMDB: 5.2, RT Aud: 31%, RT Critics: 8%

Two rabid Boston B-ball fans go over the edge and kidnap the star player of the Utah Jazz during the NBA playoffs in this goofy sports comedy starring veteran comic actors Dan Aykroyd, Damon Wayans and Daniel Stern.



Chain Reaction (1996) 8,1,8,100

IMDB: 5.6, RT Aud: 27%, RT Critics: 15%

But in order to succeed, Eddie must avoid assassination attempts by the real perpetrators.



The Crow: City of Angels (1996) 0,5,2,100

IMDB: 4.6, RT Aud: 40%, RT Critics: 12%

The Crow: City of Angels is a sloppy pretender that captures neither the mood nor energy of the original.



Diabolique (1996) 9,5,7,100

IMDB: 5.4, RT Aud: 34%, RT Critics: 11%

Set in a remote, decaying boarding school run by the brutish, controlling Guy Baran.



Dunston Checks In (1996) 7,0,13,100

IMDB: 5.3, RT Aud: 39%, RT Critics: 6%

Paul Reubens (aka Pee Wee Herman) also appears as a trigger-happy animal control officer.



Ed (1996) 0,0,3,100

IMDB: 2.6, RT Aud: 22%, RT Critics: 0%

The chimpanzee is actually played by two acrobats in a animatronic suit.



Eddie (1996) 6,0,3,100

IMDB: 5.1, RT Aud: 36%, RT Critics: 15%

Players include John "Spider" Salley.



Feeling Minnesota (1996) 10,3,10,100

IMDB: 5.4, RT Aud: 27%, RT Critics: 14%

Then again, hardly anything goes the way one might expect in this black comedy.



Fled (1996) 9,2,9,100

IMDB: 5.3, RT Aud: 22%, RT Critics: 12%

The action grows fast and furious as their pursuers draw closer.



Girl 6 (1996) 8,9,13,100

IMDB: 5.1, RT Aud: 36%, RT Critics: 33%

Renamed Girl 6 by the company, the actress becomes increasingly involved with her work on a personal level, soon reaching the point of unhealthy obsession.



The Glimmer Man (1996) 7,2,4,100

IMDB: 5.4, RT Aud: 38%, RT Critics: 11%

Seagal plays detective Jack Cole.



The Island of Dr. Moreau (1996) 0,0,9,100

IMDB: 4.4, RT Aud: 20%, RT Critics: 24%

This is the third movie to bring parts of early 20th-century writer H.G.



Jack (1996) 14,8,7,100

IMDB: 5.8, RT Aud: 49%, RT Critics: 19%

Jack is a boy who is growing normally, but at four times the normal rate.



Jingle All the Way (1996) 5,0,4,100

IMDB: 5.5, RT Aud: 38%, RT Critics: 16%

Arnold Schwarzenegger tries his best, but Jingle All the Way suffers from an uneven tone, shifting wildly from a would-be satire on materialism to an antic, slapstick yuk-fest.



Joe's Apartment (1996) 9,0,8,100

IMDB: 5.4, RT Aud: 41%, RT Critics: 18%

This film should be of interest for fans of 1930s musicals; it makes reference to Busby Berkeley's elaborate dance phantasmagorias and the odd water ballets of Esther Williams.



Kazaam (1996) 0,0,0,100

IMDB: 2.9, RT Aud: 19%, RT Critics: 5%

Crafted from a mix of genre clichés, Kazaam doesn't know what kind of film it wants to be, and Shaq's larger-than-life charisma is stifled by rote filmmaking and an unimaginative story.



Maximum Risk (1996) 9,6,9,100

IMDB: 5.5, RT Aud: 34%, RT Critics: 30%

French cop Alain discovers that the deceased was his exact double.



Mr. Wrong (1996) 0,0,2,100

IMDB: 3.8, RT Aud: 25%, RT Critics: 6%

In this black romantic comedy, television producer Martha Alston finally gives in to parental badgering and begins looking for a nice husband.



The Quest (1996) 8,2,9,100

IMDB: 5.5, RT Aud: 36%, RT Critics: 14%

Van Damme stars as Chris Dubois, a clown pickpocket and Fagin-like leader of orphan thieves in 1925 New York City.



Sgt. Bilko (1996) 14,1,8,100

IMDB: 5.7, RT Aud: 47%, RT Critics: 32%

His commanding officer, Colonel Hall (Dan Aykroyd) is mostly oblivious to Bilko's antics.



Solo (1996) 1,0,2,100

IMDB: 3.9, RT Aud: 26%, RT Critics: 5%

Featuring hammy performances and bland characters, Solo is an all too straightforward actioner that's both predictable and instantly forgettable.



Spy Hard (1996) 4,0,1,100

IMDB: 5.3, RT Aud: 31%, RT Critics: 7%

Leslie Nielsen's comic gifts are undisputed, but Spy Hard's lazy script and slapdash direction fail to take advantage of them.



Striptease (1996) 0,0,0,100

IMDB: 4.4, RT Aud: 24%, RT Critics: 11%

The home video version of Striptease contains two minutes of footage that was clipped from the theatrical release in order to win the film an R rating.



The Stupids (1996) 1,0,11,100

IMDB: 4.2, RT Aud: 36%, RT Critics: 20%

In this film, the Stupids attempt to discover what happens to the garbage that disappears from their lawn every week (they think it has been stolen), and they accidentally save the world.



Two If by Sea (1996) 11,2,6,100

IMDB: 5.2, RT Aud: 23%, RT Critics: 10%

Co-star Denis Leary co-wrote the script for this romantic comedy-drama.



Congo (1995) 1,0,1,100

IMDB: 5.1, RT Aud: 29%, RT Critics: 22%

Jungle adventure flick is fun but never realistic.



Cutthroat Island (1995) 10,2,10,100

IMDB: 5.6, RT Aud: 39%, RT Critics: 38%

Geena Davis stars in this adventure saga as the most swashbuckling female pirate to ever lay waste to the seven seas.



Destiny Turns on the Radio (1995) 9,14,6,100

IMDB: 4.5, RT Aud: 22%, RT Critics: 11%

This quirky crime drama features fantastical elements, most noticeable in the character of Johnny Destiny, an enigmatic figure who quietly guides events.



Fair Game (1995) 0,0,1,100

IMDB: 4.2, RT Aud: 14%, RT Critics: 12%

She plays family law attorney Kate McQuean.



Gordy (1995) 5,3,12,100

IMDB: 3.9, RT Aud: 23%, RT Critics: 26%

In addition to popular C&W music star Doug Stone, who plays a major role, other country stars also make cameo appearances, including Boxcar Willie, Jim Stafford, Moe Band, and Roy Clark.



Halloween: The Curse of Michael Myers (1995) 1,9,0,100

IMDB: 4.9, RT Aud: 38%, RT Critics: 6%

This installment opens with Jamie Lloyd (J.C.



Jade (1995) 6,1,7,100

IMDB: 5.2, RT Aud: 27%, RT Critics: 13%

An investigator seeking the truth behind the death of a noted art dealer uncovers a web of sexual deception in this erotic thriller.



Johnny Mnemonic (1995) 8,0,3,100

IMDB: 5.6, RT Aud: 31%, RT Critics: 13%

In the end, Johnny's information is successfully downloaded amid spectacular computer-generated graphics.



Judge Dredd (1995) 5,0,1,100

IMDB: 5.5, RT Aud: 30%, RT Critics: 17%

Judge Dredd wants to be both a legitimate violent action flick and a parody of one, but director Danny Cannon fails to find the necessary balance to make it work.



Jury Duty (1995) 0,0,12,100

IMDB: 4.1, RT Aud: 26%, RT Critics: 0%

Needing a place to stay, a young slacker signs up for jury duty on a complicated case so he can be sequestered in a nice hotel in this broad comedy.



A Kid in King Arthur's Court (1995) 5,0,8,100

IMDB: 4.8, RT Aud: 27%, RT Critics: 4%

Disappointing even by the relaxed standards of live-action children's entertainment, A Kid in King Arthur's Court stands as a rare near-total misfire from Disney.



Mad Love (1995) 11,7,13,100

IMDB: 5.3, RT Aud: 50%, RT Critics: 28%

Set in Seattle, Mad Love features an on-screen appearance by the Washington-based all-female hard rock band 7 Year Bitch; the soundtrack also features music by Nirvana, Luscious Jackson, Los Lobos, Cracker, and Grant Lee Buffalo.



Mighty Morphin Power Rangers: The Movie (1995) 2,1,11,100

IMDB: 5.1, RT Aud: 56%, RT Critics: 40%

Based on a popular U.S. children's action show, this chopsocky sci-fi fantasy tells the tale of six courageous teenagers.



Money Train (1995) 9,1,9,100

IMDB: 5.6, RT Aud: 29%, RT Critics: 21%

Their job is to curtail subway crime.



Mortal Kombat (1995) 12,3,12,100

IMDB: 5.8, RT Aud: 57%, RT Critics: 34%

Despite an effective otherwordly atmosphere and appropriately cheesy visuals, Mortal Kombat suffers from its poorly constructed plot, laughable dialogue, and subpar acting.



Never Talk to Strangers (1995) 8,9,9,100

IMDB: 5.1, RT Aud: 39%, RT Critics: 15%

Or is it someone else entirely?



Nine Months (1995) 7,2,13,100

IMDB: 5.5, RT Aud: 37%, RT Critics: 25%

Nine Months also features Robin Williams in a small role as Dr. Kosevich, an ob-gyn with a weak grasp of the English language.



Operation Dumbo Drop (1995) 5,0,10,100

IMDB: 5.0, RT Aud: 28%, RT Critics: 30%

This family comedy centers on their often humorous attempts to locate and transport the massive beast.



The Scarlet Letter (1995) 5,4,0,100

IMDB: 5.2, RT Aud: 41%, RT Critics: 13%

The prologue depicts a Native American funeral and their restless rumblings about their Puritanical neighbors.



Showgirls (1995) 0,0,0,100

IMDB: 4.7, RT Aud: 36%, RT Critics: 21%

Vile, contemptible, garish, and misogynistic -- and that might just be exactly Showgirls' point.



Vampire in Brooklyn (1995) 0,0,3,100

IMDB: 4.5, RT Aud: 31%, RT Critics: 10%

Neither scary nor very funny, this misguided effort never lives up to its premise.



Village of the Damned (1995) 10,1,5,100

IMDB: 5.6, RT Aud: 27%, RT Critics: 29%

Visiting scientist Dr. Susan Verner (Kristie Alley) is monitoring the situation for the government.



Virtuosity (1995) 10,3,10,100

IMDB: 5.6, RT Aud: 32%, RT Critics: 33%

The privatized police force in charge of keeping the peace in the city is run by Elizabeth Deane (Louise Fletcher).



White Man's Burden (1995) 12,8,12,100

IMDB: 5.2, RT Aud: 35%, RT Critics: 24%

Despite earnest work from its leads, White Man's Burden's attempt at racial commentary is a well-intentioned misfire.



3 Ninjas Kick Back (1994) 1,0,14,100

IMDB: 4.4, RT Aud: 39%, RT Critics: 15%

The sequel to the 1992 Disney film "3 Ninjas," this action-comedy follows the adventures of three young Japanese-American boys as they attempt to help their ninja master grandfather return a sacred dagger to a karate tourney in Japan before they have to return to L.A. for their baseball play-off game.



The Air Up There (1994) 13,1,7,100

IMDB: 5.5, RT Aud: 35%, RT Critics: 21%

Kevin Bacon has the lead in this Paul Glaser-directed film.



Bad Girls (1994) 5,2,7,100

IMDB: 5.1, RT Aud: 40%, RT Critics: 9%

Madeleine Stowe, Mary Stuart Masterson, Andie MacDowell, and Drew Barrymore are the stars of this Western whose main gimmick is making heroes into heroines.



Beverly Hills Cop III (1994) 5,4,1,100

IMDB: 5.5, RT Aud: 35%, RT Critics: 10%

Comedy takes a back seat to action in this third go-round for Eddie Murphy as wisecracking Detroit cop Axel Foley, who tackles bad guys in posh Beverly Hills.



Blankman (1994) 3,0,13,100

IMDB: 4.9, RT Aud: 39%, RT Critics: 13%

His brother Kevin (David Alan Grier) works on a low-class tabloid news show featuring beautiful anchorwoman Kimberley Jonz (Robin Givens), whom he secretly loves.



Car 54, Where Are You? (1994) 0,0,2,100

IMDB: 2.4, RT Aud: 10%, RT Critics: 0%

In this campy, nostalgic comedy based on a popular TV series from the early '60s, the two bungling cops Toody and Muldoon are assigned to guard a key witness who is planning to testify against a crime lord.



City Slickers II: The Legend of Curly's Gold (1994) 9,1,8,100

IMDB: 5.5, RT Aud: 31%, RT Critics: 18%

Half-assed sequel is rarely funny and ends up looking like a complete ass.



Color of Night (1994) 3,2,3,100

IMDB: 5.1, RT Aud: 30%, RT Critics: 21%

Bruce willie shot aside, the only other things popping out in Color of Night are some ridiculous plot contortions and majorly camp moments.



Cops and Robbersons (1994) 7,1,8,100

IMDB: 5.0, RT Aud: 21%, RT Critics: 15%

In order to spy on a suspected criminal, two police officers establish a stakeout in the home of his neighbors, an average suburban family.



Exit to Eden (1994) 0,0,5,100

IMDB: 4.1, RT Aud: 24%, RT Critics: 6%

In this farce, a combination thriller and erotic comedy, two L.A. undercover detectives searching for a diamond thief go to Eden, an island where sexual fantasies come true.



The Flintstones (1994) 0,0,2,100

IMDB: 4.8, RT Aud: 24%, RT Critics: 22%

Fred Flintstone (John Goodman) and his best friend Barney Rubble (Rick Moranis) work together at the Slate and Company Rock Quarry.



Getting Even with Dad (1994) 3,0,3,100

IMDB: 4.7, RT Aud: 25%, RT Critics: 3%

Overly formulaic and tonally inconsistent, Getting Even with Dad tries for a sentimental conclusion it doesn't earn and winds up a slapsticky cash grab aimed at fans of Home Alone.



Highlander: The Final Dimension (1994) 0,0,1,100

IMDB: 4.4, RT Aud: 28%, RT Critics: 5%

This theatrical sci-fi action tale is actually the first in a series of direct-to-video features derived from re-edited episodes of the syndicated television show Highlander (1992-1997).



I Love Trouble (1994) 6,1,6,100

IMDB: 5.2, RT Aud: 32%, RT Critics: 19%

Their hesitant partnership takes on new dimensions when circumstance forces them to pretend to be lovers in this modern attempt at screwball comedy.



In the Army Now (1994) 2,0,0,100

IMDB: 4.8, RT Aud: 44%, RT Critics: 6%

This 1994 Pauly Shore vehicle stretches its star's thin shtick to the breaking point with a laugh-deficient screenplay that borrows shamelessly from Bill Murray's far superior Stripes.



Intersection (1994) 10,9,2,100

IMDB: 5.3, RT Aud: 40%, RT Critics: 9%

Intersection was an American adaptation of the 1970 French drama Les Choses de la Vie.



Leprechaun 2 (1994) 1,0,6,100

IMDB: 4.5, RT Aud: 28%, RT Critics: 0%

He captures hapless Colleen.



Lightning Jack (1994) 13,3,10,100

IMDB: 5.4, RT Aud: 46%, RT Critics: 5%

In this western comedy, a laid-back petty desperado, Lightning Jack Kane and his mute sidekick ride around and get into trouble.



Major League II (1994) 8,2,6,100

IMDB: 5.5, RT Aud: 45%, RT Critics: 4%

In this sequel to the 1989 comedy hit, the uninhibited ballplayers of the Cleveland Indians manage to rise to victory once again.



Milk Money (1994) 12,2,0,100

IMDB: 5.5, RT Aud: 37%, RT Critics: 7%

Young Frank Wheeler (Michael Patrick Carter) first meets working girl V (Melanie Griffith) when he and two friends pool their money to buy a glimpse of a naked woman.



Mixed Nuts (1994) 10,10,1,100

IMDB: 5.4, RT Aud: 46%, RT Critics: 7%

Mixed Nuts may provoke strong allergic reactions in all but the most undemanding filmgoers -- and the most forgiving Steve Martin fans.



The Next Karate Kid (1994) 0,0,6,100

IMDB: 4.4, RT Aud: 24%, RT Critics: 7%

The Next Karate Kid is noteworthy for giving audiences the chance to see a pre-Oscars Hilary Swank, but other than a typically solid performance from Pat Morita, this unnecessary fourth installment in the franchise has very little to offer.



North (1994) 0,0,1,100

IMDB: 4.4, RT Aud: 27%, RT Critics: 14%

Laden with schmaltz and largely bereft of evident narrative purpose, North represents an early major disappointment from previously sure-handed director Rob Reiner.



On Deadly Ground (1994) 0,0,0,100

IMDB: 4.4, RT Aud: 34%, RT Critics: 10%

Action star Steven Seagal makes his directorial debut in this environmentally conscious actioner.



Texas Chainsaw Massacre: The Next Generation (1994) 0,0,1,100

IMDB: 3.2, RT Aud: 17%, RT Critics: 15%

More of an updated remake than a sequel to 1974's Texas Chainsaw Massacre, this slasher outing again centers on one young woman with an iron will for survival in the face of the unspeakable horrors occurring within the home of an inbred family of cannibals.



The Scout (1994) 12,2,12,100

IMDB: 5.3, RT Aud: 21%, RT Critics: 21%

After several weeks filming The Scout in the late 1970s, star Peter Falk and director Howard Zieff abandoned the project.



The Specialist (1994) 6,0,3,100

IMDB: 5.5, RT Aud: 28%, RT Critics: 7%

This over-the-top star vehicle for box office draws Sylvester Stallone and Sharon Stone went through a series of directors before landing in the hands of Luis Llosa.



Street Fighter (1994) 0,0,2,100

IMDB: 3.8, RT Aud: 20%, RT Critics: 17%

Though it offers mild entertainment through campy one-liners and the overacting of the late Raul Julia, Street Fighter's nonstop action sequences are not enough to make up for a predictable, uneven storyline.



Terminal Velocity (1994) 9,1,8,100

IMDB: 5.4, RT Aud: 21%, RT Critics: 16%

The film's climactic highlight involves a spectacular free fall using two planes, and a Caddy with a locked trunk.



Wagons East (1994) 5,1,0,100

IMDB: 4.7, RT Aud: 31%, RT Critics: 0%

Wagons East! is a witless, toothless satire of Westerns that falls far below the standard set by Blazing Saddles, and is notable only for being John Candy's final screen performance.



Another Stakeout (1993) 11,0,12,100

IMDB: 5.5, RT Aud: 28%, RT Critics: 13%

In this sequel to Stakeout, cops Richard Dreyfuss and Emilio Estevez are searching for a Mafia witness who disappeared after an attempt on her life.



The Beverly Hillbillies (1993) 2,0,2,100

IMDB: 4.9, RT Aud: 31%, RT Critics: 22%

Watch for celebrity cameos--including TV's Jed, Buddy Ebsen, as Barbaby Jones!



Body of Evidence (1993) 0,0,0,100

IMDB: 4.4, RT Aud: 22%, RT Critics: 8%

Body of Evidence's sex scenes may be kinky, but the ludicrous concept is further undone by the ridiculous dialogue.



Born Yesterday (1993) 12,3,9,100

IMDB: 5.1, RT Aud: 27%, RT Critics: 26%

Thus, Brock hires bookish Paul Verrall (Don Johnson) to educate Billie.



Boxing Helena (1993) 1,2,4,100

IMDB: 4.6, RT Aud: 35%, RT Critics: 18%

Gradually, they are both forced to confront their inner demons in torrid scenes filled with passion, voyeurism and psycho-sexual torment



Coneheads (1993) 3,0,13,100

IMDB: 5.3, RT Aud: 37%, RT Critics: 33%

Listless, crude, and overall uninspired, Coneheads offers further evidence that stretching an SNL sketch to feature length can be tougher than narfling a garthok.



Cop & ½ (1993) 0,0,12,100

IMDB: 3.9, RT Aud: 34%, RT Critics: 15%

Less-than-arresting buddy yarn with Burt Reynolds as a police detective protecting an 8-year-old murder witness (Norman D. Golden II).



Dennis the Menace (1993) 6,0,9,100

IMDB: 5.5, RT Aud: 38%, RT Critics: 25%

Walter Matthau does a nice job as Mr. Wilson, but Dennis the Menace follows the Home Alone formula far too closely.



Even Cowgirls Get the Blues (1993) 1,2,7,100

IMDB: 4.3, RT Aud: 27%, RT Critics: 21%

Sissy travels to the Rubber Rose beauty ranch, also owned by The Countess, to shoot a Yoni Yum commercial.



Father Hood (1993) 10,4,5,100

IMDB: 4.8, RT Aud: 34%, RT Critics: 10%

Wherever they go crime and other troubles follow.



Indecent Proposal (1993) 13,5,12,100

IMDB: 5.8, RT Aud: 47%, RT Critics: 35%

Lurid but acted with gusto, Indecent Proposal has difficulty keeping it up beyond its initial titillating premise.



Look Who's Talking Now (1993) 0,0,1,100

IMDB: 4.3, RT Aud: 28%, RT Critics: 0%

Look Who's Talking Now: Look away.



Made in America (1993) 3,0,7,100

IMDB: 5.0, RT Aud: 30%, RT Critics: 28%

Richard Benjamin directed this farce that plays like "Guess Who's Coming for Insemination?"



Mr. Nanny (1993) 0,0,9,100

IMDB: 3.6, RT Aud: 33%, RT Critics: 7%

A former wrestler turned bodyguard is hired to protect a group of wealthy children in this predictable comedy.



Nowhere to Run (1993) 11,2,12,100

IMDB: 5.6, RT Aud: 32%, RT Critics: 27%

Nowhere to Run was co-authored by noted screenwriter Joe Eszterhas; Richard Marquand received his story credit posthumously.



RoboCop 3 (1993) 0,0,1,100

IMDB: 4.0, RT Aud: 14%, RT Critics: 3%

In this second sequel to RoboCop, the mechanical humanoid opposes the evil designs of his creators, who have gone corrupt and are trying to take over all real estate in Detroit, kicking the poorer citizens out of their homes and turning them out into the streets.



Sister Act 2: Back in the Habit (1993) 6,7,1,100

IMDB: 5.5, RT Aud: 61%, RT Critics: 6%

Though the plot is rather thin and derivative, Sister Act 2 is lighthearted fun, thanks to good musical numbers and winning performances from the cast.



Sliver (1993) 1,0,5,100

IMDB: 5.0, RT Aud: 28%, RT Critics: 11%

Sliver is an absurd erotic thriller with technobabble and posits prime Sharon Stone as a professional book nerd.



Son of the Pink Panther (1993) 0,1,0,100

IMDB: 3.8, RT Aud: 19%, RT Critics: 5%

Roberto Benigni is an undeniably gifted physical comic, but the misguided Son of Pink Panther betrays his energetic efforts with a painfully unfunny script.



Striking Distance (1993) 14,3,8,100

IMDB: 5.8, RT Aud: 35%, RT Critics: 14%

A maverick Pittsburgh policeman loses his job after he shares his suspicion that one of his colleagues is a serial killer.



Super Mario Bros. (1993) 0,0,3,100

IMDB: 4.0, RT Aud: 28%, RT Critics: 14%

Despite flashy sets and special effects, Super Mario Bros. is too light on story and substance to be anything more than a novelty.



Teenage Mutant Ninja Turtles III (1993) 0,0,6,100

IMDB: 4.8, RT Aud: 33%, RT Critics: 20%

It's a case of one sequel too many for the heroes in a half shell, with a tired time-travel plot gimmick failing to save the franchise from rapidly diminishing returns.



Weekend at Bernie's II (1993) 1,0,0,100

IMDB: 4.7, RT Aud: 41%, RT Critics: 10%

Bernie is stuffed into a suitcase, taken hang gliding, dances the tango, and even has women eyeing him.



3 Ninjas (1992) 4,0,13,100

IMDB: 5.2, RT Aud: 52%, RT Critics: 31%

The boys use their ninja training to break free and defeat the evil criminals in this family adventure.



Buffy the Vampire Slayer (1992) 9,1,6,100

IMDB: 5.6, RT Aud: 43%, RT Critics: 32%

In this hip horror comedy, a perky Valley Girl's life becomes like totally messed when she finds out that she is next in a long line of vampire slayers.



Christopher Columbus: The Discovery (1992) 6,4,2,100

IMDB: 4.4, RT Aud: 17%, RT Critics: 6%

Ironically, for a biopic about a voyage many associate with people accepting that the world is round, Christopher Columbus: The Discovery falls completely flat.



Cool World (1992) 1,0,0,100

IMDB: 4.8, RT Aud: 31%, RT Critics: 4%

Cool World throws a small handful of visual sparks, but they aren't enough to distract from the screenplay's thin characters and scattered plot.



Encino Man (1992) 12,4,1,100

IMDB: 5.7, RT Aud: 55%, RT Critics: 15%

Encino Man isn't the first unabashedly silly comedy to embrace its stupidity and amass a cult following, but whether or not it works for you will largely be determined by your tolerance for Pauly Shore.



The Lawnmower Man (1992) 5,0,12,100

IMDB: 5.4, RT Aud: 31%, RT Critics: 34%

The Lawnmower Man suffers from a predictable, melodramatic script, and its once-groundbreaking visual effects look dated today.



Man Trouble (1992) 7,6,3,100

IMDB: 4.6, RT Aud: 14%, RT Critics: 6%

Man Trouble has brilliant stars and the germ of an interesting idea in its favor, which makes the scattered, unfunny results even more of a disappointment.



Mom and Dad Save the World (1992) 14,2,2,100

IMDB: 5.3, RT Aud: 42%, RT Critics: 9%

Just after the evil Emperor Spengo (Jon Lovitz) imprisons King Raff (Eric Idle), he spots a California housewife (Teri Garr) through his telescope.



Pet Sematary II (1992) 1,0,12,100

IMDB: 4.8, RT Aud: 30%, RT Critics: 26%

When the vengeful dog kills Gus, Drew and Jeff bury the lawman in the cemetery and he comes back significantly the worse for wear, wreaking evil havoc that temporarily puts several of Ludlow's residents six feet under.



Stop! Or My Mom Will Shoot (1992) 0,0,1,100

IMDB: 4.1, RT Aud: 20%, RT Critics: 7%

The carefully maintained ultra macho image of a gruff L. A. police officer (Sylvester Stallone) crumbles when he gets a visit from his meddlesome, over-protective mommy (Estelle Getty) in this action comedy.



Toys (1992) 1,0,9,100

IMDB: 5.0, RT Aud: 39%, RT Critics: 26%

The general also stops production of the innocent Zevo products and forces the workers to manufacture violent interactive video games and sadistic war toys.



Cool as Ice (1991) 0,3,10,100

IMDB: 2.9, RT Aud: 41%, RT Critics: 7%

The leader of a motorcycle gang (rapper Vanilla Ice) falls in love with a small-town girl (Kristen Minter) and finds out that while her family is involved in the Witness Protection Program, they are being pursued by corrupt cops.



Freddy's Dead: The Final Nightmare (1991) 0,9,5,100

IMDB: 4.9, RT Aud: 33%, RT Critics: 20%

Adolescent therapist Maggie leads her patients on a trip to Springwood, hometown of her newest patient -- and vicious dream-killer Freddy Krueger.



Highlander II: The Quickening (1991) 0,0,2,100

IMDB: 4.1, RT Aud: 22%, RT Critics: 0%

At the end of Highlander, Juan Ramirez (Sean Connery) died and Connor MacLeod (Christopher Lambert) was rendered mortal.



Hudson Hawk (1991) 14,5,3,100

IMDB: 5.8, RT Aud: 56%, RT Critics: 26%

Michael Lehmann's critically-blasted, big-budget flop stars Bruce Willis as Eddie Hawkins, a master thief who is blackmailed into one final heist before retirement.



Mannequin: On the Move (1991) 1,1,3,100

IMDB: 4.2, RT Aud: 41%, RT Critics: 13%

Basically a retooling of the original Mannequin, this sequel begins with a medieval European maid (Kristy Swanson) who is separated from her lover by an evil queen.



Nothing But Trouble (1991) 1,2,1,100

IMDB: 4.9, RT Aud: 44%, RT Critics: 4%

Actor Dan Aykroyd made his directorial debut with this bizarre comic fantasy.



Problem Child 2 (1991) 0,0,0,100

IMDB: 4.6, RT Aud: 41%, RT Critics: 7%

Crude, rude, puerile, and pointless, Problem Child 2 represents a cynical nadir in family-marketed entertainment.



Return to the Blue Lagoon (1991) 3,5,0,100

IMDB: 5.1, RT Aud: 41%, RT Critics: 0%

Despite its lush tropical scenery and attractive leads, Return to the Blue Lagoon is as ridiculous as its predecessor, and lacks the prurience and unintentional laughs that might make it a guilty pleasure.



Scenes from a Mall (1991) 14,4,14,100

IMDB: 5.3, RT Aud: 25%, RT Critics: 32%

Their shopping trip -- originally intended as a chance to buy presents and prepare for that evening's anniversary party -- soon turns into a stress test when marital tensions rise to the surface.



V.I. Warshawski (1991) 7,1,8,100

IMDB: 4.9, RT Aud: 23%, RT Critics: 17%

Kathleen Turner stars as V.I.



The Bonfire of the Vanities (1990) 9,1,2,100

IMDB: 5.5, RT Aud: 26%, RT Critics: 15%

Meanwhile, indigent alcoholic journalist Peter Fallow (Bruce Willis), anxious for a story to make good with his editor, comes upon the hit-and-run tale through local black community activist, Reverend Bacon (John Hancock).



Fire Birds (1990) 4,8,4,100

IMDB: 4.7, RT Aud: 35%, RT Critics: 9%

Despite the talent on board, Fire Birds is little more than a subpar military adventure sporting video game-like action, outdated philosophy, and uneven acting.



Ghost Dad (1990) 1,0,0,100

IMDB: 4.3, RT Aud: 32%, RT Critics: 6%

A startlingly misconceived effort from director Sidney Poitier and star Bill Cosby, Ghost Dad is a listless, glacially-paced comedy that's alternately schmaltzy and incomprehensible.



Leatherface: Texas Chainsaw Massacre III (1990) 5,6,13,100

IMDB: 5.2, RT Aud: 32%, RT Critics: 18%

Another sequel of the cannibal with the human-skin mask.



Look Who's Talking Too (1990) 0,0,11,100

IMDB: 4.5, RT Aud: 32%, RT Critics: 14%

The film begins with James struggling to support his family.



Loose Cannons (1990) 7,10,6,100

IMDB: 4.8, RT Aud: 25%, RT Critics: 0%

The climax features young German officer Von Metz, who is seen putting Hitler to death.



Navy Seals (1990) 10,7,9,100

IMDB: 5.5, RT Aud: 43%, RT Critics: 19%

A non-winning military recruitment progaganda movie that happens to star Charlie Sheen and Michael Biehn.



Problem Child (1990) 4,0,0,100

IMDB: 5.3, RT Aud: 40%, RT Critics: 3%

Mean-spirited and hopelessly short on comic invention, Problem Child is a particularly unpleasant comedy, one that's loaded with manic scenery chewing and juvenile pranks.



RoboCop 2 (1990) 13,0,11,100

IMDB: 5.8, RT Aud: 36%, RT Critics: 30%

A new drug has surfaced in the crime-laden city of Detroit, causing crime to reach preposterous proportions so the laboratory inventors of Robocop (1) go back to their drawing boards and come up with a super version, Robocop 2--more powerful than its predecessor and therefore more capable of handling the problems afoot.



Rocky V (1990) 1,1,7,100

IMDB: 5.2, RT Aud: 31%, RT Critics: 27%

Rocky V's attempts to recapture the original's working-class grit are as transparently phony as each of the thuddingly obvious plot developments in a misguided installment that sent the franchise flailing into longterm limbo.



Captain America (1990) 0,0,14,100

IMDB: 3.3, RT Aud: 16%, RT Critics: 7%

Lacking a script, budget, direction, or star capable of doing justice to its source material, this Captain America should have been left under the ice.



Troll 2 (1990) 0,2,3,100

IMDB: 2.8, RT Aud: 43%, RT Critics: 5%

In this ultra-cheapo Italian knock-off a little boy tries to warn his family and friends that the evil trolls his late grandfather used to tell him about are real.



Friday the 13th Part VIII: Jason Takes Manhattan (1989) 0,1,3,100

IMDB: 4.6, RT Aud: 27%, RT Critics: 8%

Despite a very amusing "teaser" trailer that suggested that the film might be a semi-parody, writer/director Rob Hedden and company play things tediously straight.



The Karate Kid Part III (1989) 1,2,6,100

IMDB: 5.1, RT Aud: 35%, RT Critics: 15%

Inspiration is in short supply in this third Karate Kid film, which recycles the basic narrative from its predecessors but adds scenery-chewing performances and a surprising amount of violence.



A Nightmare on Elm Street 5: The Dream Child (1989) 2,4,9,100

IMDB: 5.1, RT Aud: 32%, RT Critics: 33%

A Nightmare on Elm Street 5: The Dream Child was followed by Freddy's Dead: The Final Nightmare, though Mr. Krueger popped up again in Wes Craven's New Nighmare.



No Holds Barred (1989) 1,2,3,100

IMDB: 4.3, RT Aud: 35%, RT Critics: 10%

Hulk Hogan, in an inarguably appropriate casting choice, plays a professional wrestler in this action-packed drama.



Pink Cadillac (1989) 8,4,14,100

IMDB: 5.3, RT Aud: 25%, RT Critics: 21%

Written by John Eskow, Pink Cadillac costars Timothy Carhart and Michael Des Barres.



The Punisher (1989) 14,1,10,100

IMDB: 5.7, RT Aud: 32%, RT Critics: 27%

Despite the seemingly indestructible Dolph Lundgren with a crossbow, The Punisher is a boring one-man battle with never-ending action scenes.



Shocker (1989) 8,3,12,100

IMDB: 5.4, RT Aud: 30%, RT Critics: 20%

In this horror film, the killer Horace Pinker (Mitch Pileggi) is finally captured and executed, only to be transformed into a vengeful spirit who possesses the bodies of innocent people and uses them to carry out his bloody deeds.



Star Trek V: The Final Frontier (1989) 4,2,3,100

IMDB: 5.4, RT Aud: 24%, RT Critics: 22%

Filled with dull action sequences and an underdeveloped storyline, this fifth Trek movie is probably the worst of the series.



Wild Orchid (1989) 1,11,1,100

IMDB: 4.5, RT Aud: 44%, RT Critics: 7%

Body Orchid is a tease-too-long, with overblown editing with an already slipping Mickey Rourke and unexperienced actress Carrie Otis.



Crocodile Dundee II (1988) 6,0,4,100

IMDB: 5.5, RT Aud: 37%, RT Critics: 10%

Using outback strategy, Dundee attempts to rescue his girlfriend.



Arthur 2: On the Rocks (1988) 2,1,5,100

IMDB: 4.4, RT Aud: 31%, RT Critics: 13%

The vengeful father (Stephen Elliott) of the justifiably jilted bride begins pulling a few crooked strings, and before long, Arthur is broke.



Caddyshack II (1988) 0,0,1,100

IMDB: 3.7, RT Aud: 17%, RT Critics: 4%

Handicapped by a family friendly PG rating, even the talents of Caddyshack II's all-star comic cast can't save it from its lazy, laughless script and uninspired direction.



Hot to Trot (1988) 5,7,5,100

IMDB: 4.4, RT Aud: 40%, RT Critics: 0%

After his mother's death, Fred P. Cheney (Bob Goldthwaith) must share the family financial business with his scheming stepfather Walter Sawyer (Dabney Coleman) in this misfired comedy.



Johnny Be Good (1988) 2,2,13,100

IMDB: 4.5, RT Aud: 29%, RT Critics: 0%

Anthony Michael Hall stars as Johnny Walker, a much sought-after high school football star whom every collegiate program wants for their own.



Mac and Me (1988) 0,3,2,100

IMDB: 3.5, RT Aud: 37%, RT Critics: 0%

Mac and Me is duly infamous: not only is it a pale imitation of E.T., it's also a thinly-veiled feature length commercial for McDonalds and Coca-Cola.



Poltergeist III (1988) 0,1,13,100

IMDB: 4.6, RT Aud: 22%, RT Critics: 17%

Poor little Carole Anne (played by Heather O'Rourke, who passed away four months before this film's release, thereby fueling the rumor that the film series was cursed, because every time one of the films was released, one of its actors died) is once again tormented by evil spirits in this special-effects laden second sequel to Poltergeist.



Young Einstein (1988) 6,1,5,100

IMDB: 5.1, RT Aud: 50%, RT Critics: 36%

Director and star Yahoo Serious loads the film with slapstick comedy, absurd sight gags, and even sneaks in a romantic subplot in which Einstein courts Marie Curie.



The Garbage Pail Kids Movie (1987) 0,0,9,100

IMDB: 2.7, RT Aud: 27%, RT Critics: 0%

An antique collector and his assistant discover a strange garbage can from outer space and accidentally unleash a slew of disgusting creatures known as the Garbage Pail Kids.



Ishtar (1987) 0,1,5,100

IMDB: 4.2, RT Aud: 37%, RT Critics: 34%

Lyle Rogers (Warren Beatty) and Chuck Clarke (Dustin Hoffman) are two hopelessly inept but forever hopeful New York tunesmiths.



Jaws: The Revenge (1987) 0,0,0,100

IMDB: 2.9, RT Aud: 14%, RT Critics: 0%

Illogical, tension-free, and filled with cut-rate special effects, Jaws 4 - The Revenge is a sorry chapter in a once-proud franchise.



Leonard Part 6 (1987) 0,0,11,100

IMDB: 2.2, RT Aud: 20%, RT Critics: 9%

Bill Cosby stars in this spy spoof as a retired secret agent who comes out of mothballs to stop a madwoman from total world domination.



Masters of the Universe (1987) 5,0,4,100

IMDB: 5.4, RT Aud: 40%, RT Critics: 17%

Dolph Lundgren stars in this live-action film version of the popular television cartoon series (based on a collection of Mattel action figures).



Police Academy 4: Citizens on Patrol (1987) 0,1,2,100

IMDB: 4.9, RT Aud: 37%, RT Critics: 0%

Utterly, completely, thoroughly and astonishingly unfunny, Police Academy 4: Citizens on Patrol sends a once-innocuous franchise plummeting to agonizing new depths.



Revenge of the Nerds II: Nerds in Paradise (1987) 3,0,6,100

IMDB: 5.0, RT Aud: 35%, RT Critics: 7%

It reunites most of the original cast and rounds them up for a trip to Fort Lauderdale for spring break, but Revenge of the Nerds II: Nerds in Paradise forgets to pack enough jokes or compelling characters to make it through its 89-minute running time.



Superman IV: The Quest for Peace (1987) 0,0,0,100

IMDB: 3.7, RT Aud: 15%, RT Critics: 11%

The Superman series bottoms out here: the action is boring, the special effects look cheaper, and none of the actors appear interested in where the plot's going.



Teen Wolf Too (1987) 0,0,8,100

IMDB: 3.2, RT Aud: 17%, RT Critics: 6%

Jason Bateman stars in this sequel to Teen Wolf as the original's cousin, Todd.



Club Paradise (1986) 6,8,8,100

IMDB: 4.9, RT Aud: 35%, RT Critics: 11%

In the meantime, the corrupt prime minister of the island (Adolph Caesar) plans to sell the lot to an international corporation.



Cobra (1986) 10,1,5,100

IMDB: 5.7, RT Aud: 42%, RT Critics: 16%

A renegade cop nicknamed Cobra (Sylvester Stallone) is assigned to destroy a serial-killer cult and protect the model (Brigitte Nielsen) who has the goods on them.



Howard the Duck (1986) 0,0,0,100

IMDB: 4.6, RT Aud: 38%, RT Critics: 14%

While it has its moments, Howard the Duck suffers from an uneven tone and mediocre performances.



King Kong Lives (1986) 0,3,12,100

IMDB: 3.8, RT Aud: 15%, RT Critics: 0%

In Dino DeLaurentiis' sequel to his 1976 remake, Kong meets his ideal mate--a giant female gorilla.



Soul Man (1986) 8,3,4,100

IMDB: 5.2, RT Aud: 33%, RT Critics: 13%

This comedy presents the story of a white college student who desperately wants to enroll in the Harvard Law School, but since his wealthy father refuses to help him pay the $54,000 he needs, so he begins taking tanning pills to darken his skin so he will be eligible to win the Bouchard Fellowship which is only awarded to African-American students.



Baby: Secret of the Lost Legend (1985) 12,8,13,100

IMDB: 5.0, RT Aud: 38%, RT Critics: 13%

Two American paleontologists traveling in the African jungle discover a surviving baby dinosaur in this family-oriented take on King Kong.



Friday the 13th: A New Beginning (1985) 0,2,7,100

IMDB: 4.8, RT Aud: 26%, RT Critics: 15%

The murderous spirit of Jason Vorhees lives on in this horror sequel, although the plot hinges on the mystery of whether the killer's body actually survives.



Gymkata (1985) 3,5,13,100

IMDB: 4.3, RT Aud: 39%, RT Critics: 16%

With scenic Yugoslav landscapes and the attractive Miss Philippines (Tetchie Agbayani) as Princess Rubali, the film offers some visual appeal as well as whirling martial arts choreography.



Perfect (1985) 2,3,13,100

IMDB: 4.3, RT Aud: 29%, RT Critics: 18%

His boss (real-life Rolling Stone editor Jann Wenner as himself) OK's the project.



Police Academy 2: Their First Assignment (1985) 11,5,13,100

IMDB: 5.7, RT Aud: 42%, RT Critics: 28%

This story begins as the misanthropic bunglers from the first film graduate and become rookie cops who inadvertently tear up the streets with their dopey (but still very popular) misadventures.



Red Sonja (1985) 1,0,3,100

IMDB: 5.0, RT Aud: 28%, RT Critics: 15%

Dull, poorly directed, and badly miscast, Red Sonja is an uninspired conclusion to Schwarzenegger's barbarian trilogy.



Bolero (1984) 0,7,1,100

IMDB: 2.8, RT Aud: 18%, RT Critics: 0%

When a young wealthy woman graduates from a British boarding school, she is determined to lose her virginity.



Cannonball Run II (1984) 2,2,5,100

IMDB: 4.9, RT Aud: 46%, RT Critics: 13%

This time, Burt Reynolds and Dom DeLuise are aided by a legion of celebrities (see cast list!



Children of the Corn (1984) 8,9,9,100

IMDB: 5.6, RT Aud: 40%, RT Critics: 36%

Children of the Corn's strong premise and beginning gets shucked away for a kiddie thriller that runs in circles.



Rhinestone (1984) 0,1,12,100

IMDB: 3.7, RT Aud: 35%, RT Critics: 15%

After a big-time country singer brags that she can turn anybody into a country-singin' star, she must attempt to make good on her boast with a cab driver.



Supergirl (1984) 0,0,2,100

IMDB: 4.4, RT Aud: 26%, RT Critics: 9%

The effects are cheesy and Supergirl's wide-eyed, cheery heroine simply isn't interesting to watch for an hour and a half.



Curse of the Pink Panther (1983) 2,13,13,100

IMDB: 4.3, RT Aud: 26%, RT Critics: 28%

New York City detective Clifton Sleigh (Ted Wass) is just such a man.



Staying Alive (1983) 0,2,2,100

IMDB: 4.5, RT Aud: 38%, RT Critics: 0%

This sequel to Saturday Night Fever is shockingly embarrassing and unnecessary, trading the original's dramatic depth for a series of uninspired dance sequences.



Stroker Ace (1983) 8,5,6,100

IMDB: 4.8, RT Aud: 52%, RT Critics: 20%

Burt Reynolds plays an arrogant, womanizing and mischievous Southern race-car driver in this fast-paced comedy that is rife with good ol' redneck humor.



Superman III (1983) 0,0,9,100

IMDB: 4.9, RT Aud: 23%, RT Critics: 25%

When not overusing sight gags, slapstick, and Richard Pryor, Superman III resorts to plot points rehashed from the previous Superman flicks.



Amityville II: The Possession (1982) 13,8,7,100

IMDB: 5.5, RT Aud: 35%, RT Critics: 5%

This prequel to The Amityville Horror portrays the "whys" and "wherefores" regarding the plightfully possessed Amityville house of terror as it describes a house full of unhappy people whose troubles breed troubles in a demon-generating atmosphere of creepy creations.



Grease 2 (1982) 0,0,4,100

IMDB: 4.2, RT Aud: 53%, RT Critics: 33%

Grease 2 is undeniably stocked with solid songs and well-choreographed dance sequences, but there's no getting around the fact that it's a blatant retread of its far more entertaining predecessor.



Zapped! (1982) 6,9,6,100

IMDB: 4.9, RT Aud: 39%, RT Critics: 6%

In this comedy, a science experiment goes awry, leaving high-school wiz Barney (Scott Baio) with telekinetic powers.



Piranha II: The Spawning (1981) 0,1,12,100

IMDB: 3.6, RT Aud: 11%, RT Critics: 6%

Flying and swimming mutant piranhas terrorize a tourist club, and a diving instructor and a biochemist team up to destroy them.



The Blue Lagoon (1980) 10,5,3,100

IMDB: 5.7, RT Aud: 53%, RT Critics: 9%

A piece of lovely dreck, The Blue Lagoon is a naughty fantasy that's also too chaste to be truly entertaining.



Can't Stop the Music (1980) 5,9,9,100

IMDB: 4.5, RT Aud: 37%, RT Critics: 7%

This musical chronicle purports to relate the legend of the formation of the disco group The Village People.



Meteor (1979) 6,9,8,100

IMDB: 5.0, RT Aud: 12%, RT Critics: 5%

Meteor is a flimsy flick with too much boring dialogue and not enough destruction. At least the pinball game is decent.



Caligula (1979) 4,6,1,100

IMDB: 5.3, RT Aud: 38%, RT Critics: 23%

Endlessly perverse and indulgent, Caligula throws in hardcore sex every time the plot threatens to get interesting.



The Bad News Bears Go to Japan (1978) 1,5,10,100

IMDB: 3.5, RT Aud: 28%, RT Critics: 0%

While there, the Bears find their way into mischief and Kelly finds love with a local girl.



Sgt. Pepper's Lonely Hearts Club Band (1978) 0,8,4,100

IMDB: 4.0, RT Aud: 44%, RT Critics: 15%

Pepper's Lonely Hearts Club Band.



Empire of the Ants (1977) 1,10,5,100

IMDB: 4.0, RT Aud: 26%, RT Critics: 0%

Wells, this unintentionally funny sci-fi horror thriller centers on the travails of foolish property buyers who unwittingly purchase land that is dangerously close to a nuclear waste dump.



Exorcist II: The Heretic (1977) 0,0,4,100

IMDB: 3.7, RT Aud: 12%, RT Critics: 17%

Hokey mystical effects, lousy plotting, and worse acting directly tarnishes the first's chilling legacy.



The Incredible Melting Man (1977) 1,8,13,100

IMDB: 3.9, RT Aud: 25%, RT Critics: 7%

Alex Rebar stars as the title character, the lone survivor of a mission to Saturn whose exposure to a strange alien illness leaves the flesh dripping off his body.



Casino Royale (1967) 3,6,12,100

IMDB: 5.2, RT Aud: 35%, RT Critics: 27%

A goofy, dated parody of spy movie clichés, Casino Royale squanders its all-star cast on a meandering, mostly laugh-free script.



Manos: The Hands of Fate (1966) 0,0,4,100

IMDB: 1.9, RT Aud: 19%, RT Critics: 7%

While on a desert excursion, a family encounters cultists who use human hands as sacrificial offerings to their god.



Santa Claus Conquers the Martians (1964) 0,0,3,100

IMDB: 2.6, RT Aud: 27%, RT Critics: 23%

The biggest, most brightly-wrapped gift under the colorful Christmas tree is a new digital restoration of the unforgettable 1964 B-movie Santa Claus Conquers the Martians, best known as the screen debut of actress/singer Pia Zadora.



Glen or Glenda (1953) 0,3,8,100

IMDB: 4.2, RT Aud: 33%, RT Critics: 34%

Glen or Glenda? remains an interesting artifact from one of Hollywood's more colorful careers -- albeit not one that holds up particularly well as a movie.